A boxed set of fifteen unique bowls with lids for clear soup made for the Lord of the Yanagisawa family enclosed in a wooden box dated the 7th month of 1730. What makes this set quite unique is that each bowl is singular, a different design, color, shape or technique. But throughout is the one continuous symbol, the four petaled crest of the Yanagisawa clan.　The box is titled Yakatasama, Go Suimono wan, Yangisawa Shimono and on the side Jugonin-mae...

A rare 17th century Japanese Lacquer table performed in the Nanban style exhibited in 1972 at the Kyoto National Museum (including paperwork from the museum). Overall it is in excellent condition, enclosed in an older wooden storage box. It is 12 x 17 x 14 inches (31 x 43 x 36 cm)...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

Ikebana basket made of dark brown varnished bamboo wickerwork, square shape with rounded edges. Thicker bamboo braids on both sides and on two of the four sides in the extension of the handle. Removable handle in five segments. Round pot to hold flowers.
Transport box included.

Weaving similar technique to a ikebana basket conserved at the Musée du quai Branly - Jacques Chirac, Paris : Anonymous, Hanakago Karamono - Utsushi, Edo-Meiji period, 19th century...

A Carved and Gilded Buddhist Reliquary containing a polished pink stone exhibited at the Shimane Prefectural Musuem Arakawa Kisai exhibition in 1974 enclosed in a custom-made wooden box and retaining the loan papers from the museum as well as the original pamphlet. The wood body has been carved in tempestuous waves, lacquered black and gilded, with a polished pink orb inside a flame shaped finial. It is 7 inches (18 cm) tall and in excellent condition...

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive...

A large table made of layers of lacquer carved through to reveal the various colors by Suwa Sozan I enclosed in the original signed wooden box titled Guri Joku and bearing the Teishitsu Gigei-in Seal of the Imperial Art Academy. It is 65 x 40.5 x 20 cm (25-1/2 x 16 x 8 inches) and is in excellent condition. The artists seal is expertly incised into the back of one ball shaped foot...

Wooden panel covered with a thick layer of green urushi lacquer decorated with a lake landscape. A pontoon on stilts in light relief brown, ocher and yellow lacquer is surrounded by flowering Irises. The leaves are also in green thick lacquer and the flowers are in mother-of-pearl and eggshell, probably ostrich. The work is particularly neat and very solid. No signature, but certainly an excellent artist...

A stunning Suzuri bako covered in gold lacquer and minutely detailed with scenes of the 53 stations of the Tokaido. Mountains and ocean views, famous temples and castles are all populated by travelers in various shades and degrees of gold. It is decorated inside entirely with fronds over gold nashiji. A superb work of art that would have taken months or perhaps even years to complete. The box measures 33 x 25 x 14 cm (13 x 10 x 6 inches) and is in overall fine condition...

Japanese Kamakura-Bori lacquer box on tray. The cover with bold, high-relief carving of bird in branch - the almost black surface rubbed to a soft, coral-red toned burnished finish. The softly irregular honeycomb textured ground with leathery texture continuing to the sides of the box bottom and into the rim of the tray with edges also rubbed to the underlying coral-red and burnished smooth. Signed under the tray...

Thick hirame polished gold disks glimmer on the surface of this peach-shaped container by Okada Yuji enclosed in the original signed wooden box titled Toju. The peak is tinged pink, while a green leaves embedded with kiri-gane gold wrapping up the sides. A striking work of kanshitsu (dried lacquer art) from the pinnacle of the artists career. It is 7.5 cm (3 inches) tall, the same diameter and is in excellent condition.
Okada Yuji was born in Kyoto in 1948 and graduated with honors from...

Inro of exceptional dimensions with 3 boxes in black lacquered wood, decorated with chrysanthemum flowers with 32 petals in powdered lacquer on a background of geometric zigzags, details in Nashiji and nuances in silver powder. The chrysanthemum with 32 petals (2 rows of 16) was the Imperial symbol. This geometric decoration of zigzags is typical of the beginning of the 17th century during the short period of Momoyama. This inro with its giant dimensions certainly did not have the same function ...

Gold disks like suns gleam in a shimmering blue cloud of mother of pearl stars on this dry lacquer vase by Okada Yuji dating from 2011. In the center, a golden spout rises up from a deep pool, like a digitized map of the event horizon of a black hole. An incredible shape and incredible work of art by this important post-war dreamer. Each golden spot visible on teh surface is hirame, not a tissue thin gold overlay, but a solid gold disc embedded into the surface the surface then ground down to re...

Four Zohiko lacquer plates. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko marks in gold lacquer on the flat bottoms without foot rims. 20th century. Very good condition with only light rubbing on the bottoms (likely easily polished out by a professional.) 20th century. Diameters 7 3/4 inches (19.685 cm). Combine with other pieces from this set to save on shipping.

The size of Kogai: 6 3/4" Long x 9/16" Wide x 3/8" Thick. Beautiful Japanese Bekko(turtoise shell) Kogai, Hair Pin. It has both end carved with the design of Manryo(Ardisia crenata Sims), Japanese plant with red berry which is symbol of wealth. Ten thousand Ryo(10,000 Gold Edo Coin). The both end has carved open holes. Kogai is consisted with three layers to build the this thickness and carved out beautifully all sides. It had to be this way since each Turtoise shell does not have this much thi...

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

A fine pair of matching square bowls on raised foot. Decoration: the inside, in the centre a gold takamaki-e medalion with a raised design of a couple of Reshiki stems in shakudo and hirame, on red ground, rim decorated with cloud pattern in gold on red lacquer. Outside decoration with 4 pair clams each of which has been embellished with different type of decoration ( dragon flies, birds, thatched house and tree, brushes, etc ) in togidashi-e and nahiji and takamaki-e on a black roiro gro...

The size of Kamakura-bori Deep Kashi Bowl: 10 3/4"Dia x 1 3/4" High. About 5/8" Thickness. This is prettiest of Kamakura-bori Kashi Bowl ever seen. The bowl is from Showa 13 th, 1938, 76 years old. It is dated on the back as 1938, April 18th. It has beautiful carved design of Ebisu and Daikoku design with Hoju (treasures). Two are from Shichifukujin (seven lucky Gods.). The both Ebisu and Daikoku faces are finely and deeply carved into the wooden body. I believe it is made of Katsura(Cercidiphy...