Chinese ming dynasty blue and white dish. Hongzhi period. Dish has single hairline (please see on the pictures) free from any repair. 25 cm diameter.

Chinese Ming dynasty blue and white dish. 13,8 cm diameter. Dish has small chipped at the rim on repaired.

17th Century Kangxi Chinese Blue & White Porcelain Vase with Flower

It is 7.1 inches (18.1 cm) tall by 3.7 inches (9.5 cm) wide. It is 1.3 Lb.

It has dark spots, skip glazes, chips at the bottom, and surface wears and scratches (as seen in the photos).

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Chinese 17th Century Dehua / Blanc de Chine Porcelain Lion-Mask Censer

This censer was made in the 17th century (c. 1650 - 1700) at the famous Dehua kilns in Fujian province. It is "heavily-potted", the outer surface and inner mouth coated in an ivory-coloured glaze. The inner surface and base remain unglazed.

Diameter 15 cm. There are a couple of firing fissures to the thickly-cut foot, no doubt caused during firing due to the thickness of the clay...

Probably Tibet. Miniature Buddha in cast bronze gilded with the mercury technique. Under the base curiously we can see a Vajra cast in relief. The sculpture is simple rustic, the details are little or not chiseled, however the gilding is of the best quality, very thick and tends to flake.Traces of pigment on hairs and eyes. The style of the base with elephant and Buddhist Lions in front and crosses at the back, makes me think of the 15th century style. No restaurations...

Antique Chinese Jun ware bowl. Made of earthenware and glazed a light blue color with a purple splash that is dripping toward the center. The rim is a brown color where the glaze is thinest and the foot is left unglazed as was the tradition with Jun ware. The blue and purple colors are made with straw ash in the glaze. Looking closely, a subtle crackle, pitting and rivulets of mixing colors can be seen...

Antique Chinese Qingbai porcelain ewer. Delicately potted with very thinly walled construction. Dramatically lobed ovoid body. Trumpet neck with foliate rim. Curving strap handle incised lengthwise and with 5 raised round dots. Long curving and subtly tapered spout. The body and lower neck are incised with horizontal striping. While the foot remains unglazed, the rest of the ewer is covered with a transparent white, blue-green glaze exemplary of the Qingbai name...

Unmarked bronze seal or scholar's weight? It represents a fantastic animal firmly camped on its legs. The artist has given it an interesting mischievous expression. It is in cast bronze, the finish is of the highest quality as well as the chasing. The perfection of the line of the hairs is the work of an excellent chiseller. The movement of the head which turns to the right makes the body tilt to the left while the tail compensates to the right only an excellent sculptor can make such a realism...

An absolutely exceptional and unique object, a pagoda roof in cast bronze, very heavy, gilded and inlaid with glass paste. If there are some rare examples of Chinese gilded bronzes inlaid with hard stones and some even rarer inlaid with transparent glass, to my knowledge we do not know of any other inlaid with glass paste. Here the glass imitates perfectly the white jade, the lapis lazuli, the ruby, the green jadeite emerald...

17th Century Chinese Bronze Figure of Monk

It is 10.7 inches (27.3 cm) tall by 3.5 inches (8.9 cm) wide. It is 2072 gram.

It has pitting, holes, oxidation and surface wears and scratches (as seen in the photos).

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Guan Yin in cast bronze. She is holding a stylized flower in her hand which serves as an incense holder. Her long-sleeved dress is reminiscent of the Tang style. Details are incised on the dress, the hair. The old patina is very beautiful corresponding to an object several hundred years old. Must be from the Ming period or earlier. A part of the ribbon is missing (visible on picture)Normal wear for an earlier period Height: 13,5cm Translated with www.DeepL.com/Translator (free version)

17th Century Chinese Cast Iron Seated Buddha

It is 9.84 inches (25 cm) tall by 6.3 inches (16 cm) wide. It is 1962 gram (4.3 lb).

It has firing holes, pitting, chips, oxidation, and surface wears and scratches (as seen in the photos).

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Chinese Ming dynasty swatow Zhangzhou large dish decorated in white slip with three central stems of blossoming flowers enclosed by a band of foliate decoration in the cavetto, and a decorative border on the curved rim. Good conditions except small part fritting glaze at the rim (please check at the pictures). 39,5 cm diameter.

Chinese Ming dynasty blue and white Kraak porcelain dish, Wanli period. Good Conditions. 35,3 cm diameter

A large and imposing bronze image of the Songzi Niangniang (‘The Lady who Brings Children’), a primary Daoist deity. Fine expression and details. Covered with a dark brown patina all-over. Ming dynasty, most probably Wanli period (1573–1619), a time when it is known that large number of Daoist images were made. ****H 38 cm. ****Condition: Generally very fine. Minor remains of cold gilt and colouring. One tip of a finger broken off.

Pair of 16th Century Chinese Export Ko-sometsuke Blue & White Porcelain Dish with Parrot

They ae 0.7 inches (1.8 cm) tall by 5.3 inches (13.7 cm) wide. They are 0.5 Lb.

They have small chips at the rim, skip and excessive glazes, dark spots, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% ref...

Description:
A porcelain female figure holding a baby was well preserved in perfect condition.
Depictied finely in details, this porcelain piece was made in very good crafty skills.
From the facial expressions and the characteristics of the slender limbs, It was verified as an early Qing piece.
The crackles yielded under the glaze justify the verification too.

Date: Early Qing periods (18th century )

Height: 18cm

Condition: Perfect.

A cus...

Black and red lacquer box inlaid with mother-of-pearl, sides in bamboo basketry. Interesting and rare Chinese work of the Ming period. The work of the basketry is exceptionally beautiful quality, the bamboo fibers are very fine and perfectly woven. The mother of pearl inlays are of excellent quality and extreme finesse. The interior is lacquered in red as well as a part of the sides. Many missing mother of pearl as you can see on the pictures. Part of the mother of pearl roof tiles replaced othe...