Large Japanese Gigaku demon mask, covered with red, gold, and black lacquer. The colors gold and red are associated with the underworld, especially when apparent in a demon's eyes. This mask sports long fangs, a stubby ridged nose, and furrowed brow. The inside of the mask has rice paper with kanji signature of the sculpting artist. Dates from the Tiasho age c1920. Size: 17.25" height, 13" width

Large Japanese Gigaku demon mask, covered with silver, gold, and bronze lacquer. The colors gold is associated with the underworld, especially when apparent in a demon's eyes. This mask sports long fangs, a stubby ridged nose, and furrowed brow. The inside of the mask has rice paper with kanji signature of the sculpting artist. Tiasho age c1920. Size: 17.25" height, 13" width

This is a wonderful cabinet vase by Gonda. This vase is not signed but Gonda was the master of this style of cloisonne. These wireless iris vases are not only highly desirable, but are also not easy to come by. The vase measures 3 3/4 inches tall. Condition is excellent.

DESCRIPTION: A large and fabulous Sumida Gawa tankard with an unglazed body, graceful handle, and figures of a man and small boy in very high relief. A thick, flowing flambe' glaze in blues and brown coats the mouth and runs down the body and handle in thick drips. Fine attention to detail has been paid to the handmade figures of a seated man with a cane facing a young boy, both supported by craggy rockwork ledges...

Antique Japanese tansu made from Keyaki (zelkova) wood with a deep red lacquer and a gorgeous woodgrain. It has a central vertical lockbar with ornate iron decorations over two large drawers, with squared handles. Key included.

Late Edo Age circa 1850

Size: 18.75" height, 36" width, 16.5" depth

A breathtaking framed woodblock print by artist Takahiko Hayashi (1961-present) titled "The Wind Filled with Roots, Countless Small Beginnings". Hundreds of small overlapping swirls may represent gusts of wind blowing over bold blades of grass, with a gradating background of golden and deep brown hues. The top of a single, transparent red block sits in the very bottom center of the print. Signed, titled, and numbered 47/50 in pencil...

This generously proportioned chawan (16cm in diameter) shows nice age, especially around the kodai, and likely dates from the early to mid 20th century. The base is unglazed showing the rich molded clay, contrasting nicely with the maroon and black glaze pooled beautifully around the edges. The badarai (horse watering basin) shape is very attractive and in this case especially fitting given the uncommonly large proportions...

This extraordinary piece depicting two shishi guardian lions locked in playful combat, is done in fine white porcelain from the Arita region of Japan.

Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorning rooftop shingles. When seen in pairs, one typically has its mouth open (the male) while the other’s is shut (the female)...

This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borrowed from ancient Chinese porcelain production, this piece displays horizontal bands on a field of luminous light-blue—contrasting nicely with the lid which is a dark varnished wood.

Suwa Sozan (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace...

The Mino region of Japan has been renowned for centuries for producing high-quality Shino, Oribe, Seto-guro, along with the style shown here, ki-Seto, or “yellow” Seto. The creator, Hori Ichiro, is one of the most acclaimed among Mino potters, tirelessly producing splendid works while continuing to use traditional methods passed down from other great potters before him...

Antique Japanese zenga scroll painting of Bodhidharma, with calligraphy most likely done by multiple people, with artist chops. Date reads "7th year of Taisho" (1912-1925) circa 1918 Size: 79.5" L x 26" W (entire scroll) 52" L x 18" W (painting only)

Wonderful Charming small Bizen ware handmade sculpture of a sitting dog. Nice detail work especially his eyes and ears and even the circular woven mat on which he sits. He has a collar and an alert expression. Original piece with no condition issues. Taisho Period. (1912-1926). Size: 5 1/2" high

Antique Japanese bamboo container for flowers. Beautifully carved in high relief with a scene of a tiger in a bamboo grove. The tiger is carved with great detail and expression standing on an outcropping of rock, mouth open in a roar. The bamboo stocks and leaves around him are enormous in comparison and are carved so deeply that the branches are not attached to the body of the container in some places. Lined with a copper insert. Signed on the back: Koseki...

Ohara Koson
A white-fronted goose flying in front of a full moon, reeds below
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (132)
Reference: K11.16 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Antique Japanese red lacquer water dropper of an oval form. With a highly intricate carving of a male noh mask in its center, surrounded by a background of small geometric patterns. Early 19th Century Size: 3" H x 2.5" W x .75" D

Antique Japanese scroll painting of the wrathful guardian deity Fudo Myo-O standing along the edge of a cliff. His two fangs poke out of his mouth pointing in opposite directions. The sword he wields is named Kurikara, the demon slayer. The rope he holds in his opposite hand is used to bind demons. A ring of purifying flames burns around his backside. Artist chop in corner. 18th Century Size: (Entire scroll) 67.5" H x 20.5" W (painting only) 37.5" H x 15.5" W

Japanese wooden shop sign. Well-carved with large lettering and small chop signatures in corners. Very heavy in weight. The entire sign has been hand carved down, exposing the kanji lettering. Natural design. Edo Period (circa 1800's) Size: 18" H x 76" L x 1.5" D