Japanese incense cabinet kodansu in wood veneered with tortoise shell on its different sides and the three drawer fronts that compose it. Interior of the door and drawers in black lacquer.
Floral decoration in hiramaki-e lacquer of gold and kirigane lacquer on the different faces, the drawer fronts and the interior of the door. These are peony flowers, maple leaves, cherry blossoms, daylilies and irises. Two butterflies on the inner door...

Japanese modern era lacquer hibachi. Carved of wood in round form with stacking bands of 5 alternating colors called Koma Urushi (literally translates to spinning top lacquer). Inset with traditional copper lining.

Age: Showa Period (1926-1989)

Dimensions: 9" high x 17" diameter.

Wooden suzuribako decorated with two hares with red eyes in gold and silver lacquer surrounded by grass.

The interior is made of negoro-nuri lacquer. This is an ancient technique, developed in the Kamakura period (1185-1333) at the Negoro temple in the ancient province of Kii (now Wakayama prefecture). It is characterized by vermilion color, made from cinnabar and showing natural brush marks...

Rectangular Japanese lidded box with superbly crafted gold nashiji maki-e lacquer having wonderful raised gold birds. The designs on the top continue onto all 4 sides and the attention to details are really amazing. Dates Late Edo to Early Meiji. Condition is excellent as this came from a private collection. Measures: 3" long, 2.5" wide, 2" high

Japanese inro with 5 compartments decorated all around with a scene of a mountain stream running down hill through rocks and low tree branches. On one side of the inro, the stream falls over rocks and continues on the other side of the inro in a striated current. Various trees including blossoming fruit trees and pines spring from the rocks. Pine saplings emerge from a gold mist in the foreground. Created with a fine raised gold maki-e lacquer technique and inlaid with gold metal flecks...

Antique Japanese gold lacquer inro with 4 compartments. Decorated with a scene depicting a cottage high in the mountains. On one side, a small stream meanders by a thatched roof building with doors opening to a garden surrounded by a low fence and opened by a tall gate. A large, blossoming plum tree stretches it's branches dramatically over the roof and a mist floats over the top of the scene. The other side of the inro depicts a churning river with ragged outcroppings of rock...

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Inrô in gilded lacquer according to the takamaki-e, hiramaki-e and kirigane techniques, with five squares of a mountain lake landscape.

On the first side, there is a samurai on horseback, who is drinking from the stream. A servant accompanies him, his sword in hand. Next to the pine tree are the things they would have left behind...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas. This symbol, linked to Buddhism, represents qualities of intelligence, strength and peace...

Rectangular kobako in gold lacquer fundame. The cover represents in hiramaki-e a Japanese castle, surrounded by majestic pines. The decoration extends on the edges of the lid and on the sides of the box. The interior and bottom are in nashi-ji lacquer.

Japanese castles (shiro) are constructions mainly made of stone and wood. They are perched on stone headlands. Their appearance coincided with the beginning of Japanese feudalism...

Japanese early Showa Period comb. The comb has the design of traditional Japanese bells with red cord attached. The bells are done in high relief, one in silver lacquer one in gold lacquer and the third in bluish-green shell inlays. The comb is signed by artist. The comb measures 4 1/4" wide, 2 3/16" tall and 7/16" thick.

Gold lacquer suzuribako (writing set) representing a pine tree in a rocky mass in takamaki-e on a kirigane background.

The inside of the lid and the writing case is decorated with an interlacing of hiramaki-e foliage on a dense nashi-ji background.

Accompanied by its original box with partially identified inscription, "Suzuribako with lid - gold nashi-ji [...]" (金梨地 [1 unidentified kanji]画 [2 unidentified kanji] 硯筥覆).

Japan – Edo era (160...