An antique Japanese vase decorated with children known as karako playing with various toys. The vase contains decorations of Chinese motifs and slight influences of European designs such as the lion heads on the side of the vase. Age: Meiji Period Size: diameter: 3.25" height 7.5"

On offer is this rare type of nezumi mizusashi made of shino-yaki.

It dates from the mid to the late Meiji Period and is in perfect condition.

There are no damages, cracks and repairs.

Size:

17,5 cm height

13 cm diameter

16,5 cm trunk diameter

Weight:

1400 g

Shipping included

Rough and heavy Hagi Chawan, over 100 years old (Meiji Period), with an expressive crackle glaze.

Aesthetic inborn kiln cracks make this chawan so special. No damages or repairs.

The signature chip located on the bottom (unknown potter to me) is a local tradition from the Edo period when potters would deliberately disfigure their wares in order to sell them to merchants instead of presenting them as gifts to the Môri clan...

An unusual Meiji period bronze image of the jolly Daikoku-ten, one of the 7 gods of fortune, looking incredibly relaxed and content. His hat is removable to reveal a chamber for burning incense, and the smoke would be exhaled though his open mouth. It is 6-1/2 x 8 x 5-1/2 inches 16.5 x 20 x 14 cm) and is in overall fine, original condition. The artist chop is in a raised cartouche on the base and appears to read Yoshioka Minpo.

Jingu, guardian Empress of Japan, stands ready to defend her princely child Ojin held by General Takenouchi Sukune within a painted border of martial articles. Swords, armor, bows and quivers full of arrows, a horse-bit and court cap, tea bowl and other implements precious to the samurai tradition all hand-painted about the central image, laid scroll-like over top but actually all part of the same canvas...

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors...

A large baluster form Sumidagawa vase decorated in slips of green and black glaze over crackled red with a three-dimensional tokage (lizard) crawling down the side. The detail on the creature is superb, from the textured body to the white claws with which it seems to grip the sides of the slippery surface. On the backside is a raised gourd shaped stamp reading Ishiguro Koko (One of the most prominent Sumidagawa potters)...

A later Meiji period two panel screen, Pigment on silk, signed Hosen (Usui Hosen) dating 1900-1910. Shunkei lacquer frame with cloth backing. Quintessential for the era, the scene is brushed in an abbreviated style, allowing the viewer to participate by completing the details. Muted colors and the lack of hard lines lend the screen an ethereal quality, as if recalled from a distant memory...

A trumpeting form decorated with bamboo adorned with a single cicada by Matsumoto Sahei (Sabin) enclosed in a wooden box annotated by the current head of the family Matsumoto Sakio. It is 31 cm (12 inches ) tall and in excellent condition.
Matsumoto Sahei (1851－1918)　was born into the family of Matsuya Kikusaburo, a first generation Kutani porcelain artist...

One of the most uniquely designed cloisonne round boxes that I ever came across; this is so well done and is absolutely gorgeous, it is very well designed and intricate in the smallest details, the patina is a very lovely chocolate brown patina that is unretouched. Antiques are considered a sound investment in these troubled times, and can be used for barter and will not lose their value as stocks do. Be sure to pick up this beauty to enjoy or to resell for your personal benefit...

This is sashiko Indigo dye cotton noragi hanten at the Meiji era(1868-1912). There is a repair mark in the sleeve and the back. However, it is very good overall. I recommend it for your collection. size:120cm x 132cm (47.2" x 52")

This is Noragi used in Shiga area for the Meiji period. The trace which this is a white thread, and was repaired many times is very impressive. As for this, good expression was left by calm good work. This was left until the present age without being canceled. This has approved beauty by the family from generation to generation. 86cm x 118cm (33.8 "x 46.4")

An incredible work of florals on gold signed on the base Kutani Kaburagi Sei showing the very best of that regions pottery dating from the Meiji to Taisho period, when quality and craftsmanship was at its peak. It is 9 inches (23 cm) diameter, 13 inches (33 c) tall and in overall fine condition. There is a small tori-ashi (birds foot) glaze crack in the bottom but does not leak, and is only visible on the outside bottom.

This is Tsumugi-Silk Zansi kimono used in Niigata in the end of the Meiji era. This Tsumugi-Silk is spun by hand. This is thick. As for this, very good-quality dyed Tsumugi-Silk is used for a weft. As for this, the warp is a cotton thread. You can enjoy gradation of colorful silk thread. As for this, cotton cloth and muslin cloth are used for lining. There are many small holes on the muslin cloth. However, the state that a dress material does not have the stain damage at all is complete...

This is Tsutsugaki produced in the Shonai district for the Meiji period. This was used in a merchant's family. As for this, cotton is spun by hand. This has a pattern and the family coat of arms of the peony butterfly. This is a pattern of the good luck. This has slight aging fading in three places, but there is not the damage. The state is good. Size 156cm x 127cm (61.4 "x 50")

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai...

This is Kagura-screen used in Kanto area for the Meiji period(1895). As for this, cotton spun by hand is used. This is a pattern very happy that a crane flies over the sea glistening with the morning sun. As for this, Tsutsugaki where a crane flies boldly in the morning sun is impressive. This has damage and a stain of the aging in several places. And there are several places of small repair traces...

This is watari-cotton boro Stripe Patchwork futon Cove. It is cotton of the very warm feel. It can enjoy both sides. size:162cm x 100cm (63.8" x 39.4")