Height: 12.2 cm (4.8 in)
Width: 7.3 cm (2.9 in)

Japanese Satsuma gourd vase; depicts two panels of Geisha in domestic and garden settings; all surrounded by a mass of wisteria blooms; the base rim is decorated with waves over Greek hatch work while the top rim shows a border of gilt lappets above polychrome millefleur, all above ruyi gilt diapers; signed Hozan on the base; good condition

This is an attractive early satsuma Koro or incense burner with very fine workmanship. I believe it may be pre-1900 because it appears to have been made with thicker mercury fired gold. Lid and bottom piece are both marked with a museum inventory number. The lid has been repaired and it looks quite good. The images show where it was broken. It stands about 4 1/2 inches tall and 4 1/2 inches wide. It is signed but I do not recognize the signature.

This is a wonderful Meiji Era Satsuma tray from Seikozan. The detail is outstanding but the condition is even better. The condition of this piece is pristine and like new or the day it left the workshop. In fact, this piece is the finest preserved example of Meiji era Satsuma we have ever had. Ironically, we found a small factory repair to one of the corners. We ran tests and it is absolutely a gold covered Seikozan factory repair (See last image).

Height: 12.2 cm (4.9 in)
Width: 8.2 cm (3.3 in)

Quality Japanese Satsuma vase; heavily gilt throughout with very detailed diaper work extending up the neck to a figural cartouche; the main body shows three kidney-shaped vignettes depicting figures in domestic settings; the lower body is also decorated with the finest gilt diapers; good condition

Polychrome sculpture in Sumida-gawa stoneware, also called Sumida-yaki, representing an old man surrounded by five monkeys in front of a basket containing two nuts. Glazed clothes and basket.

Seal underneath of Kinoshita (木下).

Sumida-yaki ceramics takes its name from the Sumida River (Sumida gawa), near which it was created by Inoue Ryosai I (1828-1899) in 1875...

Height: 31 cm (12.3 in)
Width: 14.5 cm (5.8 in)

Large Japanese Satsuma vase; heavily raised gilt decoration featuring two main panels, one showing a group of men and women in a lakeside setting, the other showing samurai in confrontation; the shoulders and neck feature fine diaper-work and paulownia leaves bordered by two dragon handles; the base rim also shows intricate diaper-work; signed to the base, Hododa; good condition

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...

An Attractive Pair of Turquoise and Aubergine Glazed Vases. The ovoid body with flaring rim. Kyoto Awaji, Japan Meiji Period. Height; 15.7 cm. Condition; usual glaze fritting to foot. One vase is perfect the other has a glaze frit to the rim with an associated bruise 1.2 cm.

Width: 11.8 cm (4.7 in)
Height: 4.5 cm (1.8 in)

Fine Japanese Satsuma bowl; internally depicts women and children in a domestic setting overlooking a stream; geometric borders and floral diapers; below shows gilded floral works and hanging lappets above the base rim; signed Fuzan on the base; good condition

This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is the mate to another one we sold. Likely months of work went into this vase and it's literally smothered with intricate enamels and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had a rim chip repair.

Height: 11.6 cm (4.7 in)
Width: 7.5 cm (3 in)

Japanese Satsuma vase shows two main polychrome panels of families in rural and domestic settings; all surrounded by profuse and very detailed gilt diaper work; signed on the base, Gyokuzan; good condition

Width: 15.3 cm (6.1 in)
Height: 5.5 cm (2.2 in)

Fine Japanese Satsuma scalloped bowl; depicts Geisha sitting and conversing in a central cartouche; all surrounded by the finest gilt and polychrome chrysanthemums and detailed diaper work; the reverse decorated in florals; signed Fuzan

Japanese female mask in the style of a Noh mask. This face may have been considered beautyiful many years back, but now it carries a heavy-duty insult to any ladies if they were to be called Otafuku-chan or Okame-san in Japanese. Otafuku-kaze is the mumps and there are popular snack beans called Otafuku-mame, shaped exactly like this face.

Otafuku simply means “much happiness”. Also known as Okame or Uzume, this face has been the symbol of good wishes for health and happiness...

A magnificent and seldom found set of Ao or Blue-Bizen Tokkuri Sake decanters dating from the Edo period enclosed in an ancient kiri-wood box. The hand-turned pieces are in excellent condition, with no chips or cracks. The undecorated clay of each pinched vessel is an unusual shade of blue/gray, thus the name. Each piece measures roughly 6 inches (15 cm) tall. An exceptional and highly sought after addition to a collection of Japanese ceramics.

A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo...

A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods)...

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.