The gist of the script is Taoist, something to the effect of: This is my life, I am neither overtly talented nor gifted with genius, like a sail boat alone tossed among the waves I drink freely of sake untouched (unfettered) by others seen only from a distance. Ink on paper in a the rough silk border preferred by Literati artists with exquisite turned ivory rollers enclosed in a period wooden box (the rollers will be changed for something suitable if exporting)...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.6 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

An underglaze blue and polychrome enamelled Arita bowl and saucer with panels of chrysanthemums supported by canes that suggest crucifixes, separated by panels of bird and trellis design. Early 18th century.

The cup is approximately 8cm diameter, the saucer is 14.8cm diameter...

The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out. It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back. The silk waist straps on a white background are all original. It was carefully communicated and stored. I recommend it to your collection...

It's a rare pattern of ayagata, treasure, plum and maple. It is handspun & natural indigo dye cotton. Hand-spun and soft to the touch is a characteristic of the Edo period. There is a faint fading.It has no damage Recommended for your antique textile collection. and It is ideal for Good for home decor,wall display,remaking materials such as the patchwork and craft projects　and boro quilting and You enjoy it....etc Size:Length:134cm cm(52.7 ")/ width:16.5 cm(6.4")

This is a Japanese antique silk furoshiki textile. It is a rare furoshiki of the Edo period dyed with safflower, purple dyeing, indigo dyeing, hand-painting, and squeezing. It was made by hand in Kyoto and kept in a safe place. A connection pattern that is a metal fitting included in the horse's mouth. It has the meaning of a talisman that protects you from illness and accidents. It is a very auspicious design that has been used since the Heian period. All are dyed from natural plants...

A boxed set of fifteen unique bowls with lids for clear soup made for the Lord of the Yanagisawa family enclosed in a wooden box dated the 7th month of 1730. What makes this set quite unique is that each bowl is singular, a different design, color, shape or technique. But throughout is the one continuous symbol, the four petaled crest of the Yanagisawa clan.　The box is titled Yakatasama, Go Suimono wan, Yangisawa Shimono and on the side Jugonin-mae...

An unusual low bowl with the primary subject of a Minogame, a symbol of longevity, decorated in somenishikide style in underglaze blue with additional enamels...

A bowl and accompanying saucer or stand both with slightly everted lips. Decorated in a combination of underglaze blue with enamels, iron red and green, with gilding. A truncated version of the gosai palette, a three rather than the full five colour palette, which would have included in addition yellow and aubergine coloured over-glaze enamels. The design is composed of a series of contrasting narrow bands of geometric diaper with Matsu and Kiku inclusions in the lozenge shaped cells and band...

A high quality "Porcelain for Palaces" type Arita dish with foliate rim in Imari export style decorated in the full Imari five colour palette principally with Irises, Peonies and Chrysanthemums, with Fence-work and Plum trees and a central motif of Peonies. The reverse decorated with flowering Plum and Rock peonies and an Artemesia leaf. For a set of thirteen dishes with the same pattern in the Royal Collection see C&J : Ayers, J., 2016. Chinese and Japanese Works of Art in the Collection of H...

A rare edo period Japanese choba (merchants) tansu from the Niigata perfection in Japan. Made of solid keyaki hardwood (including the back). Finely detailed hand forged iron of a flying crane and longevity turtle seen amongst the pine and bamboo. The lower two drawers depict a lock and drum. Stunning original finish with warm tones. 8 drawers in total each of there own size. Two small drawers with unique pull rings tucked securely behind the locking bar.
Locking bar has functional lo...

A large and rare mid Edo period Tamba Funa-dokkuri Ship Bottle made with flaring mouth and wide flat bottom for use on Ships. Down the side is inscribed the date Kyoho Gannen (First year of Kyoho, 1716). The Akadobe clay is covered in rich green glaze cascading in rivulets all about, with a few scattered windows of raw clay exposed. The base is slightly concave, impressed with a fern leaf. The Funa (ship) tokkuri shape was originally made for the use on ships, the side bottom keeping it fro...

Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...

This is a Edo Period Child kimono of Hemp Indigo dyeing Kasuri Echigo-jyofu. Chinese phoenix, butterfly, cherry tree.It is a very beautiful indigo dyed linen. It is in very good condition with no stains or damage. Size:length99cm ( 35.8inch) / Width:99cm (38.9inch)

Sculpture of the Bodhisattva Jizo, standing with a jewel in his left hand. His right hand points down to the earth in a welcoming gesture. The sculpture was built according to the yoseki saigu technique of separate blocks. Originally a layer of gesso covered the wood, over which black lacquer. The lacquer and gesso have come off from most of the sculpture, revealing finely written sutras or Buddhist texts in black ink all over the body of the figure.
Mounted on an black base with Velcro

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Antique Japanese Esoteric Buddhist scroll painting depicting seated Amida Nyorai (Buddha Amitabha) flanked by the 12 Jūniten (Deva Guardians). The 12 Jūniten (6 on either side) are identified as Taishakuten (Skt. Indra) Lord of Jūniten, Katen (Skt. Agni) of Southeast and Fire, Enmaten (Skt. Yama) South and the Underworld, Futen (Skt. Yayu) Northwest and Wind, Bonten (Skt. Brahma) Heaven, Suiten (Skt. Varuna) West and Water, Bishamonten (Skt. Vaisravana) North and Wealth, Rasetsuten (Skt....