Lilian Miller
Father Kim of Korea
Date: 1920.
Numbered: 257
Size: Approximately 8 x 6.25 inches.
Self-published.
Signed and sealed by the artist.
Condition: Excellent. Left margin has small nick.

Lilian May Miller (1895-1943)
The Little Shrines on Quiet Hills
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Slight toning.

Lilian May Miller (1895-1943)
Hong Kong Junk.
Date: 1928. Marked first edition in pencil.
Signed, dated, and monogrammed within the image.
Stamped "Lilian Miller Oriental Woodcuts" in margin.
Size: Oban. Approximately 14.25 x 10.25 inches.
Medium: Japanese woodblock print.
Condition: Back margin has marks from former matte.

LILY SHRINE WITH WOMAN'S SECRET CASE

Assortment of an wooden 'zushi' (miniture shrine) with woodblock-printed lily pasted on and a small bakelite case used by a postwar 'yujo' (Japanese prostitute) to once put her own body hair into (so no hair now) and give it to her important customers, both coming from the collector who specializes in Japanese red-light district and sexual culture as its provenance...

Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 99," signed Y. Katsuda, dated '76, and numbered 57/100 on the bottom margin. Paper: 17 3/8" x 12 5/8” (image: 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...

Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 94," signed Y. Katsuda, dated '76, and numbered 29/100 on the bottom margin. Paper: 17 1/2" x 12 1/2” (image: just over 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...

Limited edition Japanese woodblock print by Clifton Karhu (1927-2007) titled "Winter Driveway." Pencil-signed and titled, dated '78, and numbered 19/100 in the bottom margin. Paper size: 12 1/8" x 11 7/8" (image: 9 7/8" x nearly 10"). The print was never framed and is in very good overall condition. There is possibly some faint discoloration to the paper from age. From a Tucson, Arizona collection.

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976...

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976...

Lithograph page titled "Entrance To A Temple At Hakotadi" taken from the expedition of Commodore Matthew C. Perry's expeidition of Japan and Ryukyu, published between 1880-1890 by Sarony & Co NY. Commodore Perry (1794-1858) played a huge role in creating connections between Japan and the West. This lithograph depicts three monks, one kneeling before the other two, and one holding a spear in front of a beautiful two-story temple. A ship can be seen floating in the water beyond the temple's fence...

LITTLE GODDESS

Lovely little old pottery Benzaiten ('Saraswati', Goddess of music, eloquence, also wealth and water) with a contemporary pottery zushi (miniature shrine)...

A whimsical tiger exhales incense smoke, his body glimmering with gold on black ripples; an antique oki-koro incense burner enclosed in the original Kikko signed wooden box. The tiger bears the Kikko mark on his butt...

Nice little teapot in satzuma earthenware. Decorated with a landscape of madarin ducks, symbol of marital happiness. Original handle in woven bamboo fibre. Signature of the artist, I did not look for it but I can do it on request. Perfect condition. Width about: 11cm

Pair of 19th Century Japanese lacquer miniature composition masks representing living ("Iki" living figures) expressive faces, with ivory teeth, glass eyes and human hair. They have an arresting presence and are a great study of portraiture, representing fine Japanese craftsmanship. 5 inches (12.5cm) x 4.25 inches (11cm) wide (each). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top...

A very rare Mashiko platter by Living National Treasure Hamada Shoji decorated with a poem cradled in an offset ring forming the mika-tsuki or third day moon by poet Shimizu Hian. The poem reads: Akaki Mi no Omoto no Hotori Dainaru Maruki kono yo no ishi okitari, and is signed by the 76 year old man Hian meaning it was made either in 1958 or 59 (depending upon whether Hian was going by the Western or Japanese manner of counting age)...

A signature work decorated with finger twirls of poured glaze over the pale-colored sides of this bottle form by Hamada Shoji enclosed in the original signed wooden box titled Monda Kakubin dating from the 1960s. It is 4 inches (10 cm) square, 9-1/2 inches (24 cm) tall and in excellent condition...