Century Japanese Ebony Wood Netsuke: Tanuki Badger, Signed Minko with Kakikan

19th Century, finely hand-carved boxwood netsuke depicting a seated Tanuki, or Japanese Badger (raccoon dog) raising his right paw in order to beat his belly, or distended scrotum as it if were a drum. Pupils made in bronze and inlaid with black horn. Wonderful chimney himotoshi that starts on the bottom, and extends to the left side of his body, between his legss...

Early 19th C. Japanese Wood Netsuke: Wood Gatherer, Signed YOSHINAGA, Miura

This is an Extremely Rare example of a wood netsuke excellently carved by Yoshinaga, as signed on a border, on the bottom of this superb miniature sculpture, depicting a Wood Gatherer who has taken a rest from his daily journey by sitting on top of a rock. He is carrying on his back a wicker basket, and two bundles of wood on top of it...

This is Japanese Edo era Beautiful silk of the patchwork yosegire beni-itajime kimono. This kimono is original from the Edo period and consists of 6 types of safflower dyeing and 1 type of edo type dyeing. The lining is also safflower-dyed silk from the Edo period. There are some small stains and damage. However, overall it is in very good condition. I recommend it to your collection. Size: 131cm (515inch) 116cm (45.6inch)

Dragon candlestick in bronze forming crucifix. Japan edo. This cruciform shape is unknown in Japanese art. I think it is a household crucifix for a Japanese Christian family who would have liked to have a discreet crucufix in their house. A non-Christian visitor would never have suspected that this three-candle dragon was a representation of Christ on the cross...

This a rare yosegire patchwork kimono is original from the Edo period. The safflower-dyed board pattern is cherry blossoms. The safflower dyeing on the sleeves and waist is a pattern of squeezing, butterflies and waves. The hem has a very impressive ichimatsu and goose pattern. Very high tech shibori and stencil dye. All are dyed with natural dyes. There are some stains, but they are not noticeable. There is one small hole. it is in very good condition. Recommended for your collection...

19th Century Japanese Gold Makie Lacquer Kobako Kogo Box with Horse

The box is 0.63 inch (1.6 cm) tall by 2.3 inches (5.85 cm) in length and 2.2 inches (5.5 cm) wide. It is 13 gram.

It has small chips, peeling of lacquer, hairline crack, stains, rubbing of lacquer and gold and surfaces wears and scratches (as seen in the photos).

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This is a Japanese antique Edo Period of Dark indigo dye samurai kimono.It is a very nice Edo period handspun & natural indigo dye cotton with a family crest.There are no stains or damage. There is a thin cotton inside. Size::Length:135cm(53.1inch) / Cuff to cuff, across the back: 130cm (51.1inch)

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

Netsuké carved in stag antler or deer horn,very simple but compact in shape and with a very nice patina. Very pleasant to hold in the palm of the hand. It represents a Chinese child lying on a drum. For the Chinese New Year the children drummed to cast out demons. Probably our little boy is resting on his drum after having accomplished his mission? Edo period, early 19th century or before. 40 x 27 mm There are two small holes above the ears, probably 2 missing inlays?

Buddhist lion in gilded bronze. Japanese work from the Edo period (17 ° -19 °) difficult to date with precision. However the style of the round patches of the coat does not seem to me to be 17 °, it is more reasonable to think 18 ° -19 °. The cast iron is of good quality and very thick which makes it very heavy (18 kilograms). The bronze was hot gilded with mercury and then covered with translucent lacquer which gives an orange color...

Height: 3.2 cm (1.3 in)
Width: 2.5 cm (1 in)
Depth: 3.5 cm (1.4 in)

Early angular form netsuke of a monkey handler; carved from natural material; a monkey clings to the back of his handler; age lines; good condition

This is Japanese antique indigo dye (Tie-dye)& Stripes Patchwork silk kimono of the Edo period.(1800-1867). The portion of the indigo dye silk shibori is very impressive and beautiful. You can enjoy wearing this kimono. It has neither a stain nor a damage. It is in a very good state. size::Length:133cm(52.4inch) / 125cm (49.2inch)

This is a Edo Period Natural indigo Cotton Umakake Tsutsugaki antique textile.Impressive design of dynamic rabbits and waves. This is a cotton of good texture in the Edo period is used. This texture is characteristic of Edo cotton. Pictures of rabbits and waves are expressed quite stylishly. This is impressive Kyogen style picture of the Edo period Tsutsugaki.It has several small repairs. There are no noticeable stains. It is a very valuable Edo period textile...

Hishaku-gata style yatate in bronze with brown patina. The hishaku-gata style was developed at the beginning of the Edo era, in the 17th century. It is characterized by an ink compartment (sumi tsubo) in the shape of a ladle. Here it is decorated with a frog.
The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth...

Long suzuribako (calligraphy box) with nashiji lacquer background, plum tree decoration in a lake landscape in takamaki-e, kôrin maki-e and kirigane. The plum tree (ume), which blooms at the beginning of the year, announces spring. Its flower is a symbol of protection against demons. On the inner lid, decoration with seven flying birds near a coast with clouds. Pewter inlay on the nodes of the trees in the style of Ogata Kôrin.

The kôrin maki-e is a technique developed by Ogata K...

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways.

Approximately 15...

An unusual Arita porcelain tea pot styled after a cast-iron example. The textured surface is described as “nail head” when it appears on an iron tetsubin. Late 18th ~ early 19th century.

The Shibata Museum compendium has a pot of similar shape and cartouche, no nail head texture or iron dressing  but with additional cobalt decoration, item#3782.  1780~1820.

This example is approximately 17.5 cm high. The handle has a very obvious stress crack but no other problem. Fine ...

Buddhist shrine containing the deity Uga Benzaiten surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and the snake god Ugajin. Hidden between the jugodoji is the tiny figure of Amida Buddha.

In this shrine Benten appears in her eight-armed martial form holding various weapons (wheel, bow, spear, sword, club, lock, and arrow) and the wish granting jewel (all of them missing). On h...