A good Arita moulded foliate rimmed dish decorated in an Imari three colour style with a central motif of entwined Pine, Plum and Bamboo branches with a wide border containing Chrysanthemum’s and Irises and Peonies growing from stylised rockwork. The reverse decorated with various sprigs with Peony, Camelia and Plum flowers. A set of four spurs in a “Y” shaped formation supporting the base of the dish...

While Kitaoji Rosanjin can be arguably called the most eccentric figure in Japanese art world in 20 century, Ando Minoru (1927-2015), 安藤實 is another name that comes to a mind...

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways...

Ohara Koson
Songbird and Lotus
Size: Approximately 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 439).
K.35.21 (cat 125b) in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Frayed lower edges. Paper remnants at back.
An early and rarely seen design.

This is an original yosegire hanjyuban made with plenty of silk katazime and silk fabrics from the Edo period. During the Edo period, silk was very expensive, so kimonos were often made without throwing away even the smallest scraps. This item uses plenty of linen thread as the basting thread. The lining is red silk from the Edo period. There are slight stains. there is some damage to the silk stripes. See image. Size: Length 90cm / sleeve to sleeve 127cm

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has reduced oribe glaze, it also could be used as a vase. Size: 11.4cm(B) 10.3cm (L) 16.1cm(H) Accessary: wooden box signed by potter

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has black (iron) glaze, it also could be used as a vase. Size: 11.0cm(B) 10.2cm (L) 14.0cm(H) Accessary: wooden box signed by potter

A teal colored cloisonne enamel vase with peony and vine decoration within fine silver wire and with subtle blue on yellow hues accenting the petals and leaves. Two character signature on the silver footrim and in the box (and with printed material) accompanied when acquired. Excellent condition. Height, 8 1/2 inches

This is Japanese antique silk Stripe and katazome and kasuri Child kimono of the Meiji era. It does not have a stain and damage. It is in a very good state. size::Length100cm(39.4inch) / Cuff to cuff, across the back: 98cm ( 38.6inch)

This is a japanese antique silk Nishijin textile small case from the Edo period. The dragon and cloud motifs are expressed with gorgeous weaves. There are light stains, but they are not noticeable. There is slight wear on the corners. But it's in good shape overall. Size: Width 20 cm(7.84inch) / Height 12 cm(4.72inch)

This is a rare and tattered tunobukuro bag textile made from old hemp and rags from the Meiji period (1868-1911). This is the bag you put the sweetfish in after you catch them. It's been used a lot, so it's a little soft. It has been washed, so there is no smell. You can enjoy both sides. Size: Length: 140cm (55.1"), Width: 30cm (11.8").

It is a Japanese antique Lattice pattern of indigo-dyed cotton and thick textile from the Meiji era (1848-1911). There is no dirt or damage. Recommended for materials, wall decorations and bedspreads. Three long fabrics are sewn and connected. Can be washed with water. Size:Length:168cm(66.14inch) Width::100cm(39.3inch)

This is a ,Japanese antique indigo dye thick hemp katazome . It is a handspun & natural indigo dye katazome. There is no stain.There is no damage and it is in very good condition. Size:Length:257cm(101.1inch) / Width: 35cm(12.9inch) . It is a handspun & natural indigo dye katazome.

Japanese antique silk katsugi hitoe kimono Meiji era(1868-1910).Pattern of the freehand drawing dyeing of the scenery of a mandarin duck and the snowy Japanese garden. It has a few stains, but there is no damage.They are not disturbing, and as a whole it is in very good condition.It display it in the room in addition to the collection of your antique, and I recommend it to you to materials such as the patchwork. size:Length 158cm (62.2inch) sleeve to sleeve 123cm (48.4inch)

This is a Japanese antique indigo dye cotton shibori kimono of asamai of the taisyo era. It has several faint stains. But that is no damage. Size:Length:150cm / 59inch Width:: 128cm / 50.3inch

This is a Japanese antique silk katazome Good quality child kimono of Auspicious Samurai helmet and arrows and crests pattern.It is a Good quality kimono of the Taisho era.It has no stain or damage. It is a very Excellent condition. Size:Length:103cm(40.5") Cuff to cuff, across the back: 85cm (33.4")

Ths is a Japanese antique Indigo dye hemp play drama costumes. It has no stain or damage. It is a very Excellent condition. Size:Length:71cm(7.9inch)::Cuff to cuff, across the back: 114cm( 44.8inch)

Japanese antique cotton child kimono of hand shibori (Tie-dye)From Edo to Meiji era. This shibori has some protrusions and seems to be rarely used.shibori cotton is a very good hand-spun cotton. The cotton lining is also charming. There is a slight stain on the sleeve. There is no damage and it is in very good condition. Size::Length:81cm ( 31.8inch) / Cuff to cuff, across the back: 93cm ( 36.6inch)