A tiny handbag handmade of bamboo strips. It is all handmade of bamboo, such as body, handles and clasp. Generally in good condition but has two tiny holes in the corners in the bottom. The first half of the 20th century. W:17cm, H:13cm, D:9cm

Large bag made of vegetable indigo dye hemp which looks recycled from hemp mosquito net, whose warps and wefts are hand-plied. The second half of the 20th century. 63cm x 88cm

Kake-Fukusa, a gift cover made of tapestry weave silk with carp and stream design. It is used to cover a gift on the auspicious event. The family crest (kamon) is Umebachi-mon. Four tassels are metal yarn. Generally, in good condition, but has light stains in blue ground and white waves. Meiji period (1868~1912) 63xm x 63cm

Title: Mountain Temple and Snow
Artist: Not known.
Print size: Approximately 5.675 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is tipped along its top edge to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Title: Tokumochi
Artist's signature not read. The second kanji in the signature is read "haru" or "shun."
Print size: Approximately 5.125 x 3.375 inches.
Date: ca. 1930s.
Publisher: Takemura Hideo.
Medium: Japanese woodblock print tipped along its top edge onto a 6.625 x 4.75-inch greeting card containing a signed message.
Condition: Print excellent. Card is discolored.

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

Wood urushi plate with kin-makie (gold lacquer) of "Yajirobeh"", a balancing toy motif. In good condition except for a mending, however, it is done by a professional and no serious problem. Meiji period (1868~1912) Diameter:16.5cm, Depth:2.7cm

Tsuto made of rice straw which is used for containing ceramic plates. It has a small wooden tag "12 plates". In old age, there was no plastic cushioning material so that rice straw was used much for it and for other crafts. In good condition and very few scraps which is usual for old crafts made of rice straw. The first half of the 20th century. Diameter:24cm, H:26cm

Sakiori obi for an everyday kimono. It is handwoven of cotton and silk strips of old kimono and cotton yarn for warps. Some wefts are from kimono with kasuri. In excellent condition. 20th century. W:16.5cm, L:2m92cm

A baby's kimono made of cotton with katazome (stencil-resist-dye), which is imitating shibori pattern. It has thick cotton lining which is from the cold district, such as Tohoku. Generally, in good condition but two belts are damaged and stains in the lining. The 20th century. W:69cm, L:64cm

Birds Eye View of Kiyomizu Temple in Snow
Artist: Not known. After a similar Hasui design.
Print size: Approximately 5.625 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is attached along its top edge only to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

A pair of boro tabi (socks) with sashiko, which is made of cotton and indigo dyed and has four metal straps. The lining is cotton flannel. The first half of the 20th century. W:9cm, L:21cm.

Asa (hemp) furoshiki with four owner's names, hand-written with sumi(ink). Both warps and wefts are hand-plied. It has some holes and stains, however it is washed. Probably from Nagano prefecture or Tohoku district. The second half of the 19th century. W:126cm, L:132cm

Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm

Woman in Snow with Umbrella and Lantern
Artist: Unsigned.
Date: 1930s or earlier.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Small raised bump at lower left.

Ando Hiroshige (after)
"A Fairy Moon and a Lonely Shore"
This scene depicts salt gathering at Suma Beach.
Date: ca 1910.
Size: 7.125 x 4.75 inches (18 x 12 cm).
Publisher: Matsumoto Print Works. Tag on back (#39).
Medium: Japanese woodblock print.
Condition: Mark on island and a couple foxing spots on back.

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm