Chinese Made Hardwood Egg Stand, 1 3/4" high, 2" diameter-top, 2 3/8" diameter-bottom, in good condition.

Chinese Hardwood shaped Display Stands with 4 small feet, 4" x 1 3/4" wide, 3/4" high, one more stand is available, please inquire. The condition is good.

Chinese Hardwood shaped display Stand, 4" x 1 3/4" wide, 5/8" high, supported by 4 small feet, more same or similar stands are available, please inquire, the condition is good.

Chinese Hardwood shaped display Stand, 3 3/4" x 1 3/4" wide, 3/4" high, the condition is good.

Chinese Hardwood Display Stand, 3 7/8" x 1 3/4" wide, 3/4" high, supported by 4 small feet, the condition is good.

Chinese Hardwood shaped display Stand, 3 3/4" x 1 3/4" wide, 3/4" high, the condition is good.

Three(3) Chinese Spinach color Serpentine Jade Initial "I" Pendants or charm, 5/8" high, 1/4" wide, 1/8" thick, gilded metal mount. No damages.

British Museum Book- The Terracotta Warriors

Published price £9.99. Our price £5.00.

This is a small yet well-produced book, more a picture book than anything, and is a good introduction to the subject of the First Emperor of China and The Terracotta Warriors. There are many fine close-up photos of individual soldiers from the Terracotta Army, as well as some other photos. Basic background information is also given.

Hardback with a paper jacket. Size 16 x 19 cm. 96 printed pages...

Chinese black carved Hardwood very small Display Stand, 7/8" diameter-inside top rim, 1" high, 1 7/8" wide-middle carved area, the condition is good, several extra stands are available, please inquire.

Chinese carved Hardwood Display Stand, made in Hong Kong, 1 7/8" diameter inside top rim, 1 1/2" high, one(1) small tip of Ruyi carving is missing.

Chinese Brass Hardware, drop Handle with "Longevity" in Chinese Character, 1" diameter for "Longevity" character, 3/4" deep.

Chinese Bamboo wrapped metal Handle for tea pot, 3" high, 4" to 4 1/2" bottom size, can be adjust the width about 1/2" wider, the condition is new, never used before. Picture show two(2) but I have more than two(2) in the stock.

Guan Yin in cast bronze. She is holding a stylized flower in her hand which serves as an incense holder. Her long-sleeved dress is reminiscent of the Tang style. Details are incised on the dress, the hair. The old patina is very beautiful corresponding to an object several hundred years old. Must be from the Ming period or earlier. A part of the ribbon is missing (visible on picture)Normal wear for an earlier period Height: 13,5cm Translated with www.DeepL.com/Translator (free version)

A hexagonal Chinese covered dish, decorated in overglaze enamels win the Famille Jaune pallette. The motifs seen in the shaped collar (in the form of a ryui fungus) around the lid are Buddhist precious objects. the flowers are those usually found on such porcelains and include hawthorn (prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the sides would originally have had wire carriers fitted...

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece...

A Chinese reticulated iron porcelain snuff bottle with a dragon and phoenix among clouds beneath key fret and ryui border, neck with a silver rim, jade stopper. The red color is the same as used when decorating porcelain, though in this case it is applied as a solid color. The desired effect is to imitate red cinnabar lacquer. Circa, probably from the Jiaqing period (1796 - 1820). Height 3".

Ming Dynasty (1368-1643) Chinese blue and white porcelain baluster form vase with wide trumpet mouth decorated with a blue prunus motif. 9 1/2"H. Excellent condition. The irregular edge of the base is the typical result of the removal of the vase from the kiln. It is not a condition problem.