A small vase sculpted in the shape of a cluster of roses covered in cockscomb red by Kiyomizu Rokubei V enclosed in the original signed wooden box. The vase shows the influence of Art-Nouveau, and Rokubei was one of the leading proponents of blending Western and Eastern ideals in clay art. The vase is 6.5cm (2-1/2 inches) diameter, 18.5cm (7-1/2 inches) tall and in perfect condition. It comes wrapped in the original artist stamped cloth complete with the original black wood stand...

A beautiful vessel by Kitamura Junko exhibiting the best of her handiwork. It is 16 cm (6-1/4 inches) diameter, 13.5 cm (5-1/2 inches) tall and in excellent condition. There is no box.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different...

An ivory netsuke depicting a Takarabune “treasure ship”, complete with the Seven Sages (Shichi Fukujin) of good fortune. The netsuke is signed Tomochika under the base. Origin: Japan Period: Edo 19th century. Dimensions: 2.3 x 4.4 x 1.7 cm. State of conservation: Very good

A splash of metalic glaze runs down opposite a splash of thick Kaki-colored glaze on the highly textured earth-colored surface of this bottle shaped vase by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box. Titiled Tetsu-yu Nagashi Bin, this dates from early in his career, 1960-1965. It is 14.5 cm (5-3/4 inches) diameter, 22.5 cm (9 inches) tall and in excellent condition. Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer...

Stunning Ca. 1935 garden or indoor iron lantern in the shape of a humble tea ceremony hut. Excellent condition. Ask for shipping quote.

A Satsuma ceramic vase with disc shape, with a cobalt blue background enriched with fine golden details and reserves that house the three mons. Signed Kinkozan under the base, inside an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5 x 13 cm. State of conservation: Very good

A crusty wood fired Bizen dish with looping handle, one hemisphere rounded, the other pinched as if for pouring, dating from the Edo period enclosed in an ancient custom fit lacquered Kiri-wood box. It is 23.5 x 22cm x 12.5 cm (roughly 9 inches diameter, 5 inches tall) and is in surprisingly excellent overall condition, with a few nicks to the edge of the foot consistent with age. Evidencing the centuries, there is a loss near the handle to some thicker glaze encrustation...

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed under the base 'Dai Nihon Yokohama Hotoda shōten seizō'. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4 x 29 cm. State of conservation: Very good

DESCRIPTION: A Japanese Imari porcelain dish, shaped in “double fish” form and decorated in traditional Imari colors with floral designs in rust red, and fish scales and fins in royal blue. The reverse has painted florals and grasses on the four sides. Late 19th/early 20th century, and in excellent condition with no chips or restorations. DIMENSIONS: 10 ½” long (26.6 cm) x 9” wide (23 cm).

Antique Japanese suzuribako (calligraphy writing box) for a merchant. Made of keyaki (elm) wood burl with iron hardware. Two drawers: one for writing implements and one drawer with a lock for keeping money, seals, and important documents safe. A top compartment with a hinged lid would have kept an ink stone.

Age: Meiji Period 1868-1912)

Dimensions: 8 3/4" high x 8 1/2" wide x 12 7/8" deep

Height: 12.8 cm (5.2 in)
Width: 11 cm (4.4 in)
Depth: 3.9 cm (1.7 in)

Fine Japanese Satsuma moon vase; exquisite detailed decoration throughout; each side shows three open-fan vignettes depicting individuals involved in outdoor pursuits; bordering decoration is highlighted by tiny chrysanthemum mons and the finest of diaper work; truly magnificent decoration; signed Hododa; good condition

A small Hip-shaped vessel by Yamaguchi Michie enclosed in the original signed wooden box titled Momo-yu Kaki (peach colored Vase). This pink is her signature color, meant to intimate flesh, it is finely veined and matte, with a sense of moisture lik human skin. The vase is 20 x 21 x 17 cm and is in excellent condition, directly from the artist.
Yamaguchi Michie was born in Aichi prefecture in 1964, and came to pottery at the age of 35, opening her studio in Nagoya in 2003...

A black pipe reminiscent of both an ancient Japanese court cap and a industrial burner chimney by Shibata Shigeru dating circa 1978 enclosed in the original signed wooden box titled Kuro-yu Kaki, Okoru (Black Glazed Vase Titled Rise-up or Occurrence). This piece strongly shows the convention of the second generation Sodeisha members interest in form over decoration. It is quite large at 15 inches (38 cm) tall and in excellent condition...

The large vase with silver wire cloisonne on ceramic with "tree bark" textured surface. Decoration of butterflies and peonies, with the blooms depicted in enamel tones of sienna, umber and dark mica, and the stems and leaves in dark green - almost black. The body of the vase covered with a dark, warm brown lacquer on intentionally course texture like tree bark - which it emulates. The Kyoto, crackle glazed greyish porcelain body visible from the foot. Taisho era (1912 - 1926). Good condition...

Height: 3 cm (1.2 in)
Width: 3.4 cm (1.4 in)
Depth: 2.3 cm (0.9 in)

Fine Japanese (whale tooth material) netsuke of a rat; very well carved; nerve fissure present on the belly; good condition

A rare pair Japanese plates showing a dragon among textile-weave patterns worked in dull colored enamels, the brass or copper rims and wires showing partially remnants of gilding. The reverse decorated with further floral motifs, the base with green contre-émail. The enamel showing concavities and pits. Condition: fine, only wear to gilding. Dimension: diameter: 24.9 cm, 4.2 cm high, weight: 1400 g.

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke...