Chinese Qing dynasty ornately carved rootwood fly-whisk handle. Fly-whisks were carried by Buddhist priests to wave away flies which, according to Buddhist tenets, they could not kill. The fly-whisk is also a symbol of leadership. 19th century. 10 3/8" long. Very good overall condition with a nice patina. There are a few thin cracks visible in the enlargements. This piece is from the private collection of American expatriates who lived in Hong Kong in the 1970s and 1980s...

A fine applique panel mounted on gold foil, embroidered in tiny Peking knot and gold thread. Showing a big cat in a landscape, in an old European frame with antique finish. Condition: little faded. Dimension total: 27 cm x 19.5 cm.

This is another antique wine bottle of the Song Dynasty from our collection.

This large wine bottle is about 1000 years old and has been made in the Ji Kiln. It has a dark glazed body with an some unglazed dragon / phoenix decoration.

It is in good condition. There are only some little spoils of time and a little scratch ( please watch photos )...

Decorated with Fo dogs, typical for the Jiajing period (1522-1566). H. 17 cm. The lid also dates from the Ming Dynasty but was matched with the jar. Condition: the jar is in very good condition, the lid has a chip.

A white porcelain "Blanc-de-Chine" Buddhist Lion incense stick holder in similar style to the larger Guardian Lions which are frequently to be found at the entrances to Buddhist temples...

An interesting square porcelain brush pot with a long inscription of the Chu Shi Biao composed by the 3rd century strategist, Zhuge Liang. The inscription makes the argument that the state of Shu Han must fight against Cao Wei. The calligrapher at the end signs and dates the piece: The 23rd Year of Kangxi, (inscribed by) Wen Fang. Size: Length 6.25" Width 6.2" Height 8"

A Chinese jar, 19th Century Kangxi revival. Wu jin or mirror black glaze and decoration in gilt of flowers and birds in reserves against a diapered background. Condition: drilled hole to the base and wear to the gilt, minor scratch marks and some wear around the neck (from the original lid, now missing). A black and gilt lid of a different shape to go with the jar (optional, cf. photo). Height "5½/ 14 cm.

Eggshell or semi-eggshell Chinese vase of baluster shape, Qianlong sealmark in red but probably early 20th Century, Republic period. Decoration of a (mythical?) scene with a rider dismounting his horse and approaching a kneeling lady, all superbly painted in the Famille rose palette.Height "5½/ 14 cm. Condition: cracked and restored (cf. photos).

A rare and splendid genuine Ming Dynasty Tomb Pottery Horse bending it's head down with a seated musician playing the cymbals. This is one of the earliest Ming pieces, ca. 1400 A.D., depicting a beautiful and elegant horse with fine modeling. The horse's neck is arched and it's mane and tail are glazed in a rare and vibrant turquoise color. The musician's head is removable and his robe is painted in rich cobalt blue, red and turquoise pigments...

Chinese early Republic period porcelain bowl decorated in famille rose enamels against a turquoise ground with a magpie bird perched on a limb surrounded by wisteria, peony flowers, and scrolling vines. To the left of the bird is a red “Dayazhai” (Abode of Great Refinement) hallmark. To the left of this mark is a small red oval panel holding two dragons and the script “Tian di yi jia chun” (“Heaven and earth are united as one family in spring”)...

A baluster shaped vase painted in exceptionally vibrant shades of under glaze cobalt blue depicting stylized peony flowers and flying insects within shaped panels...

16th century
Ming Dynasty
Porcelain with Longquan celadon glaze
H: 28 cm / 11 in (with lid); 22.9 cm / 9 in (vase alone)
Bottom neatly drilled, mouth-rim ground down (see pictures). Wood lid slightly chipped at the edges.
From a Palm Beach, FL estate


A sturdy and thickly potted mid to late Ming Longquan celadon vase, featuring a thickly glazed deep-green body and incised trellis diapers. Please note that this piece is quite heavy and weighs 4 lbs alone...

Late 19th - early 20th century
Late Qing Dynasty to Republic period
Porcelain with overglaze wucai enamels
H: 23.2 cm / 9.13 in
Chip to the lotus flower bud of one figure, otherwise very good.
From a southern California estate


A charming set of Hehe Erxian figures, in a mirrored true-matching pair...

Early 19th century
Jiaqing Period, Qing Dynasty
Porcelain with monochrome blue glaze
D: 19 .1 cm / 7.5 in
Perfect condition
From a Hollywood, FL estate


A Jiaqing mark and period circular dish, covered in a rich and bubbly cobalt blue glaze. Surface wear suggest that this dish had once been gilt-decorated with a dragon among clouds. The roughly written mark is typical for non-official wares of this period.

12-13th century
Southern Song Dynasty
Porcelain with green-blueish Qingbai glaze
D: 17.1 cm / 6.7 in; H: 6.5 cm / 2.6 in (without stand), 9.4 cm / 3.7 in (with stand)
Basically perfect: slight original manufacturing flaw and some age wear to rim.
From a Seattle, Washington area estate


An elegant Song Qingbai bowl, decorated in the interior with carved / incised details and covered in a green-blueish translucent glaze...

19th century
Late Qing Dynasty
Porcelain with celadon glaze
H: 26.7 cm / 10.5 in; W: 20 cm / 7.9 in (at widest point)
Jar: perfect condition; Lid: 2 cm chip and 3 cm hairline
From a Marine County private collection


A 19th century celadon jar and cover, with carved underglazed decorations featuring ruyi medallions and two dragons "piercing" through vines; all covered with a nice, tender celadon glaze.

Late 18th century
Qianlong Period, Qing Dynasty
Porcelain with celadon glaze
D: 27.2 cm / 10.7 cm
Near perfect: some surface scratches, one rim chip, and minor fritting
From northern California private collection


A Qianlong mark and period dish, glazed in creamy celadon and scallop-edged...

Chinese Famille Rose Kwan Yin Buddha Marked, Circa 1960's

It is 23.7 inches (60.5 cm) tall by 7.05 inches (18 cm) wide. It weighs 10.4 Lb.

It has missing beads at necklace, manufacture defect of skip glazes, and surface wears and scratches (as seen in the photos).

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