Japanese Edo Period Peddlar's Box, gyoshobako, kiri wood throughout with mixed metal for original hardware of brass and iron on locks, side carrying rings, double safe compartments, with the lower inside containing a removable safe box with 3 drawers, worn condition with original finish, 11"W 19"D 26"H.

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

Japanese Nanga sumi-e ink scroll painting on silk depicting a scene of two men in a boat entitled "Water Cloud Mountain Pavilion". A scholar and a young man sit in a boat, the scholar has an open book, the young man, a pole. Between them is a handled box. A jagged out cropping of rock rises from the water where stunted trees stretch their branch over the water...

Elegant and sophisticated Shino Chawan, wonderful dialogue of brown and cream Shino crackle glaze, made during the early to the mid Edo period.

It is decorated outside with the Imperial Seal of Japan, the Chrysanthemum Seal and inside with two stars. This design I have never seen on other tea bowls before.

No cracks or repairs, just aesthetic inborn kiln cracks. Gorgeous and rare.

Box and shipping included.

Size: 2,8'' height and 5'' in diameter

Japanese antique shinto shrine, made of hinoki (Japanese cypress) wood, wonderful details with elaborate staircase and other temple details including miniature baku, fudogs and a dragon, copper roof with nice patina, Edo Period. Size: 28 1/2" high x 22" wide x 27 1/4" deep.

Rimpa paint on Hinoki wood carving of Daruma. With polychrome hooded robe, decorated in tessellating pattern of gilt dragon mon and scrolling clouds on red ground. His face is painted in a fleshy tone, with painted mustache, beard, and exposed chest hairs. The iconic eyes are reverse painted glass. He stands on a blue ground painted cloud platform.

Late Edo Period (1603-1868)

Dimensions: 15 3/8" x 10 3/4" x 29" H

Tombo Eboshi-Nari Okegawa Do Gushoku, a rare and wonderful Japanese antique suit of armor: Eboshi helmet (represents one who has attained manhood distinguished by an Original dragonfly (tombo meadate) carved of wood and lacquered gold. It is original to the suit of armor and it represents perseverance and transformation. The half mask or monkey form (saru bo) covers only the jaw portion of the face...

Antique Japanese keyaki (elm) wood temple carving of a fu-dog. Beautifully carved with mane of swirling curls and mouth full of sharp teeth, this fierce guardian would have once graced the eves of a buddhist temple roof. Edo Period. With contemporary black metal stand. Size: 15 1/2" high total (10 1/2" high not including stand) x 15" wide x 7 1/2" wide.

This is a wonderfully preserved Japanese Edo Period (Late 18th / Early 19th centuries) Tosa School Monogatari-e (painted subjects depicting scenes from the life at the Imperial Court in Kyoto) Six-panel. Gold-leaf Folding Silk Screen Painting. It shows twelve scenes from chapters of the novel 'The Tale of Genji', set in two sections per screen. It measures 110 inches wide and 48 inches tall. The inside panels are 18 inches and the two outer panels are 19 inches wide...

Japanese antique transom made of keyaki (elm) wood and carved with a scene of Ushiwaka and Benkei battling on Gojo Bridge in Kyoto. The young samurai, Yoshitsune (also known as Ushiwaka-maru) is depicted in an acrobatic pose, leaping over Benkei, the giant wild-man who was intent on stealing Ushiwaka's sword. Another samurai is carved below them, his much smaller form suggesting he is far below the action...

Antique Japanese full size two section isho tansu (chest on chest for clothing), made of kiri (paulownia) wood with original deep reddish brown translucent lacquer finish with wonderful patina especially around the iron work. This chest has four large drawers and a small safe box in the lower right hand corner with two interior drawers finished to match the front of the chest. Iron work includes warabite shaped drawer pulls and large lock plates...

Japanese Edo period carved wood polychrome and gilt Buddhist figure in the form of Bishamonten, one of the Guardian Dieties of the Four Directions (representing North). A protector of the Buddhist faith, Bishamonten is clad in armor and holds a stupa believed to carry the ashes of the Buddha, and by extension, the teachings of the Buddha. He is depicted standing on a gilt base atop a lion-type creature to symbolize the subjugation of evil in the world...

Japanese dated Edo period rectangular form wood "senryo-bako" hinged coin box on two geta feet with cast iron hardware including edge brackets, hinges, handle, and front lockplate. A barely readable black ink inscription on the bottom dates the box to the first year of the Bunkiu era (1861). Excluding protruding hardware, the wood measures about 15 1/4" long x 5 7/8"deep x 5 1/2" high. Good, solid overall condition with typical wear from age and use...

Japanese writing brush in ornate case, case is made of copper with black lacquer and inlaid all over in an ornate pattern with tiny pieces of gold and shell, design of chrysanthemum on hinged ink well cover, 2 sided brush hidden in stem, large shell inlaid cartouch on bottom, beautiful and delicate.

Size: 6 3/4" high x 1 1/4" wide

A 17th – 18th century Neko-tora Tiger by Nagasaki school artist Watanabe Shuseki performed with ink and color on paper in yellow bronze silk border with bone rollers. The parchment is aged and gray, giving the sense of a wall painting in some ancient tomb. The scroll is 14 x 63 inches (36.5 x 160 cm). There is some damage to the lower extremities of the paper, and minor cupping. Watanabe Shuseki (1639-1707) lived in Nagasaki and was a proponent of that school trained under Itsunen...

A rare Edo period porcelain covered dish attributable to the Nanki Otokoyama porcelain tradition of the Southern Kii peninsula (modern day Wakayama) under the patronage of the Kii branch of the Tokugawa family. Outside the dish is expertly modeled in the shape of a sea bream, a fish known as Tai (or Madai) in Japanese. The fish is associated with celebration, not only because of its festive red color, but also as the name Tai is a homonym for festivity...

This is a Japanese antique silk furoshiki textile. It is a rare furoshiki of the Edo period dyed with safflower, purple dyeing, indigo dyeing, hand-painting, and squeezing. It was made by hand in Kyoto and kept in a safe place...

Japanese Kura samurai saddle in red lacquer, with black and gilt lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) are adorned with a copper inlay flying crane. The red lacquer area surrounding the crane is hand-carved with scrolling vines of flowers and shippo pattern in gilt lacquer. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo...