Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 7.75 inches, 25 x20 cm, Mounting: 14 x 12 inches, 35.5 x 30.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 17.5 x 12 inches, 44 x 30.5 cm, Mounting: 21.5 x 16.25 inches, 55 x 41 cm.

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold. Like much of Japanese art, the viewer is asked to interpret the scene as they see fit. Perhaps the remnants of a night of poetry and music under the plum blossoms. Perhaps the lonely Michizane playing to the moon, alone in exile with thoughts longing for Kyoto...

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

A group of samurai won a victory in a battle. Hanging scroll Circa Edo period, 17th century. Painted on paper with ink and pigments. The samurai on the far right is holding a stand with the head of their enemy’s general. In Japanese history the enemy's head was to prove the samurai's feat in a war. If the opponent defeated was in a higher position, the better rewarded. There is an inscription on the scroll reads Tosa Mitsuoki hitsu, means painted by Tosa Mitsuoki...

Splendid and majestic Japanese landscape painting showing a pavillion with a large scholar's rock and pine tree. Scroll contains a signature attributing to Sesshu Toyo but may have been added later. Age: Momoyama Period. Size: Scroll: Height: 74.25" Width: 18.3" (with roller ends): 20.5"

Zen triptych scroll by Sesson Shukei (1504?-1589) The set of three are paintings of a radish and nappa cabbage with Lao Tzu riding a bull as its centerpiece. Scroll set comes with a box with paper labels naming the object and figure in the painting. One label reads that one of the Kano Eisen (the first or second) had provided an opinion, but the orignal document does not exist anymore. Age: Late Muromachi 16th century. Size (for all three approx.) Height: 74.25" Width: 18.3" (with ends): 20.5"

The painting depicted a samurai met an old man at night. In Japan there are many legendary tales of ogre extermination where samurai fights with ogre to protect people and their town. Some folklore says that the ogre turns into human and attacks people go around. Here, the samurai was prepared for the fight by the torii, which is a traditional Japanese gate commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the profane to the sacred...

A samurai and his retainer helping his load to dress in armor. Painted with ink and pigments on silk. During Warring States period (sengoku period), samurai had a specialist retainer who can put armors on them before going to a war. The specialist stylists were familiar with armor and well aware of the order of dressing up so that samurai did not waste their time to join the war. Signed Hogan Eishin and sealed...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting...

A Momoyama-early Edo period gold screen depicting a happy god of fortune drinking while being pulled by deer in his elaborate wagon through a rocky landscape. The paper is wrinkled and creased with age, and the color worn, exuding a great sense of antiquity. The bold patterns and rich texture of the Edo period brocade border amplifies that feeling. The screen is 22-1/2 x 56 inches (57 x 142 cm) and has a shaped lacquered wood frame retaining antique paper backing with some repairs.

Antique Japanese hand painted illustrates Nara-ehon style book. Circa 17th Century or older. Painted with ink and pigments on paper. Nara-ehon was produced from the Muromachi period through to Edo period. They are usually featured Japanese old tales and Noh songs. Here in this album include eight different scenes of rustic farmers engaged in agriculture in Muromachi period, ceremonial customs of samurai couple and landscape. It could have been a personal painting collection in ancient times...

The size of frame: 30 3/4"(78 cm) L x 17 1/4"(44 cm) H, The size of Fan: 18 1/2"(47 cm) L x 6 7/8"(17 cm) H. The fan painting from Genroku Period(around 1700), Edo Chuki(middle Edo). It is actual painted fan removed and mounted in the frame...

An impressive Japanese Soto zen calligraphy by the noted calligrapher, Gesshu Soko (1617-1696). Gesshu was known for his research and interpretation on Dogen's work, Shobogenzo (The Treasury of the Dharma Eye). The calligraphy is a famous zen phrase which translate as: The moon reflected on the water while the breeze amidst the pines blow in this eternal evening. What is the cause or purpose on this pure twilight. The scroll comes with an inscribed box by Awakawa Koichi (1902-1977) who was known...