Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature...

This is japanese antique tsutsugaki Thick shirushi hanten jacket of the indigo dye at the Meiji era. (1868-1912).This is a hanten jacket specially ordered by the store, which had a warehouse to manage and store products in the Meiji era. There is one inside pocket. It can be worn and enjoyed. Cotton is wonderful and valuable. It is very warm touch. The motif of the (kura)Warehouse of the family crest and is very Charming & impressive. There is a little stain. However, the state is very good...

Red and Blue Rivulets drip down over green melding into the ashen gray textured glaze on this Tea Jar by Sakuchi Ensen enclosed in the original signed wooden box. It is 25.5 cm (10 inches) diameter, 28.5 cm (11-1/4 inches) tall and in excellent condition. The box top is lightly stained.
Sakuchi Ensen (B. 1922) began on the path of the potter in 1946, searching to create something unusual in the hills of Okayama...

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

This is Japanese Antique Textile Excellent sashiko stitch Farmer's Vest at the Meiji era.(1890~1910). It is the one in the hirosaki provinces in Aomori Prefecture.The indigo dyed cotton and white thread are wonderfully beautiful. All sashiko is embroidered by the hand. It is an exact wonderful, beautiful motif. It is very gorgeous. The state is very excellent and beautiful. Sasahiko of a white string is very valuable in the indigo dye...

This is Japanese katazome & shibori Child kimono in Edo period(1800-1868).A very auspicious design of pine, bamboo and plum, a blessing for children. There is neither stain nor damage. It is very fine quality and a beautiful child kimono. size:Length:90cm (35.4inch) / Cuff to cuff, across the back:89cm (35inch)

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

Height: 3.2 cm (1.3 in)
Width: 2.5 cm (1 in)
Depth: 3.5 cm (1.4 in)

Early angular form netsuke of a monkey handler; carved from natural material; a monkey clings to the back of his handler; age lines; good condition

Antique Japanese Edo period 1600-1868, Samurai war hat Nirayama Jingasa kabuto made of finely hand-woven bamboo fiber with a black lacquered exterior, adorned on each side with gold samurai nobility family crest - moon. The interior is lacquered with red urushi...

Buddhist lion in gilded bronze. Japanese work from the Edo period (17 ° -19 °) difficult to date with precision. However the style of the round patches of the coat does not seem to me to be 17 °, it is more reasonable to think 18 ° -19 °. The cast iron is of good quality and very thick which makes it very heavy (18 kilograms). The bronze was hot gilded with mercury and then covered with translucent lacquer which gives an orange color...

A Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire. The Konsei blended clay creates a unique texture. The coloration on thi piece makes it stand apart from its contemporaries. Very unusual and striking combination of raw clay, orange, black and a few crystaline beads of green glazz around two white eyes. It is 29 cm (11-1/2 inches) tall, 15 cm (6 inches) diameter and in excellent condition, directly from the artist...

Kozuka in sentoku inlaid with silver, gold plated strip (not gilded) details inlaid in solid gold. This is one of the 24 Chinese legends on filial piety, that of Mo-So who brings a tasty bamboo shoot to his old mother in the middle of winter...

Certainly Choki the devil hunter emptying his sack, it is funny to see the three devils captured and emptied from the sack depicted on the inner side of the kozuka, so the artist has cleverly increased his reading page using the reverse side as well.Many goldsmith techniques used. Partly golden. Sentoku silver and solid gold inlays. Probably Meiji period late 19th century. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. ...

Kozuka shibuichi inlay with gold and silver. I think ,with this large hat and sword that's Chokki the Oni hunter.The reverse striped simulating rain what would explain the large hat? Signed on side. Excellent quality. Excellent quality.Probably Meiji period. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. Fine condition. About 100x15mm.

Iron kozuka inlaid with a bronze or brass paddle wheel and waves.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dimensions about 100x15 mm

Five unique plates by Tomimoto Kenkichi, from various eras depicting bucolic scenery each uniquely signed on the back. Kenkichi changed his signature regularly, which makes it very easy to date his works. These date from the 1950s. Each is between 18.5 and 19.5 cm diameter (roughly 7-1/2 inches). One has a slight firing flaw near at the rim, otherwise they are all in excellent condition. A smaller 6th plate will be included, bonus.
Tomimoto Kenkichi (1886-1963) is one of Japan's fin...

Iron kozuka inlaid with a bronze or brass lobster.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dilmensions about 100x15 mm