This is a beautiful Japanese satsuma bowl from satsuma master Yabu Meizan. The minute detail and workmanship are spectacular. The Detail in hand is finer and more impressive than what is shown in these blown up images. It displays very well but unfortunately the bowl was broken and repaired. The price for this bowl is a fraction of the price an unresstored Yabu bowl would bring...

This piece is made of red raku clay by old ways, it was fired among a large amount of charcoal. Red is original color of clay, black pattern is made by firing charcoal. Sadamitsu Sugimoto is famous for making pieces comparable to antiques. YouTube https://www.youtube.com/watch?v=bEqP0COJNKc Size: 12.1cm(D/mouth) 25.0cm(H) Accessary: wooden box signed by artist

Japanese lacquered basket for flower arrangement (Ikebana).

Age: Japan, Showa Period, Mid-20th Century
Size: Height 14.8 C.M. / Width 17 C.M. / Length 17 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Japanese bronze boar with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 10.3 C.M. / Width 8.5 C.M. / Length 23.2 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A true part of Kyoto modern ceramic history, this robust vase reminiscent of Okinawan Kaki-otoshi ware was created at the Kyoto 2nd Industrial School circa 1925. It comes in the original wooden box titled Black Glazed Vase with Flower Motif, and signed inside Kyoto Shiritsu Dai Ni Kogyo Gakko followed by a large red seal. It is 27 cm tall, 23 cm diameter and in excellent condition. The roots of the mingei movement, ravaging the Japanese ceramic world at the time, are clearly evident...

Six matching antique Imari plates with the classic black ship design showing Dutch ships and sailors. The plates measure about 1 1/4" high x 9 3/4" in diameter, and date to the end of the Meiji period. They are all in excellent condition with no damage or repairs. One dish has a small kiln flaw on it's foot rim. A complete range of Imari colors has been used in the elaborate design work. On the underside each dish is marked in gold with the character for longevity...

Jug for holding fresh water for the tea ceremony, called mizusashi. Wheel thrown, thin stoneware of slightly irregular beaker shape (slightly bulging belly towards the bottom and straight sides going up). The mouth is slightly oval. Black-brown iridescent glaze. Custom made black lacquered fitted wooden cover. Seto ware, or black Oribe...

Japanese sosaku hanga woodblock print with hand-applied color by Ono Tadashige (1909-1990) signed at the lower right "T. Ono" in white ink. Attached to a sheet of handmade Japanese washi paper inscribed in black ink in kanji verso with the artist's signature, the title "Fugu" (Pufferfish), and date of 1959. At the lower left in pencil is "No. 12" and the lower right appears to hold the original price (rubbed). The washi backing sheet measures 12 3/8" x 18" (image: 11 7/8" x 17 5/8")...

Sculpture of Daikoku sitting on a rice bale with a big grin on his face, spilling countless jewels (tama) from his treasure bag.
Keyaki (Paulownia) wood, carved in a slightly abstracted manner, called ittobori.
Unsigned. Mingei (folk art)
Japan, 19th century.

H ca. 11 x W 10½ in.

Tension cracks (consistent with material and age), several scuff marks, painters tape on bottom.

Daikoku is one of the seven gods of good fortune. He stands for good fortune and wealth...

A pair of abstracted foxes, sitting at their haunches, tails curled wound their feet, their heads turned upwards, gazing at the moon.
Brown patinated bronze with roughened surface.
Each fox signed on the bottom ‘Kozan’ in archaic script...

17th Century Japanese Samurai Sword Katana

It is 27.2 inches (69.1 cm) long by 1.7 inches (4.4 cm) wide and the blade is 20.6 inches (52.3 cm) in length by 1.1 inches (2.8 cm) wide. It is 1.5 lb.

It is missing a handle. The saya has stains, surface wears, and scratches. The blade has rust, flea bite chips, oxidation, and surface wears and scratches (as seen in the photos).

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Cast silver box called "presentation box". Relief detail of Phoenix among scrolls of flowers. Japanese goldsmithery from the beginning of the 20th century, Meiji or Taisho period. Exceptionally wide 26 cm. Weight 3300g. Usually this kind of box is small, about 6 to 8 cm. Its very large size makes it a remarkable object. They are silver hallmark representing a swan which I think is the mark of guarantee for the foreign silverware entering the French territory. There are 3 caracters incised und...

浅沓と米俵 / CLOGS AND RICE BAGS

Wood carving asagutsu (shallow clogs) and rice bags that belong to the statue of Daikokuten (Syncretic Japanese deity of fortune and wealth). What an innovative remains and existences. Showa period, early 20th century, Japan. approx. 13 x 14 x H 7cm (5.11 x 5.51 x 2.75in).


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A lidded Japanese ewer for serving saki or wine. The white porcelain pot is decorated with cobalt blue and then foliage and friezes were applied using red, green, and gold enamels. The cover has a flattened knob, and is decorated so as to match the body of the vessel. The kettle's body measures about 5 1/2"h x 6"d (with handle 7 1/2"h)(with spout 7 3/4"w), and dates to the second half of the Edo Period. The condition of the ewer is very good with no damage or repairs. The gold enamel decorati...

Antique Japanese bajo jingasa, lacquered military hat for a high-ranking horseman. Carved of wood with an upturned front rim and rounded dome. Decorated all over with intricate shell inlay in black lacquer. The underside is lacquered red with four hooks for chords. On custom metal stand.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru ) used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather and usually treated wit...

Antique Japanese Kasuga-dōrō 春日灯籠 stone lantern carved of granite. The hexagonal umbrella (Kasa 笠) roof has squared corners and the central light box (Hibukuro 火袋) is carved with a small round window, an opening in the front and one in the back. The tall post sits on top of a lotus base. Kasuga-dōrō like this one are named for the similar lanterns that line the path to the Kasuga shrine in Nara.

Age: Meiji/Taisho Period (circa 1900-1920)

Dimensions: 68" h...

Antique Japanese tall Kasuga-dōrō 春日灯籠 stone lantern. Carved of granite with beautiful lichen and age. The large gem-shaped finial (Hōju/hōshu 宝珠) sits on a lotus Ukebana (請花) atop a hexagonal umbrella (Kasa 笠) roof with upward curling corners. The central light box (Hibukuro 火袋) is carved with openwork lattice windows, an opening in the front and one in the back. Highly raised fu-dogs, flowers and birds decorate the fire box platform (Chūdai 中台) as well as the...