An exquisite bird and flower painting features a Java sparrow rests on a branch in resurrection lily. Circa early Edo period, early 17th Century. This delicate painting is executed on paper with ink and pigments. The both Java sparrow and the flower are not native to Japan, but they were imported as early as 17th century from China, when the artist was a official painter to the Tokugawa shogunate...

Beautiful antique painting of Hotei (also known as Budi or the Laughing Buddha), possibly depicted in his Dharmalaya body. He is shown sitting comfortably on a wooden bridge as men and women in gold straw hats walk by. Hotei is one of the Seven Lucky Gods in Japanese culture and is revered for his happiness and the luck that he brings. Set in glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.5" width (painting only) 9.5" height, 7.5" width

Antique painting of Hotei/Budai/The Laughing Buddha, standing with a walking stick, and four seated people. They are all observing the sky as what appears to be another Buddha or deity floats on a heavenly cloud, who wears a beautiful robe with gold detailing. Set behind glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.25" width (painting only) 9.5" height, 7.75" width

Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches...

Edo Picture Hanabusa-Itcho Very rare screen Kano group. This is ground strewn with gold dust coloration Two Panel Screen drawn by Hanabusa-Itcho.� This is placed in "Gakusou" No. 10 of the Kyoto National Museum publication in March, 1988.� "Gakuso" is a very specialized book...

A very rare Momoyama Period masterpiece Japanese two-panel screen with chrysanthemum and other flowers and foliage. Exquisitely painted on gold leaf, with original sumptuous silk brocade. 72w x 21h inches, 183w x 53h cm.

A small fan painting by an anonymous painter of the Tosa School in ink, colors and gold on paper. Mounted on goldfleck paper. Depicting a battle scene of the "Tale of the Heike", an epic account of the struggle between the Taira and Minamoto clans for control of Japan at the end of the 12th century. This fan painting probably belongs to the same set of illustrations of the "Heike Monogatari" in the Museum of Asian Art in Berlin. Condition: slightly browned, some pigments rubbed...

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho)...

Antique Japanese scrol painting of a landscape with boat. The water is very still and the moon is high over a mountain in the distance. A flock of geese swoops down from the sky on the right. On the far left, an outcropping of rocks partially obscures some rural houses. A willow tree drapes itself outward over the water. With signed tomobako. Signed Tan'yu and with the seal of his given name Moninobu. Certified by Eitoku, his grandfather...

Antique Japanese Buddhist Womb of the World Mandala Scroll Painting. Dated early 18th century with temple in Kyoto. Central figure of Buddha immediately surrounded by eight immortal attendants. Rows of attendants repeating on surface of painting. Painted in mineral colors and gold ink on silk. Mounted as a scroll with a light blue silk border and copper ends.

Dimensions: 58 ½” x 84” overall, 50” x 54” painting only

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...

Antique 2-panels screen painting from the interior of a wealthy home in Momoyama Period Japan. Each of these two rectangular shaped panels is painted with a fan shaped reserve. The fan on the left panel is painted with a branch of blossoming white flowers, possibly dogwood and is shadowed by another blue and gold fan shaped reserve. The fan on the right panel is painted in ink with a bird on a branch and shadowed with a green and gold fan...

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting...

A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 years ago...

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha and two Bodhisattva attendants: Sanzon Bosatsu (with both hands holding a lotus blossom) and Seishi Raigo Bosatsu (with hands in gassho adoration mudra). The central figure, Amida Nyorai stands with each foot on a lotus blossom, floating on swirling clouds as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit). Golden rays...

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters. Here we see a str...

Pair of six leaves screens with decoration of horse-races on golden relief paper. The decoration offers a multitude of characters combining all the social classes gathering in the sanctuary of Kamo to Kyoto, to attend the taking place horse-race the fifth day of the fifth month : the Kamo Kurabe-Uma (加茂競馬).

This race count twenty riders in costume of Heian period split in two teams. She begins on the cherry trees side symbolizing the spring, and finish on the maple trees ...

Painting in ink, polychromy and gold on silk. The scene represents (several sennins) Taoist immortals with children or servants. In the background we can distinguish mountains more or less masked by golden clouds. In the center of the screen we can see Chokaro with his gourd, Chinnan with two dragons emerging from his alms bowl, and Tekkai leaning against his cane and pointing his finger at Jurojin who is mounted on a white crane. To the left of the screen stands an immortal, under gnarled old t...