THREE LASTS

Lasts for 'Yuki-gutsu' as traditional Japanese snow boots made of straw.
Rustic and beautiful. Well-used and warmhearted 'mingei' tools as seen.

Large: approx. L 48cm (18.89in), W 10cm (3.93in)
Small: approx...

Early vintage albumen print of the two large bronze Kannons near the Senso-ji Temple in Asakusa, Tokyo, with children. Numbered in Japanese "277". Mounted on coeval cardboard. Condition: fine, minimally faded, left border of photo with a small loss. Dimension: photo: 21.4 cm x 27.4 cm, cardboard: 34.8 cm x 43.9 cm.

Toko Shinoda (b. 1913)
Title: Autumnal
Size: Approximately 28.5 x 20.5 inches.
Date: 1990s-2000s.
Edition: 16/38.
Medium: Lithograph with brushstrokes.
Condition: A very slight difference in the tone of the white outside the image area. The print was once matted.

Rare and early vintage albumen print of the Shimbashi Railway Station in Tokyo, with festive decoration and banners wearing the imperial seal "kiku-mon". The Tokyo to Yokohama rail line opened on 14th October 1872, with a great ceremony as the emperor took the first official ride, arriving at Shimbashi Station in a Western carriage. Mounted on coeval cardboard. Condition: fine, minimally faded, a tiny hole. Dimension: photo: 20.1 cm x 25.9 cm, cardboard: 34.8 cm x 43.8 cm.

Thick shima-cho, a sample book of cortton shima (stripes) with about 870 fragments. The age is written on the cover "Meiji 3 (1870), however the age of the fragments range from very late Edo (mid 19th century) to Taisho (1920s). The first 770 fragments are late Edo and Meiji (the second half of the 19th century) and the second 101 fragments are woven in Taisho period (1912~1925). In excellent condition. 16cm x 21cm x 5cm

Meiji (1868-1912) Japanese Seifu Yohei III Studio Porcelain Yellow Vase

It is 5.5 inches (14 cm) tall by 3.1 inches (8 cm) wide. It is 0.75 Lb.

It is in good condition with no repairs, chips or cracks, except rubbing of gold and stains (as seen in the photos).

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A lovely hollowed out root forming a basket; an anonymous 20th century work of Mingei art. It is roughly 18 x 13 x 10 inches (45 x 33 x 25 cm) and in fine condition.

A modernist form in white decorated with a simple zen circle by Yoshikawa Masamichi enclosed in the original signed wooden box titled simply Utsuwa (vessel) and dating circa 1985. The minimalist approach is a feature of this artists work, and accentuates the aesthetic Mono-no-aware (p an awareness of impermanence)and the circle on front seems to remind us “keep it simple”. It is 11 x 16 x 18 cm (4-1/4 x 6-1/2 x 7 inches) and in excellent condition...

A small bag made of deer skin with shibori (tie-dye) pattern. The brown color is dyed with the technique called "fusube-gawa". The deer skin is smoked with burning rice straws and gets brown color. Fusube-gawa is used for armors or wallets in Edo period. It has silk cords and lining. In excellent condition. Late 19th to early 20th century. 15cm x 18cm

One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has outdone himself with this Rose Oribe ceremonial tea bowl. Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615)...

Five Oribe plates of elongated rectangular form splashed with red by important contemporary potter Yamada Kazu and enclosed in the original signed wooden box titled Kakuyu Oribe Choho-zara. Kakuyu-oribe is a style developed by and unique to Kazu. Each is roughly 15 inches (38 cm) long and all are in excellent condition.
Kazu was born in Tokoname city, one of Japans ancient kiln areas, into a line of potters...

A large and elegant Wa-gumi basket by Yufu Shohaku signed on the base made up of alternating strips of finely braided bamboo rope and bands of raw bamboo. This is a dramatic work measuring 22 x 20 x 14 inches (56 x 50 x 35 cm).
Yufu Shohaku (b. 1941) is a second-generation bamboo artist from Beppu, the son of Yufu Chikuryu, putting him in the lineage of Sato Chikuyusai. Shohaku began making bamboo baskets in elementary school and achieved mastery by middle school...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high...

A rare English soft paste porcelain copy of a Ko Imari Kinrande Kikugata Bowl with janome, bulls eye base. This class of porcelain in Japan is usually attributed to the late Edo period, c.1750-1780. This particular bowl is attributed to the Worcester factory in the Marshall Collection at the Ashomolean Museum, but it is now thought that these bowls were manufactured at the Derby factory...

A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

Japanese Ceramic Hibachi, Showa period, early 1900's, 8 1/2" high, 9 1/2" diameter-top rim opening, 9 1/2" diameter-bottom, 13 1/2" widest middle area, with vertical blue and white stripes on the lighter powder blue background main body, and two open holes to keep the Hibachi utensils which stands on high black glazed stand, all in one(1) piece...

Japanese print of a woman holding a calligraphy paint brush, by Shiko Munakata (1903-1975). A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art...

Five completely unique bowls by important contemporary artist Yamada Kazu showing five unique aspects of Mino-ware enclosed in the original signed wooden box titled Meshiwan, Shino, Hikidashi guro, Oribe, Kiseto, Kakuyu Oribe and dating circa 2000. Each is roughly 5 inches (12.5 cm) diameter and all are in excellent condition.
Kazu was born in Tokoname city, one of Japans ancient kiln areas, into a line of potters...