Very interesting antique Aka Raku Bajyohai Tea Bowl, made with a rare long foot. Bowls like this are called 馬上杯, Bajyohai: Rider's Cup. Its form makes them convenient for the ancient horse-riders to drink tea from.

Our Tea Bowl was made in the early stage of the last century during the Japanese Meiji Period (1868-1912).

No chips or cracks.

Size: 12,5 cm height x 11,5 cm in diameter.

Shipping included

The playful form of this pottery work by the ever lively Yangaihara Mutsuo seems to be overfull with joy, weeping out from the bottom to form a puddle below. It is enclosed in the original signed wooden box titled Kuro Oribe Choko and dated 1992. The vessel is 39 cm (16 inches) tall, 19 x 17 cm (7-1/2 x 7 inches) across the base and in excellent condition. This is a rare opportunity for one of the more greatly collected artists of recent years...

Antique Japanese 2-section kaidan tansu, or step/stair chest of drawers. Made of solid Keyaki (elm) hardwood, the bold woodgrain is well-complimented by the original deep red lacquer finish and heavy iron hardware. With original set of keys.
Exhibited at the Prestigious SF Fall Art and Antique show, 2017.

Meiji Period (1868-1912)

Dimensions: 55" L x 26 1/8" D x 80" H

This is truly a great Meiji Era Japanese satsuma vase. Look very close at the images and notice the extraordinarily fine detailing in the scenery etc. This masterpiece stands just 3 5/8 inches tall. Signed Yabu Meizan and in nearly mint condition.

This is a very fine Japanese cloisonne vase done in the style of Namikawa Yasuyuki. It is not signed but we believe it was made by Honda, another great Meiji era artist. The enamels are rich in color and this heavy vase has a superb high gloss sheen. It stands 4 3/4 inches tall and is in excellent condition.

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

Paul Jacoulet
Hokkan-zan, Seoul, Coree (Hokkan Mountains, Seoul, Korea)
Date: December 6, 1937.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with tea jar seal.
Edition: 144/350.
Carver: Maeda. Printer: Honda.
Reference: Print #45 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent color and condition. The back margin edges are toned. The back top margin has three pieces of archival tape.

A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children...

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts...

Height: 3.5 cm (1.3 in)
Length: 4.2 cm (1.7 in)
Depth: 2.2 cm (0.8 in)

Japanese dragon fish netsuke modelled in the form of a Mokugyo bell; natural material; inlaid horn eyes; signed within an oval panel

Antique Japanese tansu from the Iwayado area. Made with Sugi (cypress) wood frame and dramatic Keyaki (elm) burl front panels, in original red/orange lacquer finish. The extensive iron plating is incised into flowers and Kiri leaves; The top drawer features a large flying Phoenix as its lock plate...

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail...

“I am here” she whispers as the bespectacled gentleman pours the last drops from his bottle and says “I am going home”…a lithograph by Kei Hiraga numbered 50/120 and signed Key Hiraga ’88 with the artist’s seal in red. The paper sheet, matted and framed, measures 50.5 x 42 cm (20 x 16-1/2 inches) and is in excellent condition. This is an superb example of his work, showing both his eros and playful nature in the abstracted figuration for which he is most remembered...

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo...

Rimpa paint on Hinoki wood carving of Daruma. With polychrome hooded robe, decorated in tessellating pattern of gilt dragon mon and scrolling clouds on red ground. His face is painted in a fleshy tone, with painted mustache, beard, and exposed chest hairs. The iconic eyes are reverse painted glass. He stands on a blue ground painted cloud platform.

Late Edo Period (1603-1868)

Dimensions: 15 3/8" x 10 3/4" x 29" H