Antique Japanese Buddhist Diamond Realm Mandala thangka painting (Kongokai Mandara). In Vajrayana Buddhism, the Diamond Realm (vajradhatu kongokai) is a metaphysical space inhabited by the Five Wisdom Buddhas. The Diamond Realm Mandala is based on an esoteric Buddhist sutra called Vajrasekhara Sutra. Shuji Mandala of the Two Worlds, Vajradhatu Mandala does not directly express the forms of the buddhas but expresses them in Sanskrit character (Siddham) called Shuji seed letter...

A very fine and detailed large 18th Century Japanese KANSHI Scroll Painting on Silk, skillfully depicting to minute details Mountains, Landscapes, Temples, People and Animals. This rare and outstanding scroll painting bears a Chinese poem in calligraphy, artist: YANAGAWA SEIGAN's signature as well as collector's seal. Good overall condition. Size of complete scroll: height 271cm x 107cm. (106" x 42"). Size of painting including silk border: 190 cm x 106 cm. (75" x 41.5")...

A fine rendition of a plum by Tanaka (Zuitai) Ryurei (commonly known as Ryudojin, 1740-1804)). Ink on paper, it has been fully remounted in a silk frame with wooden rollers reflecting the original style. The scroll is 12-1/2 x 70 inches (31.5 x 178 cm).
Ryudojin was born in Owari, near modern day Nagoya. He is referred to also as Ryurei Zuitai and or Ryudo Reizui or simply Ryurei. Born into the Tanaka family, he was sent to the priesthood at Reigenji at the age of 11...

An Edo period image of plums blossoming on thick branches by Kitayama Kangan. Ink on paper in a patterned cloth mounting with beige piping in the Mincho style so popular int eh 19th century and featuring bone rollers. It is 21-1/2 x 78-1/2 inches (55 x 199 cm). Some minor loss to the piping at the top of the scroll, otherwise in surprisingly good condition.
Kitayama Kangan (Ba Moki, 1767-1801) was the grandson of a Chinese émigré...

This rare Edo period (江戸時代 1603~ 1868) silk covered accordian-fold book is hand painted on rice paper. The title and artist's seal appear on the cover. It is 9 5/8" long, 7 1/4" wide and 1" thick. The opening pages (both verso and recto) from either direction are blank, gold flaked rice paper; the end pages (bother verso and recto) are plain rice paper. The book contains 12 paintings, 6 paintings on each side...

Japanese Buddhist scroll painting of Eight Armed Kannon , the bodhisattva of compassion, seated in a lotus position. In her other seven arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and other attributes with symbolic meaning.

Standing figures are arranged below the seated Kannon, each holding various offerings for the bodhisattva such as rice, sake, dumplings, silk fabrics, and other material objects...

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint...

A truly stunning Japanese six panel screen hand painted with raised rimpa paint on gold ground leaf gofun paper. The subject matter is a view of a natural overgrowth of hollyhock, sweat peas, and morning glories cascading and creeping over the bamboo fence.

The Hollyhock flower in Japan represents is fertility and fruitfulness. During the end of its life cycle when the leaves and stem begins to droop, the hollyhock produces a round disk that encompasses many different seeds so th...

A Japanese Tsukioka Yoshiyoshi tryptch "Toin no Akinotsuki" from the "Legend of the Hero and Warrior" series. Autumn Moon at Toin: Flute Player Yasymasa. The print is signed by Toshiyoshi (1839-1892)who is considered one of the last great masters of ukiyo-e. The triptych is a woodblock print with Katada Chojiro, the publisher hand stamped in the left hand corner.

Date: 1894

Dimensions:13.25"h x 27.25"w

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate. The painted panels are 45 x 28 cm each (17-1/2 x 11 inches), the doors roughly 48.5 x 32 cm (...

Large Japanese antique sumie dragon flying in clouds scroll. Exuberantly painted on silk with lovely splashes of ink. Brown brocade mounting. Good condition. Signed and sealed signed Hōgen Nyosen, one of the names used by Kanō Chikanobu (1660-1728), a leading Kano-school painter of the eighteenth century Edo. (Hōgen means "dharma eye" and Nyosen means "river-like"). Translation reads that he painted it at the age of 67. The characters are: 法眼如川行年六十七歳筆 Hōgen Nyosen ...

Pair of ancient paintings on paper, with polychrome colours and gold. The first painting represents a noble lady, in formal attire, sittings on an elevated platform. Two characters are painted at the back. This painting is partly folded, the paper is stained due to age and has suffered three insect attacks. The second painting represents a noble man in formal attire and sitting on an elevated platform. Two characters are painted at the back. This painting has suffered three insect attacks and th...

Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...

This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city. Over time he came to paint almost exclusively birds in various landsc...

Japanese Edo Period scroll painting of a yamabushi, a mountain ascetic hermit or holy man. Often believed to be endowed with supernatural powers, the yamabusi follow the Shugendo doctrine, a religion that places heavy emphasis on feats of endurance. Throughout history, they have participated in battles along side samurai. In this painting, the warrior/sage is leaning on a walking stick. He is dressed only in leaves and animal skins. A hyotan gourd tokkuri flask hangs from a chord slung...

Small but exquisite scroll paintings in mineral colors and gold on silk. The background in the upper halves in gold.
Aizen Myoo sits on his typical lotus throne on top of the vase full of jewels, surrounded by a circular, red, flaming nimbus. Around the foot of the jewel filled vase are sacred treasures scattered around.
Daiitoku Myoo rides in standing position a long horned buffalo who jumps over waves, while Daiitoku draws his bow.
Rich brocade mounting with the chrysanthemum...