Ito Jakuchu
Flying Bird and Flower
Date: 1930s or earlier.
Size: 4.25 x 3 inches.
Medium: Japanese woodblock print.
Condition: Margin corner thinning or chips.

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Large bronze vase depicting an egret, in relief, on a perch in the center of a watercourse, surrounded by four swimming fish. The figure of the egret emerges from the vase with remarkable three-dimensionality and depth. Signature engraved under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 46.5 x 22 x 23 cm. State of conservation: Very good

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed under the base 'Dai Nihon Yokohama Hotoda shōten seizō'. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4 x 29 cm. State of conservation: Very good

An ivory okimono, carved from a single block, depicting a hunter accompanied by an onagadori rooster and a child with a net in his hand. Yukiharu 之晴 signature in relief seal under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

A glistening incense burner in the shape of a court cap by Eiraku Zengoro enclosed in the original signed wooden box dating from the 19th century. Gold designs gleam on the regal plum surface. It is 15cm×10.5cm,18cm (6 x 4 x 7-1/4 inches) and appears to be in perfect condition.
The Eiraku family is one of Japan’s most important and historically significant lines of pottery artists in Kyoto, tracing back to the 16th century...

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable...

Elegant modernism art deco ceramic vase with signed box by one of the Japanese masters, Norio Azuma. Created at the turn of the century, ca. 2000. 13" tall x 10" in diameter. ask for shipping quote.

A museum piece. Dated Manji 2 (ca. 1659) April Auspicious Day. Large, heavy bronze shrine lantern with hoju embossed under the top petals. Beautiful diaper patterns on the panels. Originally used as an oil lamp. Very good condition. 15" wide x 22" tall. Ask for shipping quote.

City in the Rain (after Hasui)
(A rare alternative perspective on "City in the Rain" by Kawase Hasui).
Artist: Not known.
Date: 1930s.
Size: 5.5 x 3.625 inches
Publisher: Takemura Hideo.
Medium: Japanese woodblock print.
Condition: Excellent with very slight bend at upper right corner.

Fukutaro Tanouchi
Udon
Publisher: Takemura Hideo.
Size: 5.5 x 3.625 inches.
Date: 1930-40s.
Signed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
A rare and wonderful shin hanga design.

A raw black-clay sculpture rising vigorously to the occasion by Yamaguchi Mio titled Carpe Diem dating to later in 2023. It is 31 x 33.5 x 58.5 cm (12 x 13 x 23 inches) and is in excellent condition, directly from the artist. It comes with a signed wooden placard.
Due to size and weight this will require special shipping consideration.
Yamaguchi Mio was born in Aichi prefecture in 1992, and graduated advanced studies at the Aichi University of Education in 2017...

A rare manageable sized sculpture by Yamaguchi Mio in raw terracotta clay with just a smattering of scattered glaze dating from 2022. It is 29 x 33 x 47 cm and is in excellent condition, directly from the artist. It comes with a signed wooden placard titled Metamorphosis.
Due to size, the cost of shipping will be accrued separately.
Yamaguchi Mio was born in Aichi prefecture in 1992, and graduated advanced studies at the Aichi University of Education in 2017...

A large ceramic sculpture by Yamaguchi Mio titled O-ga-tamanoki The O-gatama no Ki is a tree usually found within shrine precincts which is said to invite the gods to come. Mio often finds her inspiration in teh natural world, or that space between the natural world and the world beyond. The sculpture is 25 x 29 x 61.5 cm (10 x 11-1/2 x 24-1/2 inches) and is in excellent condition, directly from the artist. It comes with a signed wooden placard...

CRICKETS

Transcendentally handmade Japanese crickets (as two suzumushi and two korogi) with twig and bamboo. 20th century, Japan. approx...

KANJIKI RACK

Handmade hanging rack applied to Japanese 'kanjiki' (traditional snowshoe) attaching hemp string, pannier shoulder strap, and natural wood handle engraved its trader's name of 'Mountain'. Showa period, early-mid 20th century, Japan...

AT THE BEACH 1972

Vintage Japanese oil painting on canvas by Shirane Mitsuo (1926-2002), 1972. Attached with metal frame (74.3 x 62.1 x 3.8 cm (29.25 x 24.44 x 1.49in))...

RED-PAINTING PAPER PLATE

Very rare 'Akae' (Red painting) plate made of compressed paper as I have never seen such a type during my entire career. Detail and usage unknown. Probably Showa period, 20th century, Japan. D 22.5 x H 3.7 cm (8.85 x 1.45in)...