One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine porcelains including: Kyo-style tea and sake-wares, pieces for the western export market, distinctively home-grown Japanese motifs, and expertly crafted Chinese-style pieces such as the one seen here...

An antique Japanese Kotansu (personal storage chest) made entirely of Kirinoki (Paulownia) wood. Original bronze hardware. Two sliding doors open to a storage space with one shelf. Five drawers provide additional storage and organizing areas. Constructed using straight dovetail joinery and hardened wooden nails. It would make a perfect nightstand or side chest for any room decor.

Age: Late Meiji-Taisho (1910-1920)

Dimensions: 23 7/8" Wide by 20 1/8" High by 13 18" Deep

An antique Hon Kotansu (personal book storage chest) made of Kirinoki (Paulownia) wood. Two hinged Biraki doors open to a split level shelf where books and other personal belongings were stored. Two side by side drawers below gave additional storage space for organizing. Straight dovetail joinery with hardened wood nails were used in its construction.

Age: Late Meiji-Taisho (1910-1920)

Dimensions: 25" Wide by 19 3/4" High by 12 1/2" Deep

Meticulously crafted from carefully woven strips of bamboo, this traditional “chabako” would typically contain all of the basic utensils for conducting tea ceremony. As the same name is commonly used to describe wood boxes used to store and transport tea leaves, the piece below could also be described as a “chakago” to avoid confusion—though the former descriptor is much more commonly used...

11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.

The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement.
The red clay was used which was glazed and fired. It is a rare work that depicts the standing cranes of parents and child. He often used crane decoration in his later years such as Fukurokuju tea bowl exhibited in Kyoto in autumn 2020. (Autumn Special Exhibition...

A Japanese pure silver vase depicting bamboo trunks with leaves, pine branches and plum tree in bloom with Japanese nightingale perched on a branch with open beak and posture in the act of singing. Engraved signature on the side, and high title junjin mark under the base. Meiji period late 19th century Sizes: 24 x 13 x 13 cm. Condition report: Very good condition

Okuhara Seiko (1837-1918; female)
Cherry Blossoms Under the Full Moon
Date: 1900s-1910s
Publisher: Daikokuya.
Unsigned. Signed examples exist.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Medium: Japanese woodblock print.
Condition: Slight toning. Left and right edges bumped.

Well defined bronze elephant koro incense burner, C.1920. 18cm tall by 15cm wide. Very good condition.

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid...

Width: 12.4 cm (4.9 in)
Height: 4.9 cm (1.9 in)

Quality Japanese Satsuma bowl featuring Samurai having a discussion in a rural setting; floral decoration to the exterior; finely gilded throughout; marked Senzan; excellent condition

A fine Japanese lacquer tray dating Taisho era, pre 1920. In excellent condition with only having some light wear to the bottom from sliding on tables or what not over the years. Measures: Length 8" x Width 6.75"

Rich patina Late Taisho Period C.1920 bronze garden lantern. In the Yukimi snow lantern style. Each panel has an auspicious Japanese symbol: pine, plum, bamaboo and grasses. Great condition. 25" tall by 16" diameter. Ask for shipping quote from CA warehouse.

An antique Japanese Kotansu chest for personal storage use made entirely of Kirinoki (Paulownia). All bronze hardware with 6 drawers and a pair of sliding doors hiding a storage area with a split level shelf. Constructed using straight dovetail joinery with hardened wooden nails. Perfect as a side chest or desktop organizer.

Age: Late Meiji-Taisho Period (1910-1920)

Dimensions: 23 3/4" Wide by 19 3/8" High by 11 3/4" Deep

Kawase Hasui (1883-1957)
Dancing Girls Enjoying Cool Breeze On River Kamo
Date: 1919.
Size: Approximately 7 x 4.5 inches.
Hasui signature and seal at lower right.
Publisher: Yoshusha.
Edition: First.
This marginless print was issued as seen here tipped along its top edge into the 1919 first edition book, "Sights of Old Capital" by Aisaburo Akiyama...

Antique Japanese Art Deco bronze and silver figure of a parrot sitting on a holly branch. Elegant simplified lines and form with swooping tail and copper color eyes. In two sections. Signed by the artist, Tanshо̄ Inoue. He was famous for his Art Deco bronze work during the Taisho Period and a member of Tokyo Chukinkai (Tokyo Cast Bronze Craftman's Association)...

Asa (hemp) noren (shop curtain) with "Mitsui" which is a logo of a noted general trading company and was a successful kimono textile dealer in Edo period. Both warp and weft are hand-plied and all hand-sewn. In good condition and has some wear on the selvedge from heavy use and washing. Late 19th early 20th century. W:144cm, L:132cm

Cranes rest in the boughs of a massive blue pine overlaying the white clouds billowing on the pink tinged body of this large vase by Seifu Yohei III enclosed in a signed wooden box annotated by Seifu IV. An identical vase held in the collection of the Ashmolean is visible on page 19 in the book Sandai Seifu Yohei (Seki Kazuo, 2012). Seifu III was known to have made few large works, so this is a very important piece. It is signed on the base Dai-Nippon Seifu Zo...

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief...