A faceted bottle-form vase with ukibori designs by Kawai Takeichi enclosed in the original signed wooden box. It is 11 inches (27 cm)tall, 4 inches (10 cm) square and in excellent condition.
Kawai Takeichi (1908-1989) studied the art of pottery under his legendary uncle Kawai Kanjiro in Kyoto from the age of 19. He stayed with Kanjiro for many years, one of his most loyal supporters, and the two were very close...

Raised designs in slip decorate the yellow glaze of this deep bowl by Kawai Kanjiro enclosed in a kiriwood box titled O-yu Tsutsugaki-mon Wan annotated by Kawai Toshitaka, current head of the Kawai Kanjiro Museum. This piece dates from later in the artists illustrious career, 1950s-1960s. It is 4 inches (10 cm) diameter, 3-1/4 inches (5 cm) tall and in excellent condition...

An unusual Suzuri ink stone by one of the founding fathers of the influential Mingi movement, Kawai Kanjiro, enclosed in the original signed wooden box titled Tetsu-yu Suzuri. It is 10.5 x 18 x 5 cm (4 x 7 x 2 inches) and in excellent condition, dating from the 1920s.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

A lovely bowl covered with abstract flower designs by Kawai Kanjiro enclosed in the original signed wooden box titled Hanawan. It is 12 cm (4-3/4 inches) diameter, 11.5 cm tall and in excellent condition. Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

A small bowl in Kaki-yu by important artist Kawai Kanjiro enclosed in a wooden box upon which his friend and equally important artist Munakata Shiko has painted an image of the bowl outside titled Go-Kowan (Honorable small bowl) and inside annotated: Kanjiro Sensei Saku (Made by Kanjiro), signed Munakata Shiko. It is 10 cm (4 inches) diameter and in excellent condition...

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


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Rectangular stoneware vase decorated on sides with stylised flowers, one side also with geometric pattern in iron red and blue on whitish ground, the sides and shoulder in mottled blue and iron red for the neck. ----Made by Kawai Kanjiro’s student and nephew Kawai Buichi (1908–1989). He began his training as a potter under his uncle in 1928 in Kyoto. During the 2nd WW he was drafted and served with the army in North China for one year in 1942...

An interesting, octagonal water jar with lid (mizusashi) for the tea ceremony by Kawai Buichi.* Decorated in a deep iron-red glaze in combination with black and greenish spots. Original, signed box w. artist’s name and seal. Showa, ca. 1980. H 14 cm, D 18 cm. The mizusashi is one of the utensil of Japanese tea ceremony; it is used for fresh water used to prepare the tea and to wash the tea-bowl and the bamboo tools. ******Biography: KAWAI Buichi (f. 1908–1989)...

A rectangular moulded vase of stoneware with a short powerful neck. The body of light grey colour splashed with iron and blue glazes. It comes with fully inscribed and signed storage box tomobako. H. 17 x 7 x 6,5 cm. Perfect condition. Made by Kawai Buichi (1908–1989), Kawai Kanjiro’s student and nephew. Buichi’s pieces, like those of his sensei, are unsigned. He began his training as a potter under his uncle in 1928 in Kyoto. In 1949 he joined the National Painter’s Association...

A riot of spring flowers in minute detail covers this dainty tea cup by Kawada Satomi enclosed in the original wooden box titled Hanazukushi-wan, and signed Kutani Satomi. The cup is 7.5 cm (3 inches) diameter, 6.5 cm (2-1/2 inches) tall and is in excellent condition. There are two types of Kutani overglazes, one like watercolor, opaque and vivid, the other like translucent glass. During the Meiji period when massive western demand brought about a thriving export market, the former was popu...

Katsuyuki Nishijima
Title: Tsubakizaka Pass in Snow
Size: 17.25 x 12.5 inches.
Edition: 12/500.
Date: post-1980.
Medium: Japanese woodblock print.
Condition: Excellent. Top back margin has former tape marks.

Katsuyuki Nishijima
Title: Kudaya (The Kudaya Travellers Inn in Kyoto)
Size: 17.125 x 12.5 inches.
Edition: 405/500.
Date: post-1980.
Medium: Japanese woodblock print.
Condition: Excellent. Top back margin has former tape marks.

An album of twelve erotic pictures, Edo period, 18thcentury. Painted with ink and pigments on silk. The each image is exquisitely depicted throughout the year with some seasonal changes in the scene. The paintings bear a seal, which is quite rare as artists usually remained anonymous when they executed Shunga pictures during Edo period. The seal is recognized as Shunsho school. The inscription on the cover reads “jyunikagetsu emaki ikkan” meaning twelve months painting album - first volume. ...

Katsuhira Tokushi (1904-1971)
Five Kinds of Sleigh - Akita Prefecture
Date: 1932.
Image size: Approximately 5.5 x 3.75 inches.
Prints are tipped along top edge to 9.5 x 7.0 card.
Folder included.
1. Hako Sori (Box Sleigh), 2. Naga Sori (Long Sleigh), 3. Uma Sori (Horse Sleigh), 4. Kazu Sori (Kazu Sleigh), 5. Ba Sori (Commuting Sleigh).
The artist has signed the Box Sleigh panel in pen "Katsuhira Tokushi May 17, 1951".
Note: Katsuhira Tokushi was a true fol...

Katsuhira Tokushi
Kamado (Cooking Stove)
Customs of Akita series.
Date: 1939.
Self-published by the artist.
Size: Oban. Approximately 16.0 x 11.5 inches.
Medium: Japanese woodblock print.
Condition: Very good. Outstanding color. Toning at margins, back and upper right corner. Tape at back top margin.

Katsuhira Tokushi (1904-1971)
Snow Hut (Yuki Muro)
Date: 1932
Bears the round "Toku" seal. Size: Approximately 5.5 x 3.5 inches.
Condition: Excellent. Unframed.
Katsuhira Tokushi was a true folk artist, as he grew up in rural Akita Prefecture without encountering other artists and their work.

Katsuhira Tokushi (1904-1971)
Rice Bales (Fumidawara)
Date: 1932
Bears the round "Toku" seal.
Size: Approximately 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Unframed.
Katsuhira Tokushi was a true folk artist, as he grew up in rural Akita Prefecture without encountering other artists and their work.