GLENDONITE 02

Unique formed glendonite as a pseudomorph of calcite (ikaite) from Hokkaido, Japan, called 'Gennoishi' (lit. 'Hammer stone'). approx...

GLENDONITE 01

Unique formed glendonite as a pseudomorph of calcite (ikaite) from Hokkaido, Japan, called 'Gennoishi' (lit. 'Hammer stone'). approx...

Antique Japanese kannon biraki isho tansu (chest on chest for clothing with hinged doors). Made with kiri (paulownia) wood on the front with sugi (cryptomeria) wood on the sides, top and interior. The top section has two hinged doors which open to reveal two interior drawers. The bottom section has two large exterior drawers of different sizes. The lower right hand corner has a safe box with a hinged door and two small interior drawers...

A 19th Century Japanese six panel screen of Nara preparing for the Matsuri Wakakusa Yamigaki festival. This elegant bird's eye view of the city of Nara in the Edo period depicts a scree of village life in preparation for the traditional rice festival. Dancing and drinking are on display and the excitement fills the air with anticipation. The Nara temple is the major sponsor of the activities. The temple is open to patronage and veneration. This festival celebrates the rice harvest for the city...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment...

Japanese Edo period woodblock print titled “Azuma Shrine and the Entwined Camphor” (#31) depicting boats passing through the Jukkengawa Canal with cherry blossoms lining the embankment from the series “One Hundred Views of Famous Places in Edo” by Utagawa Hiroshige (1797-1858) published by Uoya Eikichi (Uoei) in 7/1856. Paper: nearly 14” x 9 3/8” (image: 13 3/8” x 8 5/8”). Very good color and overall condition...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds...

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking...

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C

Japanese Nabeshima ware porcelain dish decorated with a bird on a branch looking over a pond of omodaka (water plantian). The dish stands on a high, deeply recessed foot with outer "comb" cobalt blue design around its edges.

Dimensions: 8" diameter

Date: 19th Century

An exquisite vessel by Bizen legend Yamamoto Toshu enclosed in the original signed wooden box titled Bizen Meipin. The form is perfection, covered with a dusting of ash revealing a flame colored eye on one side, everything about the proportions timeless. This is a piece I could wax on for hours about, but will leave that up to the viewer. It is 8 inches (20.5 cm) tall and in perfect condition.
Yamamoto Toshu (1906-1994) began working in a pottery at the age of 15...

Ko-sometsuke porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). A small Japanese porcelain plate glazed with 3 images of a person on an island, a row boat and mountain.

Dimensions: diameter 6" X 1.5"

Date: 17th C

Okuyama Gijin (Yoshito) (b. 1934)
Ginkakuji
Date: ca 1950s.
Size: 19 x 9.75 inches.
Self-published by the artist.
Signed in pencil and sealed.
Medium: Japanese woodblock print.
Condition: Excellent. Slight margin creasing and wave.

Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815. Kiwame censor’s seal. Paper size: 14" x just under 10." Very good overall condition and color with some typical minor wear. There is wormage evident that is well disguised and stabilized by an album backing. The print is tipped at the top two corners to a backing sheet b...

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper. The base ext...

A fine old ceremonial sake pourer, hisage, hand made from copper and decorated with shochikubai (pine, plum and bamboo), minogame and cranes. Also present are two prominent Tokugawa family crests and on the handle three 16 petalled chrysanthemum crests and another on the rear handle mount. 19th century or earlier. Fine work.

The body of the pourer has probably been raised from one sheet of copper. It is quite thick-walled and notabley the section grows thicker at the edges, as does the ha...

This is a Japanese antique natural Safflower dyeing katazome cotton & shibori kimono of the edo-Meiji era. There is a change of color that oozes out of safflower dyed cotton. but there is no damage. They are not disturbing, and as a whole it is in very good condition. Around the hem and the part of the okumi and the red part of the cuff are muslin. Shibori under the sleeve is cotton. Size:Length:150cm / 59.0inch Cuff to cuff, across the back: 120cm / 47.2inch

An amusing tonkotsu, a container for tobacco, skillfully carved in wood as a man emerging from a basket! His clasped hands pierced to allow a suspension cord, not present. The eyes are inlaid and the base has a mother of pearl signature tablet.

A 20th century production but hand carved.

Approximately 12.5 cm high. In fine condition

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China mus...