This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

It is Indigo & green Patched sashiko hand-Stitch silk rag�@edo era(1800-1867)Rare.It is sashiko- stitch for repair by hand.It can enjoy both sides . size:123cm x 68cm (48.4" x 26.7")

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck...

DESCRIPTION: A rare and quite old Japanese lute, or sanshin, originating from the island of Okinawa. The sanshin (literally meaning "three strings") is an Okinawan musical instrument, and the precursor of the Japanese shamisen. Often likened to a banjo, it consisted of a snakeskin-covered body, neck and three strings, and was known for its calming tune. This sanshin, dating from the late 18th C...

This is an Early 19th Century, beautifully carved Group of Gourds. Outstanding form, polish and patina. Silk-smooth tactile qualities. Natural himotoshi. Unsigned. Netsuke measures 1.40 inches ((3.6cm) in diameter.

The Katchushi style of this tsuba gives it an earlier look and feel. But it is probably an Edo period work (might expect more wear on the seppa-dai or more conspicuous tekkotsu on an older example.) The thin body nonetheless resilient. Strong, sparse, decorative file marks on the vertical add to character. Adept use of the file, thin plate and slight taper toward the rim could support argument a swordsmith may have made the tsuba...

This is Nobori-Paper used in a house in the Edo era. The pattern of this Nobori-Paper is Shoki. Shoki is an old Chinese soldier. This is made with paper. The rim of this Nobori-Paper is protected in hemp thread.� This is hardly left now. Most of left flags are textiles. This has many stains, damage, but there is value for a document very much. Size 223cmx 116cm (87.7 �g x 45.6 �g))

This is a japanese antique very rare Ramie( choma )child kimono used for edo in Kyoto. This is dyed in natural indigo plant and Benibana. This is colored the both sides into in Katozome. This hemp is spun by hand. This has five places of small stains, but does not stand out. There is no damage really. The state is complete. Size 123cmx 121cm (38.1 "x 38.9 ")

Very rare and unusual wood tiled village shrine from Dema - mura village in Mie Province. Dated the year of the tiger C.1818 the shrine houses gods and happiness. Signed on the back with the date and maker, Fujiwara Shokichi. Cypress wood with a bronze lock on the doors to the inner chamber. Remarkably good condition with minor wear on the back ridge of the roof. See Pictures. Ask for shipping rates.

This is Fukusa used in Kyoto for Edo period. As for this, two carps are expressed very boldly. As for this, a carp is expressed in a silver thread. This does not have a stain and damage. As for this, a state is complete.��Lining is a red silk. Size 74.5cm x 62.5cm (29.3 "x 24.6")

This is a child kimono of a merchant's family used in Shonai for Edo period. Probably this was used as a gorgeous kimono carefully. Put it on top of one another, and this was worn. This is a jacket. This does not have stain damage. The state is complete. Size 116cm x 108cm (45.6 "x 42.5")

This is good-quality Yogi of Tsumugi-Silk used in the Tohoku district at the end of Edo period. Yogi which it is polychromatic, and was dyed is an upper item. This is one of the upper wedding ceremony items. As for this, basics are dyed in indigo plant and Kariyasu. At first this is dyed in Tsutsugaaki, and 90% are finished, and a part of the tiger is pictured freehand carefully successively...

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about...

This is personal ornaments of a horse used in the Tohoku district for Edo period. The item giving glory to a horse is called Umakake. This is dyed with a natural indigo plant and other dye. As for this, a thread spun by hand by cotton cloth is used. The influential person of the village had this type of item. In this district, the upper Tsutsugaki technology was used for the personal ornaments of the horse...

This is cotton child Kasuri kimono of Edo period. As for this, a pattern is Hagoita, Hane and Hami of the harness. Hagoita play is play of New Year holidays. As for this, Yokote Kasuriga is used for Edo period of Akita. This has two or three places of stains, but does not stand out. This does not have damage. The state is complete. Size 90cmx 91cm (35.4 "x 35.8")

This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")

This is cotton Haori used in Kyoto for Edo period. As for this, the surface side is a stripe pattern, and the inside is Katazome- dyeing. The inside Katazome dyeing is a design of the grain of wood. As for this, cotton is spun by hand and is thick. In the upper part of the sleeve right as for this 4cm (there is a tear of 1.5 “).) And there is a tear of 10cm (3.9 ") in the upper part of the left sleeve. There is not the stain damage elsewhere...

This is long Coat which Kagokaki wore for Edo period. This is dyed repeatedly many times by a beautiful natural indigo plant. It is an original act in this respect. Therefore an indigo plant is left densely. As for this which this is Katazome of most Tsutsugaki and some parts, and is produced, cotton spun by hand is thick. This cotton is typical cotton used in country side. For Edo period, much local cotton can watch the taste that is great Folky...