Meisen haori (jacket) with dots pattern, which are double kasuri. Both warp and weft kasuri yarns are stencil-resist-dye. It has hand-braided cords in front. Mid 20th century. Generally, in good condition except for a few stains in the white silk lining. W:123cm, L:90cm

Silk meisen kimono without lining. It has double ikat checker board pattern. In excellent condition. Mid century (1930s to 1940s) 128cm x 148cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is off-white silk yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however we call the one also sakiori whose wefts are bunch of yarns. In good condition but has folded line along the length. 20th century. 25cm x 3m42cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is black cotton yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however, we call the one also sakiori, whose wefts are bunch of yarns. In excellent condition. Black borders are recycled cotton strips. 20th century. 13cm x 2m56cm

A sashi (obi) made of plain weave silk with katazome design whose motifs are Edo Hikeshi (fireman) such as hanten (jacket) with brigade's marks, matoi (brigade's symbol) etc. Lining is twill weave black silk cloth. In excellent condition. The first half of the 20th century. 31cm x 4m12cm

Rare item. Two fragments which are thick silk crepe (oni-chirimen) with katazome Ainu design. It might be haori (jacket) or kimono. In good condition but has some light stains and a hole (1cm x 0.5cm) The first half of the 20th century. Left one: 39cm x 96cm, Right one: 39cm x 116cm

A fisherman's work wear hand-woven of hemp for both wefts and warps. Both natural color and indigo stripes are hemp yarn, which are hand plied. It is from Tsushima in Nagasaki prefecture, an island located between Korean Peninsula and north Kyushu, and the textile is called Tsushima-asa. It had been woven till 1930s, but haven't been woven since then, so it is precious, especially in this excellent condition one. The first half of the 20th century, 110cm x 116cm

Two pieces of yogi (bedding) which are hand-sewn by a girl student at the sewing school which were established around 1880. It is called "hinagata" and generally one third of measurement of a real one. The left one is sodenashi yogi (sleeveless top cover) and the right one is yogi (top cover with sleeves). The purpose of making sewing samples is efficiency for time and material. It has been made till 1940s in the sewing school of which students are mostly girls...

Thin wool unlined kimono with katazome dots pattern. The wool kimono was made in 1950s. The ground is off-white and dots are red. It looks it was barely worn and in excellent condition. 1950s. 130cm x 154cm

Japanese vintage obi with a mid-century modern flair, decorated on one side in bright yellow with orange and lime green dots accenting the points of a raised weave geometric star-patterned background. The orange reverse side holds the same raised weave pattern. Probably dates from the mid-20th century or slightly later. 135” long x 5 7/8” wide. Excellent, like new condition.

Katagami which is used for katazome (stenci-resist-dye), made of many layers of washi (Japanese handmade paper). It is painted with kakishibu (persimmon tannin) for waterproof and strength. The pattern "Kanze-mizu" is derived from the crest of the Noh drama player Kanze Dayu which is whirl of water. He was the founder of Kanze style Noh (15th century). In good condition. 20th century. 38cm x 45cm

Early Showa period Japanese silk woman's formal kimono with embroidered highlights decorated on the bottom of the front with two prominent phoenix birds flying among feathery fans. The clusters of fans and the ends of the long phoenix tails extend around to the back side. The fan motif continues on the front and back of the long sleeves. Five family mon (crests) are at the shoulder area. The lining is mixed red and white silk. Circa 1930s...

Japanese Uchikake (wedding gown) with Imperial Carts, flowers and gold color “maku” (outside cloth divider). The divider is used as a street on this gown leading the wagons to the large area at the bottom half. The background colors from the top are orange, light pink to dark gray at the bottom. The liner is red. The condition is excellent, like new.
53" W x 75 1/2" L (sleeve length 41")

Beautiful silk Japanese wedding gown in excellent condition. The design on this gown shows fans painted (woven in this case) with clouds and plum blossoms floating on a golden river. The background color shifts back and forth gradually between dark blue and white pearl color...

Japanese silk wedding gown with beautiful embroideries of flowers, cranes and the imperial gosho-carts. This is an older and top quality gown that is probably dated early to mid Showa period, 1930-1950; it belongs somewhere between antique gowns and newer gowns. The quality is different from later Showa period when most of the gowns were made for rental...

Japanese Uchikake (wedding gown) in red and soft gold color. Because of the heavy use of silky gold thread in design, the gown, over all, looks orange than red, thick and the liner with the design of chrysanthemums. Approx. 40 to 50 years old), almost in new condition.
Dimensions: 51"W x 70 1/2"L (sleeve 40 1/2")

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

This is an a beautiful Uchikake (Japanese wedding gown) covered with embroideries on satin. The workmanship shown in this gown is truely amazing. It is in new condition.

The pair of loving birds are Oshi-dori (Mandarin ducks) which are popular subjects relating to weddings. The theme of this gown is probably from Chapter 5, "Lavender" (Waka Murasaki) in "The Tale of Genji". When Genji was traveling the countryside for the first time, he saw a beautiful young girl crying...