Chinese painted pottery court man, wearing hat, with red, and white pigments remaining.

Age: China, Tang Dynasty, A.D. 618 - 907
Measurement: Height 35.9 C.M. / Width 10.6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

A section of old Chinese cloth taken from the shoulder section of a seventh rank official's formal court dragon robe, silk backing (some damages on line). Please ask. 18-19th century. 27" x 29 1/2"

Description:

A Triad Blac De Chine Guanyin Statue was beautifully rendered.
In elegant sitting posture the holy deity was accompanied with two attendants in front of the throne.
And on the rocky stands beside her, there's a purity vase on the right and a holy hawk sitting on the left.
Serene and peaceful in mood, her features were well depicted when the flowing robe and the beaded rosary was carved in a fine craftsmanship...

Carved wood figure of multi armed ferocious deity with 3 faces, gilt lacquer, carved with wonderful movement and flowing draper, purchased as Japanese but possibly Chinese, 15th century. Size: 28" high x 28" wide

A brass four prong dorje from Tibet. The primary symbol and ritual implement used in Tantric Buddhism, also know as a vajra. It can be translated as "diamond" or "thunderbolt". Age: Pre 1920. Size: L. 12cm. W. 4.3cm. Condition: Perfect.

A beautiful and very functional pair of black lacquer wooden cabinets with detailed court scenes. The cabinets can be stacked as pictured or positioned separately and perhaps placed under windows. As separately standing pieces, they can be used for extra seating with the simple addition of a few throw pillows or cushions. They can also be positioned back to back to serve as a large coffee table. The cabinets’ interiors are painted red and there is a red flower painted on each side...

Very rare Chinese pottery crouching court man with amber glaze.

Age: China, Tang Dynasty, A.D. 618 - 907
Measurement: Height 12 C.M. / Width 6.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Of circular form, with a pedestal foot, with side lion-mask handles, decorated with carved designs of animals in continuous panels along the rim of the exterior, the foot decorated with openwork and carved floral design.

Age: China, Qing Dynasty, circa 19th century
Diameter 45 C.M. / Height 33 C.M.
Condition: Very good condition, partially with patina. Please refer to the enlargement photos for more details...

Description:

A stoneware jar was preserved in an original condition.
Being applied with olive-green glaze on the the body, the jar or Hu was molded with a trumpet-like mouth and stand on a flat bottom.
Two well- mold loops were nicely pressed to the body as handles.
Decorations of incised wave bands were around the mouth while grooved patterns were carved around the body in the middle segment.
Black hue was affected to the slender neck and the mouth portion...

Description: An old wood incense utensil's holder was intriguingly carved from one original wood trunk. Making use the fine quality Huali wood, the scholar piece was rendered delicately on the top around the rims of the hole and around the top. Being preserved with the original old patina, the wood scholar item was in good size of 16.3cm in height and in perfect condition. Date: Qing dynasty(19th century), Height: 16.3cm. Material: Huali wood. A CUSTOM MADE SILK BOX IS INCLUDED.

Decorated with stylized panels revealing Foo dogs playing ball design on cherry blossoms background, on one side with an open-work of coin design.

Age: China, late 19th - early 20th century
Measurement:
No. 1: 13.5 X 6 C.M. / Height 11.4 C.M.
No. 2: 13.4 X 5.8 C.M. / Height 11.9 C.M...

"Stairway to Heaven #2" by Lau Yan Tsun. Mixed media; acrylic paint, Chinese paper mounted on canvas. 1.1 meter x 1.1 meter. Artist's Brief: Lau Yan Tsun is a self-taught painter. His interest in fine arts emerged while studing visual Arts in Toronto, Canada during 1970's. Returning to Hong Kong in 1983, he worked in various types of visual media. He took up calligraphy in 1989 and this led him more exclusively into painting...

Pair of Chinese Export tea bowls, Qianlong (1736-1795). Decoration of iron red borders and Famille Rose flower garlands. Diameter "3¼/ 8 cm, height "1¾/ 4,5 cm. Condition: one hairline to each as seen on photos, otherwise fine.

Pair of Chinese Export saucer plates, Yongzheng or early Qianlong period, first part of the 18th century. Scalloped rims and decoration in under-glaze blue of flowers and seascapes in panels. The back of both with a chocolate-brown, "Batavian" glaze. Diameter "4½/ 11,5 cm. Condition: firing crack and rim frits to one plate, the other with a minimal nick to foot rim.

Antique Chinese Jian "Hare's Fur" glazed bowl, brown buff ceramic with black thick dripping glaze with russet colored streaks, Song Dynasty (13th century). Size: 2 3/4" high x 5" wide.

Beautifully carved Chinese seated buddha, made of wood with red and gilt lacquer, wonderful details and elegant expression, Ming Dynasty. Size: 22 1/2" high x 14 1/2" wide x 11 1/2" deep.

Chinese late Qing blue and white porcelain moonflask, or pilgrim vase, of flattened globular form decorated with a cracked ice and prunus ("bingmei") motif, which is also known as the Hawthorne pattern. Two writhing qilong handles are at either side of the cylindrical neck. There is some kiln grit adhering to the recessed base. Late 19th century. 10 1/8”H x 6” across. Very good overall condition. There are some tiny burst bubbles at the rim and along the chilong’s back (see enlargeme...

Description:
A Cizhou pillow was preserved in very good condition.
When decorated on the frontal side with incised motifs of fishes, flowers and water weeds and by a ring-punched ground, the pillow was left being unglazed at the bottom.
Naturally and vibrantly carved, the motifs were rendered in a dated photographic characteristic which we usually seen in the wares of northern regions of early periods.
They were the images of the fishes and the carving strokes of the plants and ...