An original pair of plaster Japanese Inari temple foxes. Crushed oyster shell finish with mineral paint detailing in traditional Shinto colorways : orange, purple, green. Each of the foxes has a soft pink underbelly. Wonderful original and complete condition...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period...

Framed Etching on paper with figures and whelms coming colliding. Black and white flowing imagery with shadowing and white space
Edition 8/23 Signed

Dimensions: 46 1/2" x 58"

Over the span of five decades, Oliver Lee Jackson has developed a singular body of work, creating complex and layered paintings in which figural forms meld with abstract fields of vivid color...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine...

Ohara Koson
Sparrow on a Vine of Wild Melon
Size: Chuban. Approximately 26.4 x 19.4 cm. 10.375 x 7.5 inches.
Date: ca. 1910.
Artist's signature and seal at lower right.
Publisher: Matsumoto (no. 398).
The signature and seal are unusual, but the contemporaneous Matsumoto catalog notes, "A most delicate and charming picture. The fine workmanship is visible in every touch...

A carved wooden bowl wrapped in floral motifs dating from the early 20th century signed beneath by the carver. The dimensional imagery depicts lotus leaves, lotus root and clusters of Biwa (loquat) fruit. It is 21 x 20 x 5 cm (roughly 8 inches diameter, 2 inches tall) and in overall excellent condition.

Phoenix soar among golden clouds on this amazing Lacquer box made for holding a Tsuzumi drum by Miura Meiho (1900-1975) enclosed in the original signed wooden box titled Houn Maki-e Tuzumi Bako. It is bound with silk chord which is held to the box with solid silver hardware. Inside it is lined with brocade. The box is 30.5 x 24 x 24.5 cm (12 x 9-1/2 x 9-1/2 inches) an is in perfect condition.

Ash simply blankets this vessel by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tetsuki Hanaire. It is 29 cm (just less than 12 inches) tall, roughly 5 inches diameter and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki. She took a job as a ceramic painter's assistant at a young age...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku...

Tsuchiya Koitsu (1870 - 1949)
Lake Kawaguchi
Date: 1933.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

STONE PHALLUS

20th century, Japan. 24.5 x 8.5 x 6.5 cm (9.64 x 3.34 x 2.55in).


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be ...

An organic form of striated growth by Yamaguchi Mio enclosed in the original signed wooden box. It is created by forming hundreds of small petals and slowly building up the form, in the same way that nature would grow barnacles on a rock, one at a time, expanding slowly, over eons. Many of her works are quite large, this is manageable in size at 21 x 17 x 27 cm tall (8 x 7 x 10-3/4 inches) and is in excellent condition, from the artist this year.
Yamaguchi Mio was born in Aichi prefectu...

Enigmatic script rises like fingerprints from the surface of this vertical black monolith by Shigemori Yoko dating from quite early in her career titled Autumn Field. The piece is slab-formed, the slabs pressed over a surface inscribed with mysterious scrawling and texts, one feels it possible to read, but it proves elusive. Like much of her work it is raw, Like garage band music. There is no other decoration, a powerful statement which staggers to one side. It is 14 x 17 x 40 cm (7 x 6 x 16 i...

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...