Japanese late 18th century white IMARI figure of a gentleman. Formed by hand and made of white porcelain with a clear glaze. The gentleman is dressed in formal kimono and is carrying a fan. Done with wonderful expression and in very nice detail. The piece has some natural flaws in the clay and glaze, such as stress cracks and glazing flaws. The figure stands 17 1/2" tall, is 6 1/2" wide and is 5" deep.

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance...

Japanese lacquer tray with a mountain stream and cranes in a raised landscape scene. This small/medium tray is about the best as they come in displaying many types of lacquer techniques including Maki-e, Hiramaki-e, and Takamaki-e with superb colors and fine gold nashiji work having shaped corners with concave edges. The cranes, pine trees, and mountains are all done in raised relief with the cranes showing incredible details...

A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.

1900's Japanese Lavender Amethyst Crystal Carved Kogo Box with Butterfly

It is 1.01 inches (2.58 cm) tall by 1.85 inches (4.7 cm) wide. The box is It is 1.9 inches (4.8 cm) tall by 1.7 inches (4.3 cm) wide by 2.4 inches (6 cm) in length. It is 34.8 gram. Total weight with box is 52.4 gram.

It has inclusion, flea bite chips and surface wears and scratches (as seen in the photos).

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Japanese Antler Netsuke and Leather Tobacco Pouch with Glass Ojime, 19th Century, Leather Pouch-4" x 3 3/8" wide, Glass Ojime-1/2" diameter, and Netsuke-1 1/4" x 1 1/8" wide, 3/4" high, carved Antler Netsuke is a shape of Tree Branch, plus Glass Ojime. Netsuke and Ojime are in good condition, the Leather Pouch shows a lot of wears but no damages.

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

Japanese Late Edo - Early Meiji Period TAKEDA actor doll. The doll has GOFUN (powder made from oyster shells) head and hands, painted eyes, cloth and paper clothing, armor and weapons. Great facial and body expression. The doll measures 12 1/2" tall and 9" wide. The stand measures 9 1/2" wide, 2 1/4" tall and 6 3/4" deep.

A lovely little Japanese cloisonne vase depicting two flowers in polychrome enamels worked in silver wire on a green ground with silver mountings. In excellent condition, it measures 5 inches high. Dates circa 1910.

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”)...

Japanese limited edition color etching and aquatint titled "Paris" by Kenji Ushiku (1922-?). Pencil-signed, titled, and numbered 63/150 in the bottom margin. Ushiku was particularly active in the 1960s and 1970s. There is a pencil notation of "4-80-45" at the bottom edge which could perhaps imply a date of April 1980. Paper size: 15 1/2" x 22." Very good overall condition. Printed on heavy rag paper with large margins. Never framed.

Japanese limited edition copperplate etching titled “Manpukuji Temple” by Tanaka Ryohei (b. 1933). Pencil-signed, dated 2002, and numbered 11/150 in the lower margin. Paper size about 12" x 10 1/4" (image: 8" x 6 1/2"). Excellent condition.

Japanese limited-edition abstract sosaku hanga woodblock print by Hideo Hagiwara (1913-2007) titled "Bird." The print is pencil-signed, dated '58, and numbered 5/30 on the bottom margin. This print is an example of a reverse printed image on fine, transparent, slightly crinkled paper that is characteristic of his early work. There is an old inventory number (586A) at lower edge verso. Image size: 10 3/4"V x 14 3/4"H (paper: 13"V x 17"H). Very good overall condition...

Japanese kabuki actor doll, dressed as a fearsome white lion with long, flowing mane, made with real hair. He wears silk garments of bright orange, white and grey, with his face done in traditional cat eye makeup of white, black, and red.

Size: 16.75" x 13.75" x 20.5" H

A large sized hanging scroll of a landscape in the literati style by Okuhara Seikou (1837-1913). Seikou was one of the few female artists who specialized in the literati tradition (known as Bunjinga or sometimes associated with Nanga). An inscription can be found on the top left of the painting where a short Chinese poem is describing how the guests are approaching through the mists found among the hills of the landscape...

Here is a fine squat jar form vase, the deep red clay covered in fish-eyed tenmoku glaze by Living National Treasure (Ningen Kokuho) Shimizu Uichi (1926-2004), enclosed in the original signed wooden box. Iron red shows through with startling effect like meteorites in a dark night sky of blue and brown. It measures 6-1/2 inches (16.5 cm) tall, the same diameter. Shimizu is known for the soft persimmon red temmoku (iron oxide) glaze, as well as crackled white and celadon glazes...

Japanese 20th century bronze vase by Living National Treasure bronze artist TAKAMURA TOYOCHIKA (1890-1972). TOYOCHIKA was the son of he famous sculptor TAKAMURA KOUN. In 1908 he became the student of famous bronze artist TSUDA SHINOBU and in 1915 he graduated from the Tokyo School of Fine Arts. He received many awards at TEITEN and other major exhibitions. He was recognized as Living National Treasure in 1964 for his specialty in metal casting using the lost wax method...