Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. This small dish fashioned from coarse clay and covered in a silky ash glaze. Slightly oblong with one edge gracefully arching upwards, both sides of the dish have been traditionally repaired using lacquer and gold...

5 Japanese Noritake Peony flowering tree design deep wide soup bowls or dishes, 8 1/2" diameter, 2 1/2" high, marked "Tremont, US design Pat. applied for" and Noritake China, Japan" on the bottom. The condition is good.

A splendid stoneware dish by Sakuma Totaro (1900-1976) with the original signed and inscribed storage box, tomobako. Showa period, mid 20th century.

A substantial dish with deep brown iron glaze leaves on a jade green copper glaze. The back of the dish is undecorated and covered in a transparent ash glaze...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against an oatmeal coloured ground. The back is plain and glazed with a clear transparent ash glaze.

The original wood storage box (tomobako) lid is inscribed in ink "Mashiko decorative dish with plum in iron oxide", the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against a transparent ash glazed ground. The back is plain and glazed with a clear ash glaze. Mid 20th century.

The original wood storage box (tomobako) lid is inscribed in ink with a title and the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...

A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

Small covered box in the shape of a clam shell. Cream-colored stoneware with translucent brown glaze, partially covered with opaque beige-colored glaze with blue and purple streaks. Bottom left unglazed. Takatori style. Japan, first half 20th century.

H ca. 1-1/4 x L 2-1/2 inches

Fine condition

Paper collection label with no. 106. From a private FL collection of incense boxes, water droppers and other antiques

Four(4) Japanese Imari Porcelain Bowls, for serving soup or rice, 4 1/2" diameter-top rim, 2 1/2" high, typical Imari colors, red, green, gold and underglaze blue with large Peony flowering branches spread out between large red Ruyi style cartouche. The condition is good, no damages.

18 Pieces of Japanese Earthenware Chopstick and Spoon rest in 3 signed Wooden Boxes, 5 each in one box, and 3 are not in box, total 18 pieces, with Satsuma style hand painted floral design in crackle glaze, 1940's, 2" to 2 1/4" long. The condition is good.

Lovely Shigaraki Tsubo with natural glaze patterns produced naturally in a wood fired anagama or climbing kiln. White feldspar long life stones give Shigaraki clays their distinctive character. 16" high by 11" in diameter. Great condition. Ask for shipping quote.

Old (1950's) Japanese Studio Porcelain Vase with Relief Dragon Marked

It is 11.6 inches (29.5 cm) tall by 6.9 inches (17.5 cm) wide. It is 4.5 Lb.

It has minor rubbing of paint and surface wears (as seen in the photos).

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1900's Japanese Yokohama Studio Vase with Cranes Marked "Dai Nihon Takasaka zo"

It is 14.4 inches (37 cm) tall by 9.05 inches (23 cm) wide. It is 11 Lb.

It has skip glazes dark spots, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

The size of Platel: 7 1/4" Dia x 1 1/2" High ( 185 mm x 37 mm). This is very attractive Blue and White Japanese Hirado Porcelain Plate. It has the design of Sansui (landscape) design. There is 5 Ben (5 flower petal design which used for very old Hirado) in the center. One area with pretty geometric design. Backside has four flower design. There is Kaou (studio or artist) signature in the center of Kodai (foot rim). The design are done by hand painted with fine work of stencil...

Chidori plovers soar between warm green clouds draped over the rim of this Oribe style bowl by Kitaoji Rosanjin enclosed in a double wood box (Nijubako) annotated by Living National Treasure Kaneshige Toyo. On the bottom of the bowl is the star mark of Rosanjin, which he used to mark pieces made for his restaurant. The bowl is 16.5 cm (6-1/2 inches) diameter and in excellent condition. The box is titled Oribe-fu Chawan, Rosanjin-saku (Oribe style bowl made by Rosanjin)...

I have seen a lot of work over the last quarter century by Kawai Kanjiro, and among it all, this is an absolute stunner. 'Museum quality' as a quote gets thrown around a lot, but I do not use it lightly. The form, the clarity of the white, the crispness of the lines of color and his obvious deft touch...

A white pidgeon perches on a discarded or fallen roof tile decorated with calligraphy by Miyanaga Tozan enclosed in the original signed wooden box. It is 9 inches (23 cm) tall and in excellent condition. I believe this is likely by the second generation.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expos...

A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I. Although the peach motif can be seen in man...

A small bowl in Kaki-yu by important artist Kawai Kanjiro enclosed in a wooden box upon which his friend and equally important artist Munakata Shiko has painted an image of the bowl outside titled Go-Kowan (Honorable small bowl) and inside annotated: Kanjiro Sensei Saku (Made by Kanjiro), signed Munakata Shiko. It is 10 cm (4 inches) diameter and in excellent condition.
Kawai Kanjiro (1890-1966) was a true artist by nature, and together with Hamada Shoji, set a pattern of study for moder...