The colors of the prism show through the thick crackled glaze blanketing this Guinomi, by Kodai Ujiie enclosed in the original signed wooden box. This is a handful, great tactile qualities and entrancing to look at. It is 9-10 cm diameter, 9 cm tall and in excellent condition, directly from a recent firing.
Kodai Ujiie was born in Sendai, Miyagi Prefecture in 1990, and graduated advanced studies at the Tohoku University of Art and Design in 2015...

Koei Hashimoto
Dove on Plum Tree Branch
Date: ca. 1930
Size: Oban. 17 x 11 inches.
Publisher: Likely Sato Shotaro.
Signed and sealed by the artist at lower right.
Medium: Japanese woodblock print.
Condition: The back has pen ink scribbles. Light creasing primarily in margin. Light foxing on back.

A magnificent Kogaratsu Katakuchi Chawan (Ko-Karatsu tea bowl with a pouring spout), fired between the Azushi Momoyama period (1573-1603) and the early stage of the Edo Period (1603-1868).

It is no exaggeration to say that this tea bowl needs to be described as a true museum quality piece of art.

Especially such old Karatsu bowls are rarely available in the version of a Katakuchi bowl. Essentially, it's a bowl with a spout...

Koga Iijima (1829-1900)
Leaping Trout
Date: Late nineteenth century.
Publisher: Matsuki Heikichi / Daikokuya.
Signed and sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
Condition: Back toned. Front very good with a few faint marks in sky an left edge toning.
Note: The fish in this wonderful design is highlighted with mica.

Kogo in Japanese lacquer urushi, decorated on maki-e with a dog playing with a fan. The interior is Nashiji. Diameter : Inches. Japan Edo (1603-1868), End of 17th, early 18th century.

A turned kiri-wood kogo incense case decorated with painting of plums and camellia with a silver rim. Inside wide leaves in god outline underlie the artist’s signature and stamp. The piece is 4-1/2 inches (11.5 cm) diameter.
Sekka (1866-1942) is known as the last great Rimpa Master, an artist of many talents who worked in painting, wood and lacquer. Taken from Wikipedia (they say it so much better than I) In 1910, Sekka was sent to Glascow to study Western art and craftsmanship...

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

Small, round covered box for keeping incense, kogo in Japanese, in the shape of a coiled snaked. It’s head is in the center of the cover, protruding. Gray, coarse stoneware with small inclusions, the outside turned brown from the heat in the kiln. Eyes are inlaid rings of clay, giving the snake a slightly goofy expression.

Potter’s mark on the bottom of the lower section...

An antique okinawan incense container decorated with a lacquer and inlayed mother of pearl depicting a dragon appearing from clouds. Circa 19th Century. Mother-of-pearl inlay, which is known Raden in Japan was first introduced to Japan during Nara period (710-784). The technique was popularly used with lacquer for artworks such as instruments. It is in good condition with tiny loss of inlayed mother of pearl. The piece accompanied a poulownia wood store box...

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

Superb covered incense box entirely gold lacquered with decoration of bamboo leaves and wisteria in a lake environment and on a base of nashiji gold powder. The 2 parts of the box are surrounded by shibuishi (silver and copper alloy). Edo period 18/19th century. Diameter 6cm x Height 3,5cm.

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.5cm (D) 4.3cm(H) Accessary: wooden box signed by the artist

This tokkuri sake bottle has made by traditional way kohiki that is one of slip wares. YouTube movie: https://www.youtube.com/watch?v=kWHqfoe4OJ8 Accessary: wooden box signed by artist Size: 9.0cm(D) 12.5cm(H)

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

Kohiki is white slip ware introduce from Korea in 16th century. This pieces was made by great master Sugimoto with traditional way. YouTube movie: https://www.youtube.com/watch?v=To38tnRZnlA Size: 8.6cm(D) 4.8cm(H) Accessary: wooden box signed by artist

This sake cup has abstract painting with copper glaze. And covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.9cm (D) 4.0cm(H) Accessary: wooden box signed by the artist

KOI

Vintage Japanese cast iron koi carp okimono once displayed at tokonoma alcove of an old house in Gunma, Northern Kanto region, Showa period, 20th century, 29 x 9 x H 11 cm (11.41 x 3.54 x 4.33in)...