A low Japanese Negoro incense table with many layers of black, red, and translucent lacquer pigment. Naturally worn finish consistent with age an use. European style hand carved leg and foot. Original hardware of hand forged iron. Traditionally used as a low stand to raise up an incensor.

Edo Period 18th Century

13 1/2" long X 11" wide X 6 3/4" high

An ovaloid hemisphere in deep rust colors by Hashimoto Tomonari enclosed in the original signed wooden box titled, like all his work, “Untitled”. It is 26 cm diameter, 27 cm tall and in perfect condition, directly from the artist this winter. After forming and sculpting the shapes, they are bisque fired, then glazed and fired again at a relatively low temperature (Between 1000 and 1100 degrees, like Raku ware)...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Chiwen" (Shichihoko in Japanese). This deity, typically depicted with the body of a carp, the head of a tiger, and the scales of a dragon, is believed to be a bringer of rain and a protector against fire...

This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district nestled at the foot of Kyoto’s eastern mountain range), 2) “Kyomizu-dera” (One of Kyoto’s most iconic temples located in the western foothills), and 3) “Tatsuta” (An area west of Kyoto on the edge of Lake Biwa, known for its expansive fields of lotus flowers)...

Antique Japanese wooden bowl carved in the form of a wide lotus leaves. On the inside of the bowl, a frog with turquoise eye climbs the stalk of a lotus blossom. Two more frogs cling to curling leafy edges. The underside of the bowl is carved like the underside of a lotus leaf including it's spiraling stalk.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/4" wide diameter x 3 1/4" high

Antique Japanese Bronze Temple Bell (Bonsho). Inscribed on body with name of location, temple and date...

Antique Choba Tansu (merchant's chest) from the Tohoku area of Northern Japan. Made with Kiri (Paulownia) wood front and Sugi (Cryptomeria) wood frame and interior. There are six exterior drawers, a compartment with sliding panels, and a safe box all with dramatic round lock plates. Iron hardware also includes Warabite shaped drawer pulls, quarter round corner bracing and half round lock plate and hinge on the safe box...

Raised designs in slip decorate the yellow glaze of this deep bowl by Kawai Kanjiro enclosed in a kiriwood box titled O-yu Tsutsugaki-mon Wan annotated by Kawai Toshitaka, current head of the Kawai Kanjiro Museum. This piece dates from later in the artists illustrious career, 1950s-1960s. It is 4 inches (10 cm) diameter, 3-1/4 inches (5 cm) tall and in excellent condition...

A signature work by Kiyomizu Rokubei VI enclosed in the original signed wooden box. Golden light shines through the silhouette of iron colored trees on the tapering cylinder. It was a design technique developed by this generation. The original rosewood stand is included. The vase is 31 cm (12 inches) tall and in excellent condition.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Traditionally decorated using a brush made from rice straw, a white slip is applied to the darker clay body with a wide sweeping stroke to achieve the effect seen here...

Birds take shelter for the coming of night as the mist rolls in on the bare branches of a stand of trees huddled along a stream, all dyed with the colors of late autumn in this exceptional work by Hashimoto Kansetsu enclosed in the original signed wooden box. Seen in silhouette against the moon, are these crows, the stalwart creatures which hunker down through winter, or are they Sagi (herons) harbingers of the cold to come? This painting is a superb example of his mature style...

Japanese circular jingasa with a gradual pointed top and curved rim in the front. Lacquered black with a crest in gold. The underside is lacquered red.

Jingasa ("war hat", a type of kasa commonly worn by samurai and ashigaru.
In the Edo period, the politics of display of sankin kôtai and other ceremonial occasions led to jingasa becoming more decorative in appearance, as was also the case for many other items of samurai arms, armor, and clothing...

Japanese conical ichimonji gasa (military jingasa) with a gradually pointing top and unusual, wavy brim mimicking cloth material. Lacquered a deep brownish black with areas of red lacquer showing through in a negoro lacquer effect. The raised red lacquer mon is that of either the Katakura or the Matsukura Clan. The underside is lacquered in the same manner as the top except for a round red lacquer circle in the center...

An antique Japanese Kyoto Todana Tansu made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Two large sliding doors open to a spacious storage area with a center shelf. Horizontal wooden slats on the doors and the sides allow for visual aesthetics and strength of the chest. Side swivel handles were used for transporting this chest by running a long wood pole through the handles allowing a group of helpers to easily carry this chest from location to location.

The Japanese philosophy th...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is a large inverted gourd surrounded by smaller gourds. The great daimyo, Hideyoshi Toyotomi (famous for being the second unifier of Japan) made the upside down gourd his uma-jirushi symbol. A large upside down gourd was placed on top of his flag pole and smaller gourds were added around it with each victory. Called "Sen nari hisago" or "thousand gourds". The gourd also symbolizes the 7 Lucky Gods, good luck, good...

Stunning Antique Japanese moon handle basket for ikebana flower arranging. Made of split bamboo that has been twisted into rope and woven tightly together along with criss-crossing whole bamboo stalks. The deep reddish color of the split bamboo contrasts dramatically with the light color bamboo stalks. The wildness of the weaving highlights the tidiness of the overall form of the basket. Excellent original condition.

Age: Meiji Period (1868-1912)

Dimensions: 16 1/2" high ...

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters. It is written, that this vase is a tribute to the art which was made during the great Einin-Era.

A similar vase - but made during the Kamakura Period - was also part of our collection (item number 0083) and is sold al...