This jade carving depicts two dragons, seated back to back and is, as best I can tell, the real deal. Not only are there no signs whatsoever of modern tooling, but each of the holes at the snout has been drilled from both sides, using a conical bit. The jade itself does not lie 100% flat, which would be another "telltale" of modern production. Instead, it is slightly curved. Dating archaic jade is, of course, extremely difficult, so please have a close look at the photos and feel free to ask any...

Light tan hand carved nephrite ewer. Carved from a single jade boulder with depictions or carved mythical creature on handle and ritual symbols. These symbols are significant for their auspicious meanings.
The ancient Chinese considered jade the most precious of all materials, prizing it more than gold, silver or bronze. Sophisticated jade and lapidary production techniques had already been mastered by the Neolithic era, and the love of jade, which some anthropologists consider a definin...

Archaic Indian stone fragment carving of a woman's upper half, sitting on Custom Iron stand. Strands of beads cascade down her shapely front. Her outstretched arms are fragmented at the elbows. Reticulated designs are carved behind her. Custom made iron stand is included. Dates between 6th-8th century. Size: 13" H x 12" W x 7.5" D (17" H on stand)

Good white nephrite reproduction of Western Zhou to Han Dynasty of an oval shaped Jade Bi with Chilong mythical beasts. Considering that an original would be over $100,000 USD, this the next best thing. L: 12cm/4.8in and W: 9cm/3.5in.L: 12cm/4.8in and W: 9cm/3.5in. Free shipping.

An archaic style vase with crackle-glaze and simulated metal mounts. On the base is the apocryphal mark of the 15th Century (Ming) Chenghua emperor but this item was made much later , in the 19th Century, probably during the reign of the Tongzhi emperor (1862-1874) when this style was first introduced. Condition - excellent no damage and no restoration. 30cm (11.75 inches) high. Weight - 1.1kg (2lb8oz). 19世纪 仿古风青花三铁观音...

Architectural element with an unusual decoration representing a bird with a human head. Wood, fine age patina. India, early 19th century, maybe earlier. Height: 18.8 cm. Very good condition. A rare piece.

Architectural element which was probably the top part of a household altar. This element --- which represents a protecting ancestor head surmounted by a symbolic coiffe --- is resting on a squarish base. The piece is made of wood with a nice age patina. Indonesia, Leti Island. Height: 57 cm. Partial loss on the top, erosion, otherwise very good condition. Provenance: old French provincial collection. IMPORTANT: owing to the size and weight of the piece, please consult us on the shipping cost. ...

Unusual architectural element, carved in the form of a smiling man standing on the head of a water buffalo ("carabao"). This element was part of the decoration inside a house. Wood, semi glossy patina. Indonesia, Flores Island, mid 20th century. Height: 44 cm. The element is nicely mounted on a custom stand. Very good condition despite some remnants of insect infestation (no danger).

Small architectural element with a finely carved relief decor showing a couple in erotic embrace. Wood, with nice patina. Nepal, early 17th century maybe earlier. Height: 26,5 cm. The piece is nicely mounted on a custom metal stand. Erosion due to great age, otherwise very good condition.

Architectural element --- probably the end of a beam --- carved in the shape of a stylized lion. Wood, with fine dark brown patina. Nepal, 18th century, maybe earlier. Length: 22 cm. Height: 10.5 cm. The back of the element was partly attacked by insects, but there is no more danger. The element is nicely counted on a custom stand. Good condition.

Architectural element, of triangular form, finely carved in relief to represent a celestial being, half chimera half human, carrying a banner and surrounded by clouds. Wood, age patina. Nepal, 18th century. Length: 36.5 cm. Nicely mounted on a custom stand. Good condition.

Wooden ornament, carved in relief on wood, representing Hindu god Kartikeya, with six heads, holding a spear in his right hand, riding his peacock, in a niche, flanked by two other niches in which are shown his two wives, Devasena and Valli. The two other niches are surmounted each by a kala makara (dragon) head. The whole scene is resting on two feet, each decorated in relief with a foliage design. India, 19th century, maybe earlier. Height: 49 cm. Slight abrasion due to age, chip on top, other...

Rectangular rounded netsuke manju, made of ivory and depicting the mighty Shoki with horn eyes. Shoki is a Japanese mythological figure, also known as the demon hunter, who symbolizes protection from evil forces. Adding a touch of sophistication to the manju the sword, with which he fights demons, in mother of pearl and the details of Shoki's robes in tortoiseshell. Origin: Japan Period: Edo 19th century Dimensions: 3.7 x 4.5 x 1.5cm. State of conservation: Very good

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Ninani Dohachi (1783 - 1855) was second in the long line of Kyoto potters that continue to this day to be held in high regard. After the death of his father in 1805, Ninani succeeded his father by taking charge of the family kiln and officially taking the name “Dohachi.” Specializing in porcelain sencha wares done in the style of Annan, Kenzan, Ninsei, and well-known Chinese forms; Ninani showed remarkable versatility as is evidenced by this red Raku tea bowl which shows his supreme competen...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamamizu VI, deno...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea. One of Keinyu’s classic creations, this tea bowl highlights his honed sense of proportion, his versatility as a potter, and ...