Kawase Hasui Matsushima
Date: 1930s.
Publisher: Watanabe Shozaburo.
Print size: Approximately 5.75 x 3.75 inches.
A Japanese woodblock print tipped along its top edge to a 7 x 5 original card.
Red Hasui seal at lower right.
"Made in Japan" stamped on verso of print.
Reference: Hotei #Hp-43.
Condition: Card edges are slightly toned and creased.

Japanese Satsuma Earthenware Vase, Ca. 1920, early Taisho period, "Hotoda" signed, 6 1/2" high, 4 3/4" wide include handles, fine detailed decoration of Dragon and Rankans between nice fine gold background. The condition is good.

Japanese Satsuma Earthenware Koro, Incense Burner, on Tripod feet and two(2) Elephant Handles, signed "Senzan", Ca. Meiji period 1910, 5" high include Foo Dog top, 6 1/4" wide include 2 handles, ladies and Gentlemen in Japanese traditional clothes within several circles between multiple bands of flowers, Gold Foo Lion knob and 3 heart shape openings on top. The condition is good except tiny frit inside the rim on the bottom piece.

Kawase Hasui (1883-1957)
Snow at Mukojima
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1931.
Publisher: Watanabe Shozaburo.
Watanabe round 6 mm seal at lower left, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #261.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder.
One of Hasui's most loved snow scenes.

Kawase Hasui (1883-1957)
Evening Rain in Kawarago
Date: 1947
Size: Oban. Approximately 14.75 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe 6mm seal at lower left corner. Used 1946-1957.
Reference: Hotei #504.
Stamped "Original works of art" on back.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil notation at upper right margin. Partial stamp at lower right margin.

An interesting pair of Japanese Arita saucer form dishes decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

A rice bowl and its accompanying cover cum small sauce dish dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. The exterior of the bowl and cover are decorated with a turquoise green brocade ground which is intended to simulate a Chinese enamelled scrafitto pattern of the period...

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords...

Chinese Tang dynasty (618-907) pottery tomb figure depicting a male attendant with short beard and mustache dressed in a belted gown and wearing a red hood. 8 3/4" high. Very good overall condition with cold painted facial features and much original pigment remaining. Typical losses. The flat base is sightly slanted so the figure does not stand upright without a support. From an old Tucson, Arizona collection. Purchased from a California gallery in the 1990s.

A rare, attractively enamelled, figure of the Bodhisattva and Japanese "Goddess of Mercy", Kannon.. Unusually, she is seated on a large boulder inhabited by a writhing white glazed dragon...

A crow stands stark against a dark landscape, the last vestiges of autumn clinging to frozen branches as the landscape settles with snow. Below water surrenders to gravity as it drops into the unseen depths. Ink and light color on silk in a green silk border patterned with tangled vines and featuring stag antler rollers. It is 19 x 76-1/2 inches (48 x 194 cm) and in overall great condition...

Antique Japanese scroll painting, with an arrangement representing a bounty of good fortune. Fish top a bushel of rice and are tied with roped straw in an auspicious presentation meant to bring in a bounty of fortune. Adding to it, three of the Lucky Gods make an appearance in miniature, treating the decoration as if it were a boat or their ship of good luck. Sumi ink on silk. Dates from 18th century.

Dimensions: Total size: 44" high x 22 1/4" wide (24 1/2" wide including ends)...

This is an extremely rare cloisonne masterpiece. It was created by one of the great Meiji artists, Ogasawara Shuzo. It is also a very large piece for cloisonne, at 14 3/4 inches wide and 7 tall. It probably weighs over 10 lbs. The entire dragon is raised relief. This is an eye catching piece that truly belongs in a Museum. Condition is excellent.

Japanese two section tansu made of Kiri (paulownia) natural finish wood. With hand forged iron hardware incised with motifs of cherry blossoms and fans.

Meiji period (1868-1912)

Dimensions: 34 1/2" x 15 3/4" x 40 1/2"

Antique Japanese scroll painting of a monkey seated near a blossoming peony. Painted with great expression and much attention to the details of the face, hands and feet of the monkey. Every hair is carefully brushed. Painted in light mineral colors and ink on silk. Bone ends. Signed Mori Sosen (1747-1821) with seal.

Edo period (1603-1868)

Dimensions: Total size: 44" high x 18 3/4" wide (20 1/2" wide including ends. Size of art: 12 3/4" high x 14 1/2" wide.

Frank Brangwyn and Yoshijiro Urushibara
Venice, Golden Morning
Size: Oban. Approximately 15.25. x 10.25 inches.
Date: 1924
Edition: First and only.
Yoshijiro produced this woodblock print from a watercolor by Brangwyn as part of their famous collaboration.
Signed in pencil by both Brangwyn and Urushibara. Initialed by Brangwyn within image.
Reference: UB27 in Chapman and Horner.
Medium: Japanese woodblock print.
Condition: Excellent.

This is a very unusual Japanese Cloisonne vase that looks more like a porcelain blue and white vase. The vase has a mix of silver wire and wireless enamel work. The vase is heavy and has a nice glossy sheen. The rims have an unusual dark chocolate patina to them. It stands 9 5/8 inches tall and is 6 1/2 inches wide. Overall condition is very good but there are two short lines in the narrow white area just above the scroll on the base.

A selection of three sake cups by Tanoue Shinya encapsulating the various characters fo this artists work. Each comes enclosed in the original signed wooden box. 700 dollars for all three or:
a) White W2.5(7cm) H2(5cm) 250.00
b) Blue W3.5(9cm) H2(5cm) 300.00
c) White W3(8cm) H1.5(4cm) 250.00
Tanoue Shinya was born in Kyoto, the cultural heartland of Japan in 1976...