Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 12 x 12 inches, 30 x 30 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Ceramic Sculpture by Cha Wa Sook. 18h x 16w x 4d inches, 46h x 40.5w x 25.5 cm.

Porcelain Cube Tower Vase in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The body subtly tapers at the top and bottom. This vase makes a great set when combined with the Lee Min Kyu Porcelain Bowl (Stock #0388), as seen in the last photo here. Height: 15.5 inches, 39 cm; Circumference: 18 inches, 45.5 cm.

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

Set of Four Wood-Fired Cups by Kim Young Mi. Dimensions of the largest cup: 6 inches wide x 3 inches high, (15cm wide x 7.5 cm high).

White Celadon Jar Number Two by Kim Young Mi. This beautiful and unusual shade of celadon is achieved by the artist's skillful manipulation of the glaze. 7.5h x 7w inches, 19h x 18w cm.

Kim Young Mi, Wood-Fired Unglazed Porcelain Two. Kim Young Mi subjects these pieces to eight wood-firings, until the ash from the firing has performed all of its organic magic on the surfaces of these living, breathing works of art, giving incomparable texture and color to her nature-loving forms. Kim Young Mi renews the pristine artistic intention of humanity...

Kim Young Mi, Wood-Fired Unglazed Porcelain One. Kim Young Mi subjects these pieces to eight wood-firings, until the ash from the firing has performed all of its organic magic on the surfaces of these living, breathing works of art, giving incomparable texture and color to her nature-loving forms. Kim Young Mi renews the pristine artistic intention of humanity...

This piece was just recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, the first exhibition on this subject in New York. Kang Jong Sook is easily the most ubiquitous Korean ceramic artist in America. She has been at the forefront of the contemporary ceramic art scene in New York for two decades now. Kang has had solo exhibitions at the Hammond Museum, Montclair State University Museum, Bratislava Museum, Dai Ichi Gallery, and Tong In Gallery, among others...

Kim Young Mi Celadon. The color of this organic form is stunning, and upholds a long tradition of beautiful Korean celadons. Kim Young Mi says, "My ceramic works are a form of meditation - my humble attempts to live in grace like an open vessel, empty and yet full, of giving and receiving." Kim Young Mi's ceramics, with her inner thoughts woven into the clay, are the end results of her meditation. They quietly stir the human heart. They transform ordinary clay into the extraordinary...

Joo Ji Wan's meditative groups of celadon cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form. Her work was recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, and it was her work alone that was chosen for the cover of the exhibition catalogue...