Delicate white “Mountain Priest Flowers”, called Yamaboshi in Japanese (Kousa Dogwood) decorate this vase by Shimada Fumio enclosed in the original signed wooden box titled Saiji Yamaboshi-mon Hishigata Bin. It is 25 x 9.5 x 35 cm (10 x 4 x 14 inches) and is in excellent condition. br> Shimada Fumio is undoubtedly one of the greatest artists working in porcelain in Japan today...

A superb elephant shaped incense burner by Miyanaga Tozan enclosed in the original signed wooden box titled Seiji Zo Koro. Extreme clarity in the fine details, I will let the photos speak for themselves. It is 6 x 4 x 6 inches (15 x 10 x 15 cm) and in excellent condition. It comes with a pamphlet dated Showa 16 (1941) the last year of the artists life.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing...

The flattened surface of this elevated dish is scored by the artist fingers and covered in a smattering of green ash glaze by Murakoshi Takuma enclosed in the original signed wooden box titeld Hai-yu Yubi-mon Sara. It is 23 x 20 x 5 cm (10 x 8 x 2 inches) and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...

Blue glaze has been applied to the joined slabs of raw clay forming this elongated basin by Shigemori Yoko enclosed in a signed wooden box titled Mudai. Several slabs of clay were rolled and crushed together, the raw edges untouched forming a mountain-scape along the top. It is 66 cm (26 inches) long and in excellent condition, enclosed in a wooden box signed by her brother Naoki. This is one of only a couple examples we have from this torn series...

A swollen sail shape in graduations of color by Miyashita Zenji enclosed in the original signed wooden box titled Kaze no Deban (Cue the Wind, or Wind in the Sails, if you like). It is 20 x 21 x 28 cm (8x 8-1/2 x 11 inches) and in excellent condition. It retains the original Shifuku and Shiori.
Miyashita Zenji (1939-2012) was born into the family of potter Miyashita Zenju, and graduated the Kyoto Municipal University of Art under Kiyomizu Kyubei and Kusube Yaichi...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912...

Every shade between mustard and aubergine fades into the deepest blue on the sides of this ovoid form decorated with enigmatic relief-work by Shinkai Kanzan enclosed in the original signed wooden box titled Nishiki-ka Kabin. It is 14-1/2 inches (37 cm) tall and in excellent condition...

An incredibly detailed mid to late 19th century Izushi-yaki Hakuji (white porcelain) image of a samurai and his lover enjoying a moment together; the robes, accessories and musculature being extremely well shaped. The pair are made of solid white clay, sculpted in the style and with the attention to detail typical of Hirado ware however the glaze is more textured than work expected of that region, indicative of Izushi...

Crackled green glass pools in the center of this humble tea bowl by Ezaki Issei enclosed in the original signed wooden box titled simply Chawan. The works of Issei personify the humble virtues of the tea ceremony. They are imbued with a sense of Musakui (Lack of intention), a bowl that has come to be, rather than a bowl that was created. It is 15.5 cm (6 inches) diameter, 5.5 cm (2-1/4 inches) tall and in excellent condition...

A wild pottery sculpture by Yamaguchi Mio titled Manimani (every moment), the sandy terracotta colored clay completely unadorned, rising from three feet like some exotic earthen flower. It is 40 x 50 x 59.5 cm and is in excellent condition, directly from the artist dating from 2023. It comes with a signed wooden placard.
Due to size, the cost of shipping will be accrued separately...

An Amazing Shigaraki flattened form with offset neck covered in pools of liquid green crystal and dark encrustations of ash by Furutani Hirofumi, head of the Churoku-en...

Porcelain ewer from the Kyushu Arita oven second part of the 17th century. We only know a few identical models, one, with its lid, is kept in the British museum, another is housed in Tokyo at the Idemitsu Museum and happens to be one of the major pieces of the collection, finally a last one, damaged and without a lid, was sold by Sothebys London on June 1, 1981. To our knowledge there are no others. Curiously the porcelain of these ewers is atypical and could be confused with soft porcelain but ...

EXCAVATED CHAWAN WITH DUAL LATTICE DESIGN

Excavation of Arita (Imari) blue and white porcelain bowl with beautiful pale remains of dual lattice pattern in such miraculous natural form with wabi-sabi presence as is. Edo period, 18-19th century, Japan. approx. H 7cm (2.75in), 9 x 6cm (3.54 x 2.36in)


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EXCAVATED YAMAJAWAN 2pc.

Layered Japanese proto-pottery bowls stuck to each other in the kiln-firing, so-called 'Yamajawan' (Yama-Chawan / lit. 'Mountain tea bowl'), circa Kamakura-Muromachi period (1185-1573), approx. 15 x 15 x H 6cm (5.90 x 5.90 x 2.36in). Both are deeply tasteful as well.


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This is an exceptional Japanese Satsuma cabinet Vase. The intense work is reminiscent to that of Yabu Meizan, Meizan or even Seikozan. The decorations are very rich and intricate . The vase features three bands work. One of children, a band with monkeys and then people surround the vase. It is divided by another band of rich enameled brocade and geometric designs. Further up the vase is a unique gilded ground with scrolling vines with small more well done children mixed in an about. The top sho...

This is a highly detailed Japanese Satsuma vase from the great Meiji artist Shizan. Look close at the images because the fine detail is as good as most of the finer pieces and easily looked over. The vase stands 4 3/4 inches tall. The vase is in excellent condition. Price is firm.

The seven gods of fortune are depicted in rich gold, vibrant colors and textures on this exceptional set of Kutani Sake Cups from the Kaburagi Studio enclosed in the original compartmentalized wooden box. Each cup is unique, measuring roughly 5.5 cm (2 inches) diameter, 3 cm (1 inch) tall and all are in excellent condition. The Kaburagi studio produced some of the finest wares in Kutani. Founded in 1822, it survives to this day under the same family, now in the 8th generation. These date fro...