Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24 C.M. / Width 14 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This beautiful processional Satsuma Jar or koro is a treasure from he Meiji era. It is signed by both Sozan and Kinkozan. This stoutly made jar is 4 1/2 inches tall and 5 inches wide. The mixed metal lid is a replacement from the Meiji era, that fits perfect and is possibly more attractive than the original. We also have the original lid. It was broken in half and glued back together. The replacement lid has a gold wash in between the raised flowers. The piece has virtually no wear to the gold...

This is an Edo period Japanese book reprinted in the Taisho period (1920).It depicts everyday life in Japan during the Edo period. There is some rubbing on the cover, but there are no noticeable stains or damage. Size:length:19㎝　/　Width:13.5cm / 10 pages

A bronze crane in dark almond colored patina of superb craftsmanship dating from the late 19th to early 20th century (Meiji period). It is quite large at 48.5 cm tall (19 inches) and is in excellent condition.

Fireman's hat with hand-stitched sashiko (quilting). The outside cloth is dyed with vegetable indigo and the lining is dyed with natural brown. Two belts are recycled from old cotton cloth with katazome. In good condition. Meiji period (1868～1912). W:33cm, L:55cm

An antique Japanese Ranma (transom) made of Akita Sugi (Cryptomeria from Akita prefecture) and Hinoki (Cypress). Natural Urushi black lacquer frame. Hand carved scene featuring a good luck turtle with longevity tail admiring an old Plum Blossom tree with scatterings of Bamboo underneath.

Age: Taisho Era (1912-1920)

Dimensions: 73 1/4" Wide by 14 1/2" High.

An antique Japanese Isho Tansu (stacking Kimono chest) in 3 sections made of Kiri (Paulownia) wood. All original bronze hardware including the Warabite style handles and the Uchide no Kozuchi (lucky treasure hammer) sliding door pulls. Top section includes the 2 sliding doors with 3 side by side drawers below. Opening the doors reveals a split level shelf and a small drawer for hair ornament storage...

A large antique Japanese Kotansu made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. Two sliding doors open to a spacious storage area with two small drawers to the side and two full width drawers below. Unusual size that would make the perfect night stand or side cabinet in any room decor.

Age: Taisho Era (1912-1920)

Dimensions: 35 5/8" Wide by 24 5/8" High by 15 1/2" Deep

Dark brown natural wood suzuribako (writing set) with polychrome takamaki-e lacquer decoration of toys, with a rabbit on its cushion and a horse head to ride with its cover.

Interior in negoro-nuri lacquer. This is an ancient technique, developed in the Kamakura period (1185-1333) at the Negoro temple in the ancient province of Kii (now Wakayama prefecture). It is characterized by its vermilion color, made from cinnabar and showing natural brush marks...

A striking Peacock feather colored flambe glazed vase by Leading Kyoto Potter Uno Ninmatsu enclosed in a signed wooden box dated the 10th month of Showa 5 (October 1930). It is 28 cm tall and in excellent condition.
Uno Ninmatsu (1864-1937) was born in Kyoto son of potter Wada Sohei and studied under his father as well as from a young age Seifu Yohei II then future Imperial Art Academy artist Seifu Yohei III until setting up his own studio at the age of 21...

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species...

Furoshiki (wrapping cloth) with tsutsugaki auspicious motifs of seven treasures (takara-zukushi), which is made of hand-woven cotton and vegetable indigo dye. Tsutsugaki is paste-resist-dye and colors are added with mostly pigments. Treasures are: sacred jems, cloves, a lucky mullet, a hiding hat, a coat, citruses and so on. It is made in Kyushu in Meiji period (1868～1912)　In good condition except for three mending patches and some tiny holes. 94cm x 124cm

Japanese bronze rabbit hollow sculpture.

Age: Japan, Showa Period, 20th Century
Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

The androgynous Kannon sits in meditation under climbing rocks and tumbling waves deeply carved into the side of this bamboo incense container dating from the early 20th century (late Meiji to Taisho period). It is 34 cm long (13-1/2 inches) long and in excellent condition, a superb example of the genre. This would have been used to hold incense sticks.

OLD MAP

Map of an certain village in today's Niigata prefecture, Japan. Original drawing, Meiji period (1868-1912). approx. 250 x 200cm (98.42 x 78.744in). Like an abstract painting and powerful...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 18.5 C.M. / Width 18.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Very art deco set of 4 Oribe serving bowls. Geometrical disigns and stripes. Ca. 1920. Featuring the distictive olice green glazes and iron rich clays. 5" long by 2 1/2" tall. Ask for shipping quote.

Nabeshima hard porcelain dish. Okawachi kilns. Decoration in underglaze cobalt blue and overglaze enamels. Although the model already exists at the beginning of the 18th century, we do not believe that the dish presented here is authentic. The enamels are perfect, one can distinguish with a magnifying glass discreet wear of use and the enamels show age cracks, but the cobalt blue on the reverse is too pale. It is not a modern copy, as it has been in the Sakura collection for about forty years...