A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion...

Tsukioka Yoshitoshi (1839-1892)
The Moon on Musashi Plain
No. 91 from the series "One Hundred Aspects of the Moon"
Date: Published April 1892.
Size: Oban. Approximately 14.375 x 9.5 inches.
Signed and sealed by the artist.
Publisher: Akiyama Buemon. Seals in margin.
Carver: Yamamoto.
Medium: Japanese woodblock print.
Condition: Left margin partially trimmed. Backed with paper...

Tsukioka Yoshitoshi (1839-1892)
Itsukushima Moon
No. 21 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Very good...

Tsukioka Yoshitoshi (1839-1892)
Monkey-Music Moon
No. 92 from the series "One Hundred Aspects of the Moon"
Date: 1892.
Size: Oban...

Tsukioka Yoshitoshi (1839-1892)
Moon and Smoke (Fire)
No. 22 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oan. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon
Carver: Yamamoto
Condition: Slight toning and fading.
- Rival fire brigade standard-bearers stand on opposite rooftops...

Tsukioka Yoshitoshi (1839-1892)
Takakura Moon
No. 36 from the series "One Hundred Aspects of the Moon"
Date: 1886.
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Slight creasing.
- Hasebe no Nobutsuru looks on as Prince Mochihito and his companion Munenobu flee from the Takakura mansion disguised in women's traveling costumes...

Tsukioka Yoshitoshi (1839-1892)
In the Moonlight Under the Trees a Beautiful Woman Comes (Getsumei Rinka Bijin Majiru)
No. 59 from the series "One Hundred Aspects of the Moon"
Date: 1888
Size: Oban...

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see...

Original Japanese woodblock print by Yoshitoshi (1839-1892) of a Japanese captive insulting the King of Ancient Korea. From the series Kyodo Risshiki (Instructive Biographies) and published by Matsuki Heikichi, it is dated 1885. In excellent condition, it measures 14.75 inches high, 10" across.

Japanese woodblock print by Yoshitoshi, Tsukioka (1839-1892) entitled "The Fever of Taira no Kiymori". A triptych print, the scene is of the tyrant Taira no Kiyomori as he writhes in fever just before death. According to legend, the evil Kiyomori burned down a temple and is fetched for retribution by Emma-o the King of Hell, Kiyomori's wife and son kneel and pray for his salvation while demons and the souls of Kiyomori's victims surround him. Print date: 1883...

An antique Japanese two panel screen painting (byobu) of the battle between the two historical figures Minamoto no Yoshitsune and Benkei.
Minamoto no Yoshitsune (born Ushiwakamaru c.1159) was raised in a monastery near in Kyoto. His incredible skill as a warrior emerged when he was very young. In the scene depicted here, he famously defeats the great warrior-monk, Benkei (Saito Musashibo Benkei). The young Ushiwakamaru easily leaps over the larger warrior...

This is finely carved, Late 19th century, Japanese Netsuke depicting a jovial looking Entertainer who is making music with a Hand Drum that he is holding in his hands, and Fan looking instrument that he is working with his feet. Excellent form and detail on this piece. It is signed Yoshiyuki in a rectangular reserve posted over the man's rear end...

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family. From the age of seven to sixteen s...

A beautifully hand painted two panel byobu screen depicting a young samurai being prepared for battle. Signed and sealed by artist 仙挙 Senkyo. Painting is of a servant kneels before the samurai helping to assemble the many layers of protective clothing an armor. A wise elder sees to small details making sure each layer is properly fitted and correctly worn. Matsumoto Senkyo, an artist who lived from 1880 to 1932 Senkyo was born in Nakasuji-mura, a village in what is now part of Seiyo ci...

A Japanese soft and valuable boxwood netsuke depicting a young naked woman kneeling with towel and bucket in the onsen bath 温泉, the Japanese “thermal baths”. Finely sculpted with an excellent patina and soft touch. Himotoshi (holes that allow thread to pass through) large and small on the back. The Japanese consider “communion in nakedness” important as it is capable of breaking down barriers and introducing new people in the relaxed and familiar atmosphere of the onsen. ...

Yuichi Hasegawa (b. 1945)
Record of Wind Erosion (Red)
Japanese title: Fushoku-ki (Aka)
Date: 1989
Edition: 4/20
Signed in pencil by the artist.
Paper size: 24.25 x 12 inches. Image size: 20 x 8.75 inches.
Reference: Art Gallery of New South Wales.
Medium: Japanese woodblock print.
Condition: Excellent.

Pink and blue iris blossom among the green promise of Spring promised on this elegant vase by Miyagawa (Makuzu) Kozan enclosed in a wooden box annotated by the current head of the Makuzu Family in Kyoto, Makuzu Kosai. It is titled Yukasai Shobu no zu Kabin. It is 30.7 cm (12 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyot...

A set of five yunomi cups and five matching plates enclosed in the original signed wooden boxes, each uniquely decorated with cobalt designs and striking gold patterns. The cups are 4 inches (10 cm) tall, the plates 5-1/2 inches (14 cm) diameter and all are in excellent condition.
Ando Hidetake was born third generation into a Mino pottery family in Gifu prefecture in 1938. He began an apprenticeship under Kato Tokuro in 1960. A testament to his skill, he was accepted for the first time ...