Reminiscent of a hollowed out lotus seed pod, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl...

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

Momoyama Period (1568-1600) Ko Karatsu ware chawan with old kintsugi repair.

With nicely thrown body with uneven rim which is typical for Momoyama period.

Karatsu ware is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.

Size
Width 11cm
Height 6cm

Condition There are cracks and repairs due to age.
Supplied with old wooden box.

Kenji Funaki (b. 1927) White Glaze Chawan (tea bowl) Studio Pottery
Elegant shape in the style of fine Joseon dynasty bowls covered with white glaze.

Kenji Funaki is known for his participation in the Mingei Movement led by Yanagi Soetsu and Kawai Kanjiro.
He studied under Hamada Shoji and Bernard Leach. Kenji Funaki received numerous awards including Kokuga Association Award, Japan Folk Crafts Museum Award, Japan Ceramics Society Award...

Our favorite style of tetsubin iron tea pot. From the famed Nambu foundtry in northern Japan, this 'arare' or hail style design is very art deco. Stamped with the foundry seal, the tea pot is 9" tall and 8" in diameter. Excellent condition. Ask for shipping quote. Ca. 1950

Charming Middle to Late Edo period (18-19cc) Kuro Oribe Chawan
The body covered with black dull glaze and white Oribe style scenery, with unglazed foot ring and surrounding area.

Size
Height 8.3cm
Width 12-13cm

Condition
Very good considering the age.
There is tiny lacquer repair of the rim.
There are scratches of the glaze due to age.

Supplied with the old box which says Kuro Oribe Chawan

Oribe ware is a type of Japanese...

Size
Height 22cm
Width 24cm


In excellent condition
Comes with signed wooden box

Morinobu Kimura, born into a pottery family in Kyoto in 1932, became a respected potter known for his exceptional skill and dedication. He gained recognition at 26 when chosen for the Japan Traditional Art Crafts Exhibition. Kimura's innovative use of ash glaze earned him praise, leading to honors as a guardian of intangible cultural heritage by Kyoto Prefecture...

A beautiful dark wood tray in the shape of an upturned Reishii mushroom, the underside taking advantage of the natural texture and grain of the wood. It is 26 x 21 x 4cm and in excellent condition dating from the later 19th to early 20th centuries.
The Reishi (Chinese Lingzhi), is the ancient "mushroom of immortality", revered for over 2,000 years. In the poetry of Ban Gu of the 1st century CE is an ode dedicated to Lingzhi...

A dazzling Hagi-ware bowl with cherry petal and earthen tones made by one of Japan's great potters. The 14th potter of the Sakakura line of potters Sakakura Shinbei XIV (1917-1975) was designated an important human cultural treasure of Yamaguchi prefecture in 1972...

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns...

With a sturdy foot firmly grounded, the upper rim of this piece rises and falls, somewhat reminiscent of a mountain path. Combined with the plum blossoms floating on the white background, these elements together suggest balance and harmony.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615)...

A intricately formed obidome (kimono rope ornament) of a golden woven basket overflowing with chrysanthemums of silver and golden tones. Chrysanthemums are a symbol of steadfast friendship. Signed by the artist. Size: W. 4.3cm. H. 3.3cm. Condition: Natural ageing. No repairs.

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time...

Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran potter Hideo Torazawa, the inside is painted with a special glaze known as heki-yu—prized for its pure aquamarine character with accents of sapphire and azure depending on the light...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

Antique Japanese cast iron tetsubin (tea kettle), cast with wonderful design of shells on each side, beautiful shape with tall handle and iron lid, Meiji Period. Size: 11" high