Eisho Narazaki (1862-1936)
Interior of Asakusa Kannon Temple
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932
Publisher: Watanabe Shozaburo. Watanabe C seal at left margin, indicating a first edition printed 1929-42.
Medium: Japanese woodblock print.
Condition: Toned paper.
There is so much to look at in this lively, superbly printed image.

7 various porcelain plates by Living National Treasure Kondo Yuzo decorated with blue, gold and red glazes and featuring pomegranates on six, the sun rising over a precipitous mountain scene decorating the last. The smallest are 18 c (7-1/4 inches) diameter, the largest 24.5 cm (just under 10 inches and all are in excellent condition. There is no box...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

Antique Japanese bronze usubata, Meiji period. The usubata are used for floral arrangements, like a vase. This usubata is striking with a dragon supporting the vessel with one of its arms as its back arches. It measures 9" tall 12" wide at base.

DESCRIPTION: A large and attractive Sumida Gawa tankard with a red ribbed body, graceful handle, and high relief figures of two children. A traditional flowing flambe' glaze in dark brown and beige coats the top third of the mouth and handle. Fine attention to detail has been paid to the handmade figures of children standing on ledges against the ribbed, cold painted body...

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work...

An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel...

Hiroshi Yoshida
A Little Temple Gate
Date: 1933.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Reference: Abe #181.
Condition: Excellent color. Light foxing on back very faintly visible in sky in places...

Kawase Hasui (1883-1957)
Shinagawa (Rainy Season at Ryoshimachi)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1931.
Publisher: Watanabe Shozaburo. Round, black 6 mm seal at lower right, indicating a lifetime printing (1946-1957).
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Reference: Hotei #218.
Condition: Original drying pinhole in left margin. Slight fading.
"Shinagawa was the 1st station on the Tokaido." - Hotei.

An antique Japanese Cha Tansu (tea chest) made entirely of Rosewood (Shitan). Beautiful configuration of sliding doors, shelves and drawers. Each display shelf has an arabesque border and the center and top shelf have a horizontal scrolling design. The top, back and sides all have floating panels and the chest has an open air design with areas for storage.

Age: Late Meiji-Taisho (1900-1920)

Dimensions: 42" Wide by 42 1/2" High by 13" Deep

Tall Japanese sectional patinated bronze tripod censer, or incense burner, on a pedestal base decorated on the vertically ribbed body with a relief motif of birds perched on blossoming, leafy branches. The lid has a Buddhist lion-dog (shishi) finial and there is an elaborate animal mask form handle on each side. The base holds a square apochryphal Chinese Ming dynasty Xuande reign mark. Late 19th century. 19 1/2” high x about 10 1/2” diameter...

A splendid antique Japanese usubata or flower vase used in ikebana. The surface of the piece is covered with a red coating to mimic cinnabar lacquer. The images of pheasants and peacocks surround the body of the vase. The sides are elephants and the legs are formed from a mythical beast. Age: Meiji Period (1868-1912) Size: Diameter 13" Height: 11.25"

Antique Japanese ranma with wonderful large scale hawk sitting in pine tree, beautifully carved on both sides, carved of keyaki (elm) wood, Meiji Period. Size: 59 1/2" x 16 1/4" high x 2" deep.

This Tea Bowl (Chawan) in the style of Kenzan is decorated in white slip and underglaze iron.

It is in excellent condition, there is a tiny chip on the lip but no other damage and no repairs. It dates from the late Edo Period.

The Tea Bowl is from the Dikran G...

Elizabeth Keith (1887-1956)
Little Pavilion, Peking, 1935.
(aka. Little Pavilion, Coal Hill, Peking)
Size: Approximately 14.75 x 9.25 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with a couple of very faint creases. Title noted in pencil on back.

We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.

Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.

This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men)...

Antique Japanese cha tansu (tea storage chest) with a lovely red/brown lacquered burl front with a gorgeous shine, and a warm honey-tone lacquered top and interior. It has many sliding door panels with plenty of storage space and shelving within, and five exterior drawers with interesting V-shaped handles.

Meiji Period (1868-1912)

Size: 47.75" height, 33" width, 13.75" depth

A fine little Hirado figural group depicting two karako playing with a Shishi-mai (lion dance) mask. Sharply modeled with incised details and sparse blue, aubergine and black underglaze decoration. The karako's eyes, the lion mask and the underside unglazed. The biscuit surface of the lion mask intentionally oxidized to an even, light buff tone...