Distorted shoe shaped (kutsugata)tea bowl made of light, fine, unrefined Mino clay.

Shape and style (note the trimmed walls and the flaring mouth) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of four cedar trees and grass on the reverse side have been applied in iron oxid (oni ita)...

Lavender clouds, rain on a foggy morning, snowy mountain landscapes, this is what comes to your mind when you look on this superb pale kurinuki Hagi tea bowl, made by Master and potter legend Kaneta Masanao, enclosed in the original signed wooden box.

Kurinuki is a technique carving and scooping out forms from a solid block of clay to produce boldly-cut forms, an approach the artist is famous for. Kaneta Masanao is an 8th generation Hagi potter...

LAYERED WOOD VASE

Vintage modern jar made of circumferential layers of many thin wooden board coated in the coloring of pale emerald blue, as a unique evolutionary form (style) of traditional Japanese steam bending wood craft called 'magewappa' (lit. 'bent-woodware'), Showa period, 20th century, Japan, approx. H 18cm (7.08in). The condition is as is as seen...

Leaping green fish soar up the sides over tempestuous crackled celadon waves crashing over the matte blue of this exquisite Mizusashi fresh water container by Sawada Sozan enclosed in the original signed wooden box. It comes with a pottery lid as well as a black lacquered lid (Kaebuta). It is 18 cm (7 inches) tall, 13 cm (5 inches) diameter and in excellent condition.
Sawada Sozan (1881-1963) was born in Kyoto and graduated the Tokyo School of Fine Arts...

Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background...

LEFT ARM

Originally an old paper anatomical model, coated in washi (Japanese paper) finished with kakishibu (persimmon tannin), Contemporary, Japan, approx. L 52cm (20.47in)


Jinta




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A stratified bloc of hollowed out Shigaraki clay by female pottery pioneer Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen Yu Kaku Hanaire. A thick coating of blown natural ash glaze has settled on the shoulders, while the layers of earth below show a dusting of color on top, but rich red in the shadows with plenty of small inclusions for the eye to play with. It is 22.5 cm (9 inches) tall, roughly 10 cm (4 inches) square and in excellent condition...

A crumpled news print from the New York Times dated 82-5 by pioneering Ceramic Sculpture Icon Mishima Kimiyo enclosed in the original signed wooden box. It is 25 x 14 x 13.5 cm (10 x 5-1/2 x 5-1/2 inches) and is in excellent condition.
Mishima Kimiyo was born in Osaka in 1932, and began her artistic career as a painter in the early 1960s. She started making collages with newspapers, discarded waste papers from printing companies, and old movie posters...

An austere bottle glazed in rich green copper by the highly acclaimed Okabe Mineo enclosed in the original signed wooden box titled Oribe Ichirin Sashi. It is 21 cm (8-1/2 inches) tall and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato Tokuro, however the relationship with his father was volatile. When he was 9 Tokuro moved the young family to Seto, where Mineo would graduate the Aichi Prefectural Ceramics School in 1937...

This is an amazing work of art, a quashed flaring bucket form covered in hi-iro flame color and natural ash glaze with large silver repairs by Shigaraki legend Tsuji Seimei enclosed in the original signed wooden box titled Yohen Mizusashi. Fired on its side, the piece has warped slightly in the conflagration, flying ash and embers settling on the inside opposite where it has adhered to the kiln floor, apparent as a large kutsuki above a large silver repair...

LEGS STANDING ON ROCK

Inscrutable Japanese metal okimono object as 'iwaza' (stone-like socle used as the base for a Buddhist statue) attaching just legs part, Showa period, 20th century, H 7 x 15.5 x 9.5 cm (2.75 x 6.10 x 3.74in). Metal material but magnet don't attract. Aged deterioration as is, with some scratches and flaws as generally. (*The white ceramic doll is not attached with this item...

Leonard Tsuguharu Foujita (1886-1968)
White Cat
Date: 1929
Signed by the artist in the image in English and Japanese.
Matte size: 23.25 x 19.375 inches. Matte window: 17.5 x 12.75 inches.
Medium: Japanese woodblock print with gauffrage embossing on the cat (seen in indirect light).
Condition: Woodblock print is sealed inside matte and is possibly adhered to board. Some creasing visible in side lighting.

Large 1920's Japanese Sumida Gawa Ware Relief Buddhist Monk Vase Marked Sukari Fuji

It is 24.2 inches (61.47 cm) tall.

It has been repaired (replaced and repainted at various areas - with red circles). It also has small chips, rubbing of paint, glaze crazing, glaze cracks, cracks, firing cracks, and surface wears and scratches (as seen in the photos).

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Large 19th Century Chinese Gold & Silver Mixed Metal Archaic Style Bronze Vase

It is 15.5 inches (39.37 cm) tall by 13 inches (33 cm) wide. It is 16.9 Lb.

It is tarnished and has bent foot and rings, oxidation, loss of gilding and silver, firing holes, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return i...

Large Meiji (1868-1912) Japanese Gosu Satsuma Vase with Kannon and Monk Marked "Dai Nihon Satsuma Yaki Gyokusen Ga"

It is 18 inches (45.7 cm) tall by 8.7 inches (22.2 cm) wide. It is 8.5 Lb.

It has rubbing of gold, minor stains, a chip at the foot, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for ...

Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22". In the 1970's, Liao was invited by the Japanese government to set up a printmaking w...

Random patterns in translucent blue over pale earth tones decorate this lidded cube by Shigemori Yoko enclosed in a compartmentalized signed wooden box titled Tanshoku Jikiro (Soft color Ceramic Box). It is roughly 14 x 14 x 12.5 cm (5-1/2 x 5-1/2 x 5 inches) and is in excellent condition, in a box signed by her nephew. Shigemori Yoko (1953-2021) was born in Kagoshima. Yoko came to Kyoto where she initially studied painting at the Kyoto Tankidai Art College, then moved to ceramics at the Kyoto...

Bright blue brushstrokes dance over the pale glazed surface of this sake server by Shigemori Yoko enclosed in a signed wooden box titled Shuchu. It has been dipped several times in different colored glazes, with what appears to be a wash of ink wavering like a ghost around the rim and spout. This is a bridge between two of her styles, and unusual work which will make a nice conversation starter as you share a drink. It is 10 x 13 x 10 cm (4 x 5 x 4 inches) and in excellent condition, enclose...