A four sided vase in Aka-e design by important 20th century potter Kawamoto Goro enclosed in the original signed wooden box titled Aka-e Kamon Hanaike exhibited in 2001 and published in the book Kawamoto Rekitei, Goro, Taro, San-Dai-Ten (Three Generations of Kawamoto Family). It is 27.5 cm (11 inches) tall, 16 cm (6 inches) square and in excellent condition. The Book is included.
Kawamoto Goro (1919-1986) was born in Seto to a family of potters...

A true masterpiece vase covered in the trademark sansai glazes of Ningenkokuho Tokuda Yasokichi III (Masahiko) enclosed in the original signed wooden box. A superb example of the work of this Living National Treasure.

Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi (1933-2009), born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a few small portions of the foot of the tea bowl exposed, displaying the somewhat reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Perfectly shaped Kuro Raku Chawan of Nitten Exhibition Potter Kiraku Kuzu with a beautiful jet black glaze. The Chawan was made 30 years ago.

It is in mint condition and comes with its originally signed and sealed wooden box and an appraisal of the famous Japanese Daitokji Temple, which makes this Chawan very special.

No chips or cracks.

Size: 8,5 cm height x 12 cm in diameter.

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Additional Photos for Sawamura Tosai 3 rd Sake Set with Tomobako.

The Size of Tolkkuri: 4 5/8" High x 2 3/8" Dia, 2 1/16" Bottom. The size of Each Sake Cup: 1 5/8" Dia x 1 13/16" High. This is very unusual and fine classy Japanese Kiyomizu Yaki Sake set by Sawamura Tosai 3 rd (1951-). It is made with fine quality Kiyomizu Yaki refine earthern body. The wall thickness on Tokkuri is only 1/16" Thick less than 2 mm. So as Sake cup has only 1 mm thick on wall. Tokkuri as well as 2 sake cup has the hand written signature of Tosai in blue underglaze (sometsuke)...

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom...

The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results...

Isezaki Mitsuru was born in 1934 in the well-known family of Bizen potters. His younger brother Isezaki Jun (b.1936) is the Living National Treasure since 2004. Mr. Isezaki holds the Intangible Cultural Property title since 1998. Bizen ware was originally produced in Imbe village of Bizen province since Kamakura period of 14th century. Size Height 13.2cm Diameter 8.5cm Condition Good, no chips, no cracks. Supplied with a signed wooden box and certificate of origin

One of the most attractive chawan by Ohi Chozaemon VIII (Choraku) (1902-1991) I have seen. It was made around 30 years ago in the style of Raku.

The Chozaemon family of potters has been associated with the world of the Japanese tea ceremony since the 17th century.

The Chozaemon lineage started with Hodoan (1631-1712), apprentice to the fourth heir of the Raku family of potters...

Extra large format limited edition Japanese woodblock print depicting a flower lined deserted lane beside traditional buildings under a cloudy blue sky by Katsuyuki Nishijima (b. 1945) dated 1987. This is an original pencil-signed artist's proof (marked A.P. in the lower left margin) for an image that was likely produced in a limited edition of 100. The pencil-title appears to translate "Empty Sky" or "Deserted Day." Paper size 24 1/4" x 18 1/4" (image: 15 3/8" x 21 1/4"). Full margins...

Isezaki Mitsuru (1934-2011) Bizen Pottery Hidasuki Flower Vase with Signed Box Isezaki Mitsuru was born in 1934 in the well-known family of Bizen potters. His younger brother Isezaki Jun (b.1936) is the Living National Treasure since 2004. Mr...

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature. At the bottom margin edge in pencil is "Spring Rain," the artist's name in English, and the original purchase price of $225. Paper: 18 3/8" x 25" (image: 15 3/4” x 21 5/8")...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) titled “Samurai with an Umbrella” by Yoshitoshi Mori (1898-1992). The print is pencil-signed with the artist's red seal, dated ’82, and numbered 34/50. The bottom right corner has a small "80" in pencil. Paper size: 20 1/4" x 13 1/2." Very good, clean overall condition. A tiny pencil notation with a prior owner's name "Hansen" is on the back bottom edge.

A Japanese Kutani porcelain Koro or incense burner, with a round body raised on three animal-mask legs and applied with shishi-mask handles. The domed, pierced cover is surmounted with a further shishi. The whole decorated in overglaze enamels with peacock and golden pheasant amid rocks and peonies, all on a yellow "roe" ground. Marked with a seal to the base "Kutani" amidst scrolling clouds, it dates late 20th C, circa 1980, and is in excellent condition. Measures 6" high, diameter 4", 6" ac...

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Inawara” dated 12/20/1982. The bottom margin is titled, dated, numbered 28/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 18 1/8" x 25" (image: 15 1/2” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck. The bottom margin corners are a little wrinkled and the paper at the back upper edge is slightly distressed from tape removal.

Oversized limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Fuyu no Hi (Winter's Day)” dated 2/15/1981. The bottom margin is titled, dated, numbered 30/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 9" x 24 5/8" (image: 6 11/16” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck and there are tiny brown spots about the size of the tip of a pin scattered throughout the paper.