The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall

A large baluster form Sumidagawa vase decorated in slips of green and black glaze over crackled red with a three-dimensional tokage (lizard) crawling down the side. The detail on the creature is superb, from the textured body to the white claws with which it seems to grip the sides of the slippery surface. On the backside is a raised gourd shaped stamp reading Ishiguro Koko (One of the most prominent Sumidagawa potters)...

A lovely set of Taisho period studio pottery Tokkuri sake decanters; the very thin walls made of fine clay covered in earth-toned glassy glaze crackled along drip edges. A bundle of twigs alongside a kindling hearth are painted in iron on the side, with a grinding bowl and pestle of dark clay in raised relief. Along the base of one is the artists stamp reading Hozan. The base diameter is 2-1/4 inches (5.7 cm) and they stand 4-3/4 (12 cm) tall...

Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).

Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.

Japanese Late 19th or Early 20th Century FUKAGAWA large vase. Beautifully done with the design of Mt. Fuji and mist. No storage box. The vase stands 12" tall by 11" wide.

Antique Japanese Satsuma ware bowl in the shape of a money pouch, decorated with motif of procession of children pulling flower cart, ceramic with gold and polychrome overglaze, Meiji Period. Size: 5 1/2" high x 6" wide (diameter).

A very unusual art nouveau style Kutani vase decorated with a jagged forest of pink trees on soft green carpet, butterflies circling the shoulder which breaks into a darkened cloud of moriage beads decorated with spiraling karakusa designs in slightly raised gold. Superb workmanship, it is simply signed Kutani-zo (made in Kutani). The vase is 10 inches (25.5 cm) tall and in excellent condition and dates from the first quarter of the 20th century.

Rare and massive 4-colour (white, blue, black and red) hand painted porcelain Hibachi, top condition, Pine branch tips and Crane motif. This piece has smaller key fret designs encircling the top and the bottom as well as very elegant and decorative diaper patterns. Pre 1920, Japan, size: H. 24cm x 30cm diameter

Wonderful old Japanese Imari boat, incense burner (koro) or a nice dish for ... sashimi with soy sauce and wasabi in one side, circa Meiji period (1868-1912).

8 1/4" long x 4 1/2" wide x 3 1/2" tall

A large dish used for raw fish or shellfish (mukozuke) for the tea ceremony in which guests are served. It measures at 11.75” square x 2” high. This dish is designed in the traditional Japanese ascetic of simple brush strokes and relaxed design; such a dish was not intended for export and does not conform to the Western ascetic of gaudy and over crowded design. A true testament of genuine Japanese tradition. The plate dates to the late Meiji to early Tashio period (1900-20).

Finely crackled which glaze covers this late Meiji Chinese inspired form clearly stamped inside the footring Tozan Ito Tozan. There is an incredible sense of mastery in the concise lines and perfectly sculpted form. It is 13 inches (33 cm) tall, 10 inches (26 cm) diameter and in excellent condition, enclosed in an older custom made wooden box.

This baluster form vase is quite large by Japanese standards at 14 inches (35 cm) tall and in perfect condition. Chrysanthemums decorate the sides in rich, dark blue. There is a slight yellow tinge to the white glaze. It is signed on the base Makuzu Kozan Sei. The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo...