Kobako – Lovely and interesting little model of rectangular urushi gold lacquer box, opening with a lid. It offers a delightful decoration in gold in mak-ie on a black background, of two pretty rabbits in a landscape of foliage. Interior and underside in nashiji lacquer. The inside of the lid is decorated with butterflies. Beautiful border in gyobu lacquer (gold flakes). Sides in fundame lacquer. Length: 8.1cm x Width: 7.4cm. Japan Edo (1603-1868) 18th century.

Kobayashi Kiyochika
Taro Inari Shrine in the Asakusa Ricefields (Asakusa Tanbo Taro Inari Mae)
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1877-1879.
Signed by the artist at lower left above the grasses.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent color. Bumped corners. Margin lightly creases.

Kobayashi Kiyochika
Dawn at Ryogoku Hyappongui, Tokyo
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1879.
Signed by the artist at lower right.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Missing some margin. Frayed areas of the margin have been repaired by a conservator. Excellent color.

Kobayashi Kiyochika
Shrouded Moon Over Takanawa, Ushimachi.
From the series Famous places of Tokyo (Tokyo Meisho).
Date: 1879. This edition 1896.
Signed by the artist in black at lower left.
"Shiba" collector's seal on verso.
Publisher: Fukuda Hatsujiro (successor to Fukuda Kumajiro).
Size: Oban. Approximately 13.25 x 9.25 inches.
Medium: Japanese woodblock print.
Condition: Very good color and condition...

Kobayashi Kiyochika
Rainy Day at Kudan from the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku. Unusual "Nishinomiya Art" stamp on verso.
Sealed by artist.
Reference: Hasegawa catalog No. 1242.
Medium: Japanese woodblock print.
Condition: Paper residue at back left. Very light crease at lower left corner.

A Japanese boxwood netsuke depicting the mask of the demon Kobeshimi. Bridge on the reverse forming the himotoshi. Meiji period 19th century Sizes: 4,2 x 3,5 x 1,6 cm. Condition report: Good condition

Japanese Edo period woodblock print kakemono (vertical diptych) of a full figure samurai walking in an elegant kimono by Utagawa Kunisada (1786-1865) published by Sanoya Kihei between 1844-1845. Signed Kochoro Kunisada at the lower right corner with the publisher's seal and Tanaka censor seal beside it. The assembled size is about 28 1/2” x 9 9/16" (top sheet: 14 1/8" x 9 1/2"; bottom sheet: x 14 9/16" x 9 9/16." Very good clean overall condition...

Fissured white is dribbled with blue and showing flashes of red in the cracks on this large, low Ofukei and Lacquer Guinomi, by Kodai Ujiie enclosed in the original signed wooden box. This is a handful, great tactile qualities and entrancing to look at. It is 8-8.5 cm diameter, 7 cm tall and in excellent condition, directly from his recent firing.
Kodai Ujiie was born in Sendai, Miyagi Prefecture in 1990, and graduated advanced studies at the Tohoku University of Art and Design in 2015...

The colors of the prism show through the thick crackled glaze blanketing this Guinomi, by Kodai Ujiie enclosed in the original signed wooden box. This is a handful, great tactile qualities and entrancing to look at. It is 9-10 cm diameter, 9 cm tall and in excellent condition, directly from a recent firing.
Kodai Ujiie was born in Sendai, Miyagi Prefecture in 1990, and graduated advanced studies at the Tohoku University of Art and Design in 2015...

Koei Hashimoto
Dove on Plum Tree Branch
Date: ca. 1930
Size: Oban. 17 x 11 inches.
Publisher: Likely Sato Shotaro.
Signed and sealed by the artist at lower right.
Medium: Japanese woodblock print.
Condition: The back has pen ink scribbles. Light creasing primarily in margin. Light foxing on back.

A magnificent Kogaratsu Katakuchi Chawan (Ko-Karatsu tea bowl with a pouring spout), fired between the Azushi Momoyama period (1573-1603) and the early stage of the Edo Period (1603-1868).

It is no exaggeration to say that this tea bowl needs to be described as a true museum quality piece of art.

Especially such old Karatsu bowls are rarely available in the version of a Katakuchi bowl. Essentially, it's a bowl with a spout...

Koga Iijima (1829-1900)
Leaping Trout
Date: Late nineteenth century.
Publisher: Matsuki Heikichi / Daikokuya.
Signed and sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
Condition: Back toned. Front very good with a few faint marks in sky an left edge toning.
Note: The fish in this wonderful design is highlighted with mica.

Kogo in Japanese lacquer urushi, decorated on maki-e with a dog playing with a fan. The interior is Nashiji. Diameter : Inches. Japan Edo (1603-1868), End of 17th, early 18th century.

A turned kiri-wood kogo incense case decorated with painting of plums and camellia with a silver rim. Inside wide leaves in god outline underlie the artist’s signature and stamp. The piece is 4-1/2 inches (11.5 cm) diameter.
Sekka (1866-1942) is known as the last great Rimpa Master, an artist of many talents who worked in painting, wood and lacquer. Taken from Wikipedia (they say it so much better than I) In 1910, Sekka was sent to Glascow to study Western art and craftsmanship...

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

Small, round covered box for keeping incense, kogo in Japanese, in the shape of a coiled snaked. It’s head is in the center of the cover, protruding. Gray, coarse stoneware with small inclusions, the outside turned brown from the heat in the kiln. Eyes are inlaid rings of clay, giving the snake a slightly goofy expression.

Potter’s mark on the bottom of the lower section...

An antique okinawan incense container decorated with a lacquer and inlayed mother of pearl depicting a dragon appearing from clouds. Circa 19th Century. Mother-of-pearl inlay, which is known Raden in Japan was first introduced to Japan during Nara period (710-784). The technique was popularly used with lacquer for artworks such as instruments. It is in good condition with tiny loss of inlayed mother of pearl. The piece accompanied a poulownia wood store box...

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.