Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations...

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture...

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies...

Early 17th century (Edo Period 1603-1868) distorted shoe shaped (tsutsugata) white Shino Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in the lower part of the body and around the foot ring.

This bowl was covered with a white Shino type of ash glaze. Under the transparent glaze two young pine tries were painted in iron oxide...

Chawan, tea bowl to be used in the tea ceremony, of distorted oval shape (kutsu or clog, or shoe-shape). Thick cream-colored stoneware that turned red during firing in the unglazed area, covered with a translucent greenish ash glaze that collected in the bottom and around the rim and is very thin around the sides. The sides are ‘rough’, giving a look into the clay.

Japan, Seto region, very early Edo period.

H 3 x W 5.5 in...

Rare Japanese Celadon Tea Bowl, which was made by one of the greatest Japanese potters of the 20th century, Ryūzan Aoki (1926-2008).

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter & his profile are also included.

Aoki Ryūzan was born in Arita as the eldest son of a porcelain merchant. In 1951, he graduated as a Nihonga-style painter from Tama Art College...

One of the best tea bowls I have ever seen. Wonderful Raku Chawan in the style of Donyu (Nonko III) Kichizaemon, made by greatest Raku 12th generation Kônyû Kichizaemon. Holding this masterpiece is like a universe held in the palms of your hands.

Among the various generations of the Kichizaemon family, it has always been customary to devote themselves artistically to at least one of their ancestors and produce a work of art commemorating the great work of their ancestors...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Cast Bronze Candlestick. Edo Japan Lost wax cast bronze candlestick. Beautiful cast iron and scraper finish. Decoration of Buddhist lions in relief. The candle receptacle is made of 4 hammered bronze lotus petals, these petals, thin enough, have a flexibility allowing the candles to be held perfectly. The two removable handles have the shape of Buddhist lions. Excellent bronze patina. Japanese work from the beginning of the Edo period, difficult to date with accuracy, 18th century or before...

Antique Japanese small cha tansu (tea chest). Made with chestnut wood frame and burled hardwood drawer fronts. Two slider panels and a drop in panel are covered with gold-leafed silk on wood. The center of the chest has a small display area with a staggered shelf and two small drawers. The lower portion of the chest has three small drawers and a full-width drawer on the bottom.

Age: Taisho Period (1912-1926)

Dimensions: 25 7/8" high x 23 1/4" wide x 10" deep

Hard to find nowadays: fairly shoe shaped (kutsugata) tea bowl, made of light, coarse, unrefined Mino clay. The expertly thrown body was covered with a potter's knife in its shoulder and around the foot ring.

The brim of this bowl covered with a green copper oxide glaze and the lower part was left unglazed and decorated in iron oxide with buddhist wheel of law on two opposite sides over which finally a transparent ash glaze was applied. The wheels were additionally highlighted with...

What a rare and impressive Chawan, made during the mid Edo Period (1603-1868) - Seto-Karatsu Kutsu Chawan with a wonderful shape and a vivid Seto glaze, which which partly looks like the glaze of Chinese Song-Dynasty Tenmoku tea bowls. Really one of a kind.

It has no chips, cracks or repairs and comes with an old Japanese wooden box. The inside of the lid bares the appraisal of the first Mashimizu Zoroku 初代 真清水蔵六 (1822-1877). Shimizu Tasaburo the First learned pottery...

This piece is a new work recently launched, it is called "madara" glaze made of ashes of rice straw. The condition of glaze is very calm and warm. Please see on YouTube https://www.youtube.com/watch?v=UgYgFQK-4tk Size : 14.2cm(D) 7.9cm(H) Accessary: double wooden box signed by artist

Black raku chawan by Sadamitsu Sugimoto has been highly-praised for approaching the first Raku Chojiro in 16th century. And now he has accomplished black raku by new technique not using lead. It has an antique look with "yuzuhada" that means skin of citron. YouTube https://www.youtube.com/watch?v=H2SA-McqRkw Size: 11.7cm(D) 8.6cm(H) Accessary: double wooden box signed by artist.

A very rare, noble and artful Hirado Chawan with traces of playful glaze surrounding the bowl like icing. It dates from the Meiji Period (1868-1912) and is in great antique condition with no chips, cracks or repairs.

Since such tea bowls are very rare to find, it is a wonderful addition to any serious collection of Japanese tea ceramics.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality ...

Antique Japanese Karatsu ware chawan (tea bowl) with crackle glaze and kintsugi. Beautifully crafted with a small flattened area for the hand to grasp and a magical elegance to the touch. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey. The collection was stored in a trunk since his death in 1935.

Age: 19th century

Dimensions: 2 3/4" high x 6 1/4" wide

Provenance: From the persona...