Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare...

A captivating blend of traditional aesthetics and contemporary flair; with exquisite attention to detail, Goro masterfully combines the vibrant green Oribe glaze with bold geometric patterns, creating a dynamic and visually striking piece. The bowl's elegant form and balanced proportions enhance the tea-drinking experience, while the unique surface texture adds depth and tactile pleasure...

Box (Kobako) in lacquered wood powdered with gold (nashiji) decoration representing Daruma (with cut eyelids), face in red lacquer (cinnabar), eyebrows in silver powder and transparent eyes (crystal, glass or mica?). Daruma stands in front of a circular opening in old cracked walls. Its silhouette stands out against a background of rich kinji lacquer. Daruma wears a meditation robe lacquered in relief (taka-makie) with gold dust...

Very rare Ca. 1910 bronze zen temple dragon spout used in front of the temple entrance. Water from the dragon's mouth would run into a stone tsukubai where vistors to the temple would purify mouth and hands before entering the sacred space. Very good condition. 14" tall; 9" wide; 11" deep. Ask for shipping quote from CA warehouse.

An awe-inspiring masterpiece, this tea bowl by Kakurezaki showcases his unparalleled skill and artistic vision. Crafted with meticulous precision, the bowl seamlessly blends traditional Japanese ceramic techniques with a contemporary touch. The angled sides of the bowl's form invites the hand to explore it, while its carefully crafted texture offers a tactile experience that connects the user with the raw beauty of the clay...

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan...

Covered bowl in lacquered wood covered with black lacquer (roiro) decorated with stylized flowers and fans in gold powder. The artist used several shades of gold to give relief to his creation. On the fans are carefully drawn tiny patterns, waves, plants and turtles (minogame) surrounding a moon (or a sun). The interiors are lacquered in red.The base in nashiji.The elegant decor, the perfect lacquering technique and the excellent condition make this pretty bowl a precious rare collector's item...

This beautiful painting from late Edo portrays Mount Fuji as a sublime centerpiece, overlooking a serene landscape below. A lush pine forest embraces the foot of the sacred mountain, its deep greens contrasting against the pristine snow-capped peak. A tranquil lake reflects the ethereal beauty of the surroundings, mirroring the image of Fuji and the towering pines...

In the tranquil pond, a solitary turtle finds repose upon a weathered rock. With its ancient shell glistening under the gentle sunlight, it sits in serene contemplation. The stillness of the water mirrors the turtle's quiet presence, as it basks in the harmony of its surroundings...

Charles W. Bartlett
Fruit Sellers, Madura, India 1923
Date: 1923
Paper size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Sealed CWB and titled. Signed in pencil and dedicated "Love from the Bartletts".
Medium: Etching hand-colored with watercolor.
Condition: Toned.
Note: This example has a double image.

Cotton futonji made of hand-spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs such as crane, turtle, plum blossom, bamboo and pine tree. Tsutsugki technique is excellent. In good condition but has a mending patch causing the lacking part of design and re-sawn by machine, a mending patch and also a snag (2cm) in the upper part. 19th century. W:130cm, L:186cm

A magnificent Karatsu Katakuchi Chawan (Karatsu tea bowl with a pouring spout), fired around 1850 during the Edo Period (1603-1868).

It is no exaggeration to say that this tea bowl needs to be described as a true museum quality piece of art.

Especially such old Karatsu bowls are rarely available in the version of a Katakuchi bowl. Essentially, it's a bowl with a spout. But not just any bowl: its details are specially designed for the preparation of Matcha...

A pair of Japanese bronze vases with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 26 C.M. / Width 7.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.

Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 18.8 C.M. / Width 7.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Length: 3.8 cm (1.7 in)
Height: 2.3 cm (0.9 in)
Depth: 2.6 cm (1 in)

Fine Japanese carved netsuke of a rat gnawing on his tail; natural material; honey-coloured patina; two age lines present; excellent hair work and inlaid horn eyes; signed with the mark Kaigyoku

Three gods of fire which are unglazed earthenware made of clay. Fire has been thought as sacred and gods of fire have been put near furnaces, cooking stoves (kamado) and open fireplace (irori) for protecting from disasters and uncleanness. It is not clear where they are from, probably Tohoku district. All in good condition, no chip or crack.19th century. Height:20cm, Width:11 to 12cm

There is a lot of drama and tension between the various facets of this ash encrusted Shigaraki outcrop by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Mentori Hanaire. (Faceted Vase). Every angle offers a unique view, texture, glazing, form, a vase which you can never grow tired of. I see it with an angular branch of plum blossoms, or perhaps Nandina loaded with red berries. It is 33 cm (13 inches) tall and in excellent condition, directly from the artist...