Han-gappa (short jacket) made of kuzdu-fu whose wefts are kudzu fiber and warps are cotton. Kudzu is one kind of leguminous plant. The collar is made of imported wool. Han-gappa made of kudzu-fu was worn in summer and other ones with lining was for winter. The design of the straps show it was made after Tenpo era (1830∼1844）in Edo period, according to the "Kinsei Fuzoku-shi" Buttons are made of the horn of the water buffalo...

Okame standing in blue over-kimono with a sweet and cheerful facial expression. Her garment falls open a little, showing a red colored underkimono or liner, indicating her profession. Cradled in her arms is a large matsudake mushroom...

Kozuka in sentoku inlaid with silver and gold butterflies. Length 95mm. Edo period.

An antique Japanese Satsuma Jar that measures about 18" tall x 13" in diameter. The jar has the "thousand faces" design, skillfully executed in gold and raised moriage enamels. On one side is Kannon, the Buddhist Goddess, and on the other I believe it is the Immortal, Lu Tung-pin, who has the power to slay dragons and evil. Additionally there are eighteen Rakan, all of which have the same face. Also there is a dragon flying beneath the Kannon...

A male figure sitting in ceremonial kamishimo dress of a striped hakama (pants) and a golden kataginu (vest) over a red kimono, his head shaped like the top of an erected penis.

Soft molded earthenware, painted in cold-applied colors and gold and silver.

Japan, 1960s or earlier.

H 4 in.

Colors and metal pigments chipping, otherwise good condition. Because of the cold application, the colors are fragile and easily wash away.

Rare subject matter

A modern, elegant openwork flower basket, Hanakago, by Tanabe Chikuunsai II (1910-2000). *Material: Madake bamboo, rattan, lacquer. Hexagonal shape at the base. The weaving is made employing bamboo split in extremely thin strips. *Signed Chikuunsai zō (made by Chikuunsai) It comes with the original lacquered bamboo water receptacle Otoshi and Tomobako storage box inscribed and signed by the artist. * From the 60’s...

1900's Japanese Satsuma Punch Bowl Signed Shuzan with Yasuda Trading Company

It is 5.9 inches (15 cm) tall by 11.9 inches (30.2 cm) wide. It is 5.7 Lb.

It has rubbing of paint and gold, stains, and surface wears and scratches (as seen in the photos).

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Old (1920's) Japanese Gilt Bronze Mixed Metal Koi Fish Signed

It is 3.5 inches (9 cm) tall by 9 inches (23 cm) wide. It is 737 gram (1.6 lb).

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A rock textured Kurinuki tokkuri compliments this guinomi selected to match by Inayoshi Osamu enclosed in the original signed wooden box. The Tokkuri is 5 inches (12 cm) tall, the Guinomi 2-3/4 inches (7 cm) diameter and both are in perfect condition, enclosed in the original wooden box from the artist this summer.
Inayoshi Osamu was born in Aichi prefecture, the heart of Mino country, in 1976...

A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background...

Grasses grow on the sides of this Tokkuri and accompanying Guinomi by Karatsu legend Maruta Munehiko, each piece enclosed in the original signed wooden box. The E-Karatsu Tokkuri is 11 cm (4-1/4 inches) tall. The E-Karatsu Guinomi is 7 cm (2-3/4 inches) diameter, 6 cm (2-1/2 inches) tall. Both are in excellent condition.
Maruta Munehiko was born the second son of Maruta Masami in Saga prefecture in 1961...

Fairly large bowl of irregular round shape with indentations in upper edge and openings in the side, decorated with a large red lobster. The spiny lobster is traditionally eaten during the New Year...

Ohara Koson
Roaring Tiger
Size: O-tanzaku...

MONKEY PARENT AND CHILD

Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx. H 22 x 13 x 11cm (8.66 x 5.11 x 4.33in)


selected by Jinta




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The Size: 12 1/4" High x 5" Dia Body, 5 1/2" Top. It is beautiful Japanese Ko Imari Vase with flare top and ruffled top. The workmanship is wonderful. It has Musha design (Samurai figure) with window on each side of vase. The vase is like a Satsuma body with crackle glazing. The between the window design, there are peony and pheasant design wonderful detail work. There are two pheasant birds design as well as Cherry blossoms, and mums design. The top vase has peony design. The condition of vase ...

Antique Japanese Ryukyu Cha Tansu (display and storage chest for tea items). Lacquered black and inlaid with Mother of Pearl (Raden) in intricate and extraordinarily fine designs of noblemen and scholars in pavilion gardens. The upper portion has a compartment with four sliding panels. Below this are two open shelves inlaid with larger designs of birds on a blossoming dogwood branch. The lower portion has a large compartment with two large dowel-hinged doors on the left side and a rounded ar...

Hiroshi Yoshida
Temple in the Wood
Date: 1940.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Toned paper. Corner margins have heavy creases.
Dedicated in top margin: "Captain and Mrs Tibbitts, Wishing a Merry X'mas and a Happy New Year - Gozo and Shiori"

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...