An amazing pattern of gold and silver maki-e decorates this lidded Tea Cup and stand dating from the later Edo period decorated with a samurai clan crest in gold. Assembled it is 7 inches (17.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition, enclosed in a custom- fitted Kiri-wood box.

A large Japanese transom temple carving framed in black lacquer with gold leaf edging. Temple ranma is masterful made up of a single slab of Keyeki (zelkova) hardwood, carefully carved to reveal there central blossoming lotus flowers along scrolling vines. Original finish showing off natural patina consistent with age. Few loses that have been sorted and stabilized with old repairs done at a high level. Ready to be mounted and installed...

Incredible highly detailed hand carved Japanese temple ranma (transom carving). Carved of a solid thick slab of hinoki (Japanese cypress) wood. Depicting a pair of beautiful musical apsaras (celestial beings), floating in a elaborate swirling clouds. Each figure is adorned with a head dress and whimsical flowing dress. The celestial beings are shown holding a drum and the other a flute. The transom is carved in high relief with great detail...

An agate-like cluster floats in the crystal glass of this large vessel by leading Japanese glass artist Hosoi Moto-o enclosed in the original signed wooden box. Ever inventive his works speak of the asymmetry and textures of the natural world. It is 43 cm (16-3/4 inches) tall and in excellent condition.
Hosoi Moto-o (Motoo) was born in Osaka in 1964, and both his older brother and sister also became glass artists. After creating a studio with his brother, he ventured out on his own...

Wow, this Iga Shinogi Mizusashi by Atarashi Manabu is as good as it gets. The torn and slabbed surface is rough, accentuating the particular grains of Iga clay, covered in a smattering of smokey charring and spattered ash. The vessel comes enclosed in the original signed wooden box titled Iga Shinogi Mizusashi. It is 17.5 cm (7 inches) diameter, 20 cm (8 inches) tall and in perfect condition, directly from the artist this summer. It compliments perfectly the Chawan from the same firing...

An incredible Japanese antique Kanazawa kaidan staircase, with hand quartered sawn keyaki drawer fronts and black sliding door framework. Mixture of sliding compartments and pullout drawers. Attached original hand rail that is very unusual. Stunning original lacquered reddish orange coloration. Overall the chest is in excellent original condition with everything working just as it should.

Early Meiji Period (1868-1912), circa 1880s...

Beautiful large Japanese standing Amida Buddha, finely carved wood with red, black and gold lacquer, flowing drapery. Standing on base carved to look like rock and lotus and painted with a gold lacquer, inlaid glass eyes. Early Meiji Period (1868 - 1912) Size: 42" high x 19 1/4" wide x 14 1/2" deep.

A halo surrounds the emaciated figure of a Rakan (Arhat or Arahat) seated atop a stone draped in billowing robes clutching a nyoi scepter in his bony left fist. The holy figure is chiseled and polished with extreme care and attention to detail. The detail in the carving is striking, as bamboo is notoriously hard and difficult to work. Setting it apart from most bamboo carving is a complex pattern of extremely fine chiseled texture throughout...

Antique Japanese makie lacquer suzuri bako (writing box) and matching large stationary box signed with bold signatures on the bottom reading: 光琳　青々Kо̄rin Seisei, an artist name used by Ogata Kōrin (1658 – 1716).
Both boxes have domed lids and are decorated entirely in gold lacquer with highly raised designs of flowers and silver pine branches. The flowers are further embellished with inlaid shell...

An absolutely stunning Japanese silk embroidery of a hound with a freshly caught pheasant in its mouth. Incredible hand-embroidered detailing and realism, with artist's embroidered chop in the bottom left corner, Hayashi Youma. Late Meiji period (1868-1912) c. 1905

Provenance: From the London dealer, Kevin Page. Reference of similar work: "Splendors of Imperial Japan, Arts of the Meiji Period from the Khalili Collection", p...

Absolutely incredible Japanese antique bronze figure of a monkey sitting and inspecting a small wasp's nest. He is delicately modeled with great care given to his expression and details. The monkey figure wears a little coat with incised decoration of more monkeys playing with crabs, a scene which highlights the theme of the main figure which seems to be the inquisitive nature of monkeys. Early Meiji Period (1868-1912), signed by the artist "Shunben" Size: 12" high x 8" wide x 14" deep.

New Arrival

Antique Japanese sumidagawa ware vase with an incredibly realistic three-dimensional dragon coiled all around the body of the vase. The vase itself is very textured in body with a vertically ribbed form as well as tight ridges horizontally. The upper body and neck are glazed in thick oil spill colors. The backside of the piece has a blue chop within a white gourd. Meiji period (1868-1912) Size: 18" H x 10" W

Rare high grade Japanese mounted shubuichi dragon okimono. The dragon is seen as if it is in mid flight, twisting, an thrusting forward. Overall excellent original condition Shubuichi seen here has a Dark grey / silver tonality an has a trace of gold warm colors tones. Incredible detail seen from the fine scales to the tip of the dragons claws...

To use the term Museum quality would be an understatement. This piece, I always had the impression, wat the artwork for which Okada Sensei was most proud. A dry lacquer base covered in layer upon layer of iro-urushi colored lacquer to which has been added hira-maki-e, taka-maki-e, toidashi-maki-e, inlays of mother of pearl, and the entire carved through revealing the layers of color beneath. It was created in 2002 and comes enclosed in the original signed wooden box. Quite large, it is 66 x ...

A sumptuous design of white flowers among dark leaves on a cream-colored dry lacquer form by Okada Yuji exhibited at the Kyoto Kogeikai Kaiten in 2020. It is performed in multiple layers, first the form of dry lacquer, which entails a great amount of time in creation, layer upon layer of lacquer, cloth, paper and Tonoko powder. Then has been applied thick colored lacquer with tataki-nuri texture over which the cream-colored white lacquer is applied. This is ground down to reveal the ridges of...

Nothing I can say can convey the rugged beauty locked up of this Oribe Mizusashi, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters in Japan, born in Tokyo in 1950.

He graduated from the Fine Arts Ceramic Department at Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under Living National Treasure Shimaoka Tatsuzo, putting him in direct lineage with Mingei legend Hamada Shoji.

In 1978 he establ...

An incredible bowl of spotted ink supplanted by a midnight blue rim by Kimura Moriyasu enclosed in the original signed wooden box titled humbly Tenmoku-yu Chawan. It is 5 inches (12.5 cm) diameter, 3-1/2 inches (8.5 cm) tall with a perfectly formed foot and slightly in-curving bowl form perfect for winter tea. The colors are reminiscent of the Kujaku-yu developed by Matsuyama Gae, yet the application is very different.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Cer...

A spectacular large basin covered in fissured green with tinges of red by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Seiji O-zara. It is 16-1/4 inches (42 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Due to size the cost of shipping will be accrued separately
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. H...